This historical analysis of the political and religious relationship of Britain and Spain, from 12th-century dynastic alliances to the Spanish support of the English-American invasion of Iraq, asserts that there have been many significant links between the two countries over the past 800 years. While England and Spain were rivals in the New World, British and Spanish troops fought side by side for causes of mutual concern during the Peninsular War, Spanish Civil War, and World War II. This bittersweet relationship has been fundamental to Continental politics and the position of each country in the international realm.

The year is 1597. For nearly a decade, the island of Britain has been under the rule of King Philip in the name of Spain. The citizenry live under an enforced curfew—and in fear of the Inquisition’s agents, who put heretics to the torch in public displays. And with Queen Elizabeth imprisoned in the Tower of London, the British have no symbol to unite them against the enemy who occupies their land. William Shakespeare has no interest in politics. His passion is writing for the theatre, where his words bring laughter and tears to a populace afraid to speak out against the tyranny of the Spanish crown. But now Shakespeare is given an opportunity to pen his greatest work—a drama that will incite the people of Britain to rise against their persecutors—and change the course of history.

`The War of Jenkins Ear' examined for the first time in a full-length study, looking at the vitality of popular politics and the inner workings of Parliament during the time.

This book seeks to bridge a gap in the historiography of Spain and Great Britain by arguing that while the eighteenth century witnessed periods of tension, conflict and hostility between the two powers, their relationship remained multifaceted and significant in other spheres. Throughout the eighteenth century, Spain and Great Britain passed through phases of open warfare, armed peace and deep suspicion. The British capture of Gibraltar and Menorca dealt a severe blow to the newly established Bourbon dynasty in Spain. Even in times of war, however, not all communication channels were closed, with numerous formal and informal contacts being made despite the volatile political climate and enmities. The contributors of this book go beyond the well-known animosity and conflicts to explore the spectrum of interactions, encompassing cultural exchange, traditional diplomacy, trade and espionage plus a multitude of other facets. This book is a valuable resource for researchers and students interested in the complex relations between Great Britain and Spain during the eighteenth century, as well as for a broader audience of historians and both undergraduate and postgraduate students of history and international relations.

The years between the accession of the house of Bourbon to the Spanish throne in 1700 and the coronation of Carlos III in 1759 have often been bundled up, and dismissed, together with the later years of Habsburg rule. Growing out of the first Anglophone academic workshop to focus exclusively on Early Bourbon Spanish America, this collective volume gives prominence to the first half of the eighteenth century as a distinct historical period. Discussing from different methodological and geographical perspectives the ways in which the Bourbon succession, international competition over access to Spanish American resources, and war affected the Indies, the contributors examine some of the key changes experienced in Spanish America at the local, provincial and imperial level.

Samuel Johnson, one of the most renowned authors of the eighteenth century, became virtually a symbol of English national identity in the century following his death in 1784. In Samuel Johnson and the Making of Modern England Nicholas Hudson argues that Johnson not only came to personify English cultural identity but did much to shape it. Hudson examines his contribution to the creation of the modern English identity, approaching Johnson's writing and conversation from scarcely explored directions of cultural criticism - class politics, feminism, party politics, the public sphere, nationalism, and imperialism. Hudson charts the career of an author who rose from obscurity to fame during precisely the period that England became the dominant ideological force in the Western world. In exploring the relations between Johnson's career and the development of England's modern national identity, Hudson develops new and provocative arguments concerning both Johnson's literary achievement and the nature of English Nationhood.