Fifteen years ago, Dorion Cairns concluded an article on phenome nology with a cautious appraisal of its influence in America. "Thus far," he wrote, "it continues to be an exotic." The situation today has changed: translations of the writings of Husserl, Heidegger, Marcel, Sartre, and Merleau-Ponty have appeared, and commentaries on these and related thinkers are not uncommon. Moreover, discussion of phenomenological problems is increasingly becoming part of the American (if not the British) philosophical scene. Phenomenology is in danger of domestication! Signs of its accommodation include a willingness to pay tribute to HusserI's Logical Investigations by those who find relatively little to interest them in his later work, a location of what are taken to be common themes and underlying convergences of emphasis in Continental phenomenology and Anglo-American philosophy of the more nearly Wittgensteinian and Austinian varieties, and a growing impatience (shared by some phenomenologists) with expositions, explications, and interpretations of Husserl's work at the expense of original applications of phenomenology. Most bluntly put, the attitude is: Don't talk about it; do it! It would seem that we have arrived at a point where introductions to phenomenology are of doubt ful value, if not superfluous. The present collection of essays is based on different assumptions and points to an alternative conception of the role of both methodology and originality in phenomenological work

During the first decade of its existence, from 1999 to 2008, the Society for Phenomenology and Media held annual international conferences in San Diego (California), Puebla (Mexico), Krakow (Poland), Helsinki (Finland), Buenos Aires (Argentina), Provo (Utah), and Monmouth (Oregon). Papers delivered at these conferences were published in the Society's journal, Glimpse. The current volume is an anthology of essays drawn from the first ten years of Glimpse. From its birth, the Society sought to bridge the gap between contemporary media theory and practice and phenomenological insight. Essays in this anthology include work on digital representation, film, mobile communication, cyberspace, medieval manuscripts, print, radio, the stage, TV, virtual reality, and other media, as well as theoretical papers dealing with media aesthetics, epistemology, ethics, politics, and ontology.

Substantial encouragement for this volume came from the editors and readers of the Studies for Phenomenological and Existential Philosophy (SPEP) at Northwestern University Press. But its publi cation has been made possible only by the unqualified and un abridged acceptance of the Editorial Board of Phaenomen%gica, which at the time was still headed by its founder, the late Professor H. L. Van Breda, who welcomed the manuscript most generously. This makes his untimely passing even more grievous to me. The stylistic copy editing and proof reading were handled ef ficiently by Ruth Nichols Jackson, secretary of the Philosophy Department. In the proof reading I also had the able help of my colleague Stanley Paulson. I dedicate this book to the memory of my late brother, Dr. chern. Erwin Spiegelberg, at the time of his death assistant professor at the University of Rio de Janeiro, who preceded me by two years in emigrating from Nazi Germany. When in 1938 he put an end to his life in an apparent depression, he also did so in order not to become a burden to his brothers, who were on the point of following him. Whatever I, more privileged in health and in opportunities in the country of my adoption, have been able to do and achieve since then has been done with a sense of a debt to him and of trying to live and work for him too.

This collection explores the structure of consciousness and its place in the world, or inversely the structure of the world and the place of consciousness in it. Amongst the topics covered are: the phenomenological aspects of experience, dependencies between experience and the world and the basic ontological categories found in the world at large. Developing ideas drawn from historical figures such as Descartes, Husserl, Aristotle, and Whitehead, the essays together demonstrate the interdependence of ontology and phenomenology and its significance for the philosophy of mind.

What is elegance? Is it a quality of movement or gesture? Or is it rather connected to the way someone dresses up? Can we think of an elegant object or an elegant speech? These questions point at the ambiguity elegance presents any person wanting to reflect on it. The Reconciled Body responds to this challenge by looking at the birthplace of elegance: a subject’s experience. From movement consciousness to dreaming, from attention to the upright posture, this book presents the reader with first-person moments that are fundamental in shaping someone’s intimate sense of elegance. In the end, the reader is invited to reflect on the value of elegance and its potential in reconfiguring someone’s I-world relation: is it worth opposing the nature of consciousness to experience the self and other in a radically different manner? *** Simionescu’s brilliant formula on elegance conveys a sense of measure and a self-limitation in one’s unconventional conducts, fulfilling the characteristic, albeit subtle, moral nuance carried by the meaning of the word “elegance.” Following the main methodological rule of classical phenomenology, and at the same time drawing on contemporary research about embodiment and movement, the author finds his way to “material” axiology by a bottom-up analysis of the intuitive, lived matter of this value, laying the foundations of a phenomenology of elegance. (Roberta de Monticelli)

For fifty years Hubert Dreyfus has done pioneering work which brings phenomenology and existentialism to bear on the philosophical and scientific study of the mind. This is a selection of his most influential essays, developing his critique of the representational model of the mind in analytical philosophy of mind and mainstream cognitive science.

Included are essays in epistemology, metaphysics, and philosophical psychology by one of the most important twentieth-century continental philosophers.