This work provides extensive critical analysis of Orhan Pamuk's work. The contributors establish Pamuk as a universal author whose contributions to the genre of novel have not only enriched our understanding of modern Turkish literature, but have generated discussions on national identity.

Knopf Canada is proud to welcome Orhan Pamuk to the list with an inspiring and engaging collection of essays on literary and personal subjects–his first new book since winning the Nobel Prize. In the three decades that Pamuk has devoted to writing fiction, he has also produced scores of witty, moving and provocative essays and articles. Here is a thoughtful compilation of a dazzling novelist’s best non-fiction, offering different perspectives on his lifelong obsessions. Pamuk’s criticism, autobiographical writing and meditations are presented alongside interviews he has given and selections from his private notebooks. He engages the work of other novelists, including Sterne and Dostoyevsky, Salman Rushdie and Patricia Highsmith, and he discusses his own books and writing process. We learn not just how he writes but how he lives as he recounts his successful struggle to quit smoking and describes his relationship with his daughter. Ordinary events–applying for a passport, the death of a relative–inspire extraordinary flights of association as the novelist reflects on everything from the child’s state of being to divergent attitudes towards art in the East and West. Illustrated with photographs, paintings and the author’s own sketches, Other Colors gives us Orhan Pamuk’s world through a kaleidoscope whose brilliant, shifting themes and moods together become a radiant and meaningful whole.

This collection of essays brings together scholarly examinations of a writer who—despite the prestige that the Nobel Prize has earned him—remains controversial with respect to his place in the literary tradition of his home country. This is in part because the positioning of Turkey itself in relation to the cultural divide between East and West has been the subject of a debate going back to the beginnings of the modern Turkish state and earlier. The present essays, written mostly by literary scholars, range widely across Pamuk’s novelistic oeuvre, dealing with how the writer, often adding an allegorical level to the personages depicted in his experimental narratives, portrays tensions such as those between Western secularism and traditional Islam and different conceptions of national identity.

From the Nobel Prize-winning novelist and the acclaimed author of My Name is Red—an inspired, thoughtful, and deeply personal book of essays about reading and writing novels. In this fascinating set of essays, based on the talks he delivered at Harvard University as part of the distinguished Norton Lecture series, Pamuk presents a comprehensive and provocative theory of the novel and the experience of reading. Drawing on Friedrich Schiller’s famous distinction between “naïve” writers—those who write spontaneously—and “sentimental” writers—those who are reflective and aware—Pamuk reveals two unique ways of processing and composing the written word. He takes us through his own literary journey and the beloved novels of his youth to describe the singular experience of reading. Unique, nuanced, and passionate, this book will be beloved by readers and writers alike.

It is April 1900, in the Levant, on the imaginary island of Mingheria-the twenty-ninth state of the Ottoman Empire-located in the eastern Mediterranean between Crete and Cyprus. Half the population is Muslim, the other half are Orthodox Greeks, and tension is high between the two. When a plague arrives-brought either by Muslim pilgrims returning from the Mecca or by merchant vessels coming from Alexandria-the island revolts. To stop the epidemic, the Ottoman sultan Abdul Hamid II sends his most accomplished quarantine expert to the island-an Orthodox Christian. Some of the Muslims, including followers of a popular religious sect and its leader Sheikh Hamdullah, refuse to take precautions or respect the quarantine. And then a murder occurs. As the plague continues its rapid spread, the Sultan sends a second doctor to the island, this time a Muslim, and strict quarantine measures are declared. But the incompetence of the island's governor and local administration and the people's refusal to respect the bans doom the quarantine to failure, and the death count continues to rise. Faced with the danger that the plague might spread to the West and to Istanbul, the Sultan bows to international pressure and allows foreign and Ottoman warships to blockade the island. Now the people of Mingheria are on their own, and they must find a way to defeat the plague themselves. Steeped in history and rife with suspense, Nights of Plague is an epic story set more than one hundred years ago, with themes that feel remarkably contemporary.

When Orhan Pamuk won the Nobel Prize for Literature in 2006, he was honored as a builder of bridges across a dangerous chasm. By rendering his Turkish characters and settings familiar where they would otherwise seem troublingly foreign, and by speaking freely against his authoritarian state, he demonstrated a variety of literary greatness that testified also to the good literature can do in the world. Gloria Fisk challenges this standard for canonization as “world literature” by showing how poorly it applies to Pamuk. Reading the Turkish novelist as a case study in the ways Western readers expand their reach, Fisk traces the terms of his engagement with a literary market dominated by the tastes of its Anglophone publics, who received him as a balm for their anxieties about Islamic terrorism and the stratifications of global capitalism. Fisk reads Pamuk’s post-9/11 novels as they circulated through this audience, as rich in cultural capital as it is far-flung, in the American English that is global capital’s lingua franca. She launches a polemic against Anglophone readers’ instrumental use of literature as a source of crosscultural understanding, contending that this pervasive way of reading across all manner of borders limits the globality it announces, because it serves the interests of the Western cultural and educational institutions that produce it. Orhan Pamuk and the Good of World Literature proposes a new way to think about the uneven processes of translation, circulation, and judgment that carry contemporary literature to its readers, wherever they live.

From Orhan Pamuk, winner of the 2006 Nobel Prize in Literature, and author of My Name is Red and Istanbul, comes a collection of immediate relevance and timeless value. His original pieces have been sympathetically revisited by the author, and the result is a new work of great narrative richness and intensity. Other Colours ranges from lyrical autobiography to essays on literature and culture, from humour to political analysis, from delicate evocations of his friendship with his daughter to provocative discussions of Eastern and Western art. Reflections on Pamuk's first passport, his first trip to Europe, his father's death, his political views, his recent court case, and the Istanbul earthquake share space with a collection of pieces on writers as various as Laurence Sterne and Fyodor Dostoyevsky, Vladimir Nabokov and Mario Vargas Llosa. There are sections on Istanbul, New York - where Pamuk lived for two years - and on the writing of each of his novels. Interspersed among these are some of Pamuk's own illustrated works of art, and a short story 'Looking Out the Window'. My Father's Suitcase, Pamuk's 2006 Nobel Lecture, a brilliant illumination of what it means to be a writer, completes the selection from one of literature's most eminent and popular figures.