This volume brings together Nussbaum's published papers on the relationship between literature and philosophy, especially moral philosophy. The papers, many of them previously inaccessible to non-specialist readers, deal with such fundamental issues as the relationship between style and content in the exploration of ethical issues; the nature of ethical attention and ethical knowledge and their relationship to written forms and styles; and the role of the emotions in deliberation and self-knowledge. Nussbaum investigates and defends a conception of ethical understanding which involves emotional as well as intellectual activity, and which gives a certain type of priority to the perception of particular people and situations rather than to abstract rules. She argues that this ethical conception cannot be completely and appropriately stated without turning to forms of writing usually considered literary rather than philosophical. It is consequently necessary to broaden our conception of moral philosophy in order to include these forms. Featuring two new essays and revised versions of several previously published essays, this collection attempts to articulate the relationship, within such a broader ethical inquiry, between literary and more abstractly theoretical elements.

This volume is the third of Pierre Rousselot's Philosophical Works. It includes seven essays written between 1908 and 1914, one year before his death (two were published posthumously: A Theory of Concepts by Functional Unity and Idealism and Thomism). These essays offer a complement to Rousselot's views on epistemology, which he presented in Intelligence and constitute the core of his Neo-thomistic philosophy. However, besides making his views more clear and specific, these essays also go further than what we had in Intelligence. It is an effort to offer a systematic view on knowledge as the fusion of the knower and the known. These views go significantly beyond St Thomas' doctrine and some of them are rather daring, like Rousselot's notion of an Angel-humanity. The common thread of these essays is the role of love in knowledge. Rousselot's expands St. Thomas' view on knowledge on the mode of nature (per modum naturae) or connaturality and understands love both as an attitude of the knower, who must be in a certain disposition toward the object, and a characterization of the relationship between knower and known. From the introduction by Pol Vandevelde.

This volume is the third of Pierre Rousselot's Philosophical Works. It includes seven essays written between 1908 and 1914, one year before his death (two were published posthumously: A Theory of Concepts by Functional Unity and Idealism and Thomism). These essays offer a complement to Rousselot's views on epistemology, which he presented in Intelligence and constitute the core of his Neo-thomistic philosophy. However, besides making his views more clear and specific, these essays also go further than what we had in Intelligence. It is an effort to offer a systematic view on knowledge as the fusion of the knower and the known. These views go significantly beyond St Thomas' doctrine and some of them are rather daring, like Rousselot's notion of an Angel-humanity. The common thread of these essays is the role of love in knowledge. Rousselot's expands St. Thomas' view on knowledge on the mode of nature (per modum naturae) or connaturality and understands love both as an attitude of the knower, who must be in a certain disposition toward the object, and a characterization of the relationship between knower and known. From the introduction by Pol Vandevelde.

This volume brings together Nussbaum's published papers on the relationship between literature and philosophy, especially moral philosophy. The papers, many of them previously inaccessible to non-specialist readers, deal with such fundamental issues as the relationship between style and content in the exploration of ethical issues; the nature of ethical attention and ethical knowledge and their relationship to written forms and styles; and the role of the emotions in deliberation and self-knowledge. Nussbaum investigates and defends a conception of ethical understanding which involves emotional as well as intellectual activity, and which gives a certain type of priority to the perception of particular people and situations rather than to abstract rules. She argues that this ethical conception cannot be completely and appropriately stated without turning to forms of writing usually considered literary rather than philosophical. It is consequently necessary to broaden our conception of moral philosophy in order to include these forms. Featuring two new essays and revised versions of several previously published essays, this collection attempts to articulate the relationship, within such a broader ethical inquiry, between literary and more abstractly theoretical elements.

Essays by popular children's authors reveal the books that shaped their personal and literary lives, explaining how the stories they loved influenced them creatively, politically, and intellectually.

This collection of original essays, written by scholars from disciplines across the humanities, addresses a wide range of questions about love through a focus on individual films, novels, plays, and works of philosophy. The essays touch on many varieties of love, including friendship, romantic love, parental love, and even the love of an author for her characters. How do social forces shape the types of love that can flourish and sustain themselves? What is the relationship between love and passion? Is love between human and nonhuman animals possible? What is the role of projection in love? These questions and more are explored through an investigation of works by authors ranging from Henrik Ibsen to Ian McEwan, from Rousseau to the Coen Brothers.