The twenty-eight essays of this collection, first published in 1962, are the work of distinguished British, Canadian, and American scholars. The essays range widely over the field of Elizabethan drama, concentrating attention on Shakespeare and Marlowe but not neglecting earlier dramatists such as Kyd and Greene or later ones such as Heywood and Massinger. Among the general topics treated are the staging of the interludes, intrigue in Elizabethan tragedy, and Jacobean stage pastoralism. This title will be of interest to students of English literature.

Elizabethan Theater is a collection of essays offered in celebration of the long career of Samuel Schoenbaum. Throughout his career as biographer, bibliographer, historian, critic, and editor of scholarly journals, he has greatly enriched our appreciation of Shakespeare and his fellows. These essays celebrate the many ways in which he has enhanced our understanding through his skill in balancing historical contexts with a recognition and respect for the importance of individual authorship. Distinguished scholars from many countries, representing many points of view, have chosen to honor Schoenbaum by contributing essays that explore the four overlapping areas with which his own research has mainly been concerned: biographical scholarship, the concept of authorship, the hand of the author perceived within the play, and the multiple historical contexts that helped to determine how Elizabethan plays were written and received.

Examines a variety of plays between 1550-1600 to demonstrate how they asserted ideas and ideals of 'Englishness' for audiences.

Touching on everyone from Marlowe to Middleton, Essays on Elizabethan Drama is a rigorous collection of Eliot’s works on the great dramatists of the 16th century.