Um romance sobre a nossa dificuldade em julgar os outros e aceitar que nos julguem. "" - Achas que ele e dos bons ou dos maus? - Nao faco a minima ideia, e espero nem vir a saber. - Espero que ele seja bom. - Porque? O que e que isso te interessa? - Nao sei. Mas nao preferes que as pessoas sejam boas em vez de mas? - Acho que ele deve ser bom para as pessoas de quem gosta e mau para as que nao gostam dele. - Es tao racional... E eu sou boa ou ma? - Eu acho-te boa, respondeu com um grande sorriso nos labios. ""

In 2004, the Centro Cultural de Belem in Lisbon organized the exhibition Mirror, Mirror, which presented images of Portugal as seen by 13 Magnum photographers. The exhibition and this accompanying catalogue provide a look at Portugal from the 1950s to the present through the eyes of some of the world's foremost journalistic and artistic photographers. To give a broad vision of the country's development over the last 50 years, the exhibition features images from the Magnum archives alongside recently commissioned work by Josef Koudelka, Susan Meiselas, and Miguel Rio Branco. Besides those mentioned above, the catalogue has 100 color and tritone plates featuring images by the following photographers: Bruno Barbey, Henri Cartier-Bresson, Thomas Hoepker, Jean Gaumy, Bruce Gilden, Guy Le Querrec, Inge Morath, Martin Parr, Gilles Peress and Gueorgui Pinkhassov.

Apresentando Marry, uma moça com seus 24 anos, e que acaba de passar pelo seu pior momento, logo quando ela desiste dos relacionamentos, e está decidida a não se apegar mais a ninguém, a vida decide surpreende-lá.

While a feminine perspective has become more common on Latin American stages since the late 1960s, few of the women dramatists who have contributed to this new viewpoint have received scholarly attention. Latin American Women On/In Stages examines twenty-four plays written by women living in Argentina, Brazil, Chile, Costa Rica, Mexico, Puerto Rico, and Venezuela. While all of the plays critique the restraints placed on being female, several also offer alternatives that emphasize a broader and healthier range of options. Margo Milleret, using an innovative comparative and thematic approach, highlights similarities in the techniques and formats employed by female playwrights as they challenged both theatrical and social conventions. She argues that these representations of women's lives are important for their creativity and their insights into both the personal and public worlds of Latin America.

A. A. DaSilva nasceu em Vilar de Nantes, Chaves, quando pelos fi ns de Fevereiro de 1946 os salgueiros começavam a lançar os primeiros botoes. Estudou Humanidades com os Padres Vicentinos. Frequentou o ISEE (Instituto Superior de Estudos Eclesiásticos), em Lisboa, onde cursou Filosofia e Teologia. Trabalhou em Cabinda, para a Cabinda Gulf Oil, como intérprete e "Time-keeper". Foi professor, empregado bancário e chefe de Importaçoes e Exportaçoes, em Moçambique, onde casou e viveu quase vinte anos. Na London Guildhal University, em ligaçao com a La Universidad de Alcalá de Henares cursou Psicologia e Línguas Modernas. Vive em Londres e aí trabalha em ligaçao com várias Organizaçoes ligadas à Saúde Mental.

Much revised and updated, this edition (last, 1990) first discusses the trend toward democracy in the face of inequitable income distribution, debt, and violence. The remainder of the volume consists of a country-by-country political analysis of Latin America, including the Caribbean. Annotation copyright by Book News, Inc., Portland, OR

A LITERARY WORK OPEN TO ALL AGES, FULL OF HUMOR AND EXCHANGE OF LIFE S EXPERIENCES.