Anything but a detached theorist, Clausewitz was as fully engaged in the intellectual and cultural currents of his time as in its political and military conflicts. Late-eighteenth century thought helped shape the analytic methods he developed for the study of war. The essays in this volume follow his career in a complex military society, together with that of other students of war, both friends and rivals, providing a broad perspective that leads to significant documents so far unknown or ignored. They add to our understanding of Clausewitz’s early ideas and their expansion into a comprehensive theory that continues to challenge our thinking about war today.

The articles collected here (two appearing for the first time in English) cover a number of topics central to naval history and illustrate the author's contention that this is not only, or even chiefly, a distinct area of special study, but rather a central theme running through the history of England, and of the whole British Isles. Though the subjects and the styles vary a good deal, the studies are linked by a common approach and some common ideas. Hence many examine ways in which naval history has formed a key element in such subjects as intellectual, religious, administrative or medical history and explored the nature and meaning of sea power as a theme. At the same time naval history is a technical subject, which demands a willingness to understand warships - the most complex artefacts - and the structure of large and complex organisations. Detailed evidence about ships and weapons can build large conclusions, for example about late Anglo-Saxon government and military organisation, or about the nature of warfare at sea in the Renaissance era. While mostly written from the British point of view, several essays explicitly survey naval developments over a range of countries, and even the most narrowly focused are at least implicitly aware of the wider world of war at sea.

The incredible true account of World War I in Africa and General Paul von Lettow-Vorbeck, the last undefeated German commander. “Let me say straight out that if all military histories were as thrilling and well written as Robert Gaudi’s African Kaiser, I might give up reading fiction and literary bio­graphy… Gaudi writes with the flair of a latter-day Macaulay. He sets his scenes carefully and describes naval and military action like a novelist.”—Michael Dirda, The Washington Post As World War I ravaged the European continent, a completely different theater of war was being contested in Africa. And from this very different kind of war, there emerged a very different kind of military leader.... At the beginning of the twentieth century, the continent of Africa was a hotbed of international trade, colonialism, and political gamesmanship. So when World War I broke out, the European powers were forced to contend with one another not just in the bloody trenches, but in the treacherous jungle. And it was in that unforgiving land that General Paul von Lettow-Vorbeck would make history. With the now-legendary Schutztruppe (Defensive Force), von Lettow-Vorbeck and a small cadre of hardened German officers fought alongside their fanatically devoted native African allies as equals, creating the first truly integrated army of the modern age. African Kaiser is the fascinating story of a forgotten guerrilla campaign in a remote corner of Equatorial Africa in World War I; of a small army of ultraloyal African troops led by a smaller cadre of rugged German officers—of white men and black who fought side by side. But mostly it is the story of von Lettow-Vorbeck—the only undefeated German commmander in the field during World War I and the last to surrender his arms.

The period 1866–1920 saw the rise and ruin of imperial Germany, and Hans Delbrück (1848–1929) reported on the events of those years from a uniquely privileged position. A professor of history at the University of Berlin, editor of the Prussian Annals—the most famous journal of political commentary of his day—and a delegate to the Paris Peace Conference, he also moved among political, cultural, and military elites. Delbrück pioneered the techniques of modern military history, studying tactics and technology as well as the social, political, and economic context of military operations. His four-volume History of the Art of War is a classic of German and military history. This volume reveals the tension between Delbrück’s patriotism and his scholarship, which helped him to recognize German military failings. The twenty-four readings, comprising letters written to his mother while he served in the Franco-Prussian War of 1870 and essays, reviews, commentaries, and speeches on military figures, historians, and events through World War I, show his talents as a historian and political commentator. Arden Bucholz’s introduction and headnotes illuminate the context of Delbrück’s life and work.

Although war memoirs constitute a rich, varied literary form, they are often dismissed by historians as unreliable. This collection of essays is one of the first to explore the modern war memoir, revealing the genre’s surprising capacity for breadth and sophistication while remaining sensitive to the challenges it poses for scholars. Covering conflicts from the Napoleonic era to today, the studies gathered here consider how memoirs have been used to transmit particular views of war even as they have emerged within specific social and political contexts.