The Sacred Realm of Freemasonry Awaits Esoteric Freemasonry takes you deep into the mystical side of this fascinating secret society and shows you how to carry out the most powerful practices. Learn how to enter your inner temple and accomplish the ancient mysteries. Discover the compelling links to Egyptian Freemasonry as you progress through the degrees of initiation. Using this guide's profound rituals and its exploration of Masonic tradition, you'll take the next step in your spiritual practice and improve all realms of life. As a leading Mason in Europe, Jean-Louis de Biasi was appointed Grand Officer after successfully restoring the esoteric and Egyptian degrees in one of the most important French Masonic groups, the Grand Orient of France. With access to highly restricted teachings, Jean-Louis is a foremost authority on little-known rituals and practices that can be used by lodges and individually. Freemasonry is an ancient and powerful initiatic organization, with both public and esoteric doctrines. The inner teachings and practices of the esoteric tradition are indispensable for any serious student of this often misunderstood fellowship.

This Text presents an introduction to the Alchemical Philosophy of the Ancient Mysteries, it contains extracts from many different books and is organized into 2 main sections: 1) An explanation of the Alchemical Symbolism which has 3 parts that are mostly extracts from 3 of Jean Marie Ragon's books published together in 1853: Masonic Orthodoxy, Philosophical Masonry and Occult Masonry. Taken together, these extracts are a wonderful synthesis of how Masonry is a continuation of the Ancient Mysteries. 2) Contains the Instructions and/or Catechisms from 3 different French Masonic orders: FRENCH RITE (early to mid 1700s), ADONHIRAMITE RITE (late 1700s), and MEMPHIS RITE (mid 1800s). These show the Ancient Philosophical, Hermetic, and Alchemical symbolism which was explained in the first section. Finally, in the Editor's Appendix, there is an explanation of the "Masonic Tablet", followed by an article about the "Generation of Beings" and then a list of the "Shem Hamphorash" or the '72 Names of God'.

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Written by an expert on "the craft," this classic traces Freemasonry's origins from biblical times to its practice among America's founding fathers. It also explores philosophical, symbolic, and ritual traditions.

It deals extensively with Decembrism, the political conspiracy so known after its culmination in a failed attempt to overthrow the tsarist autocracy in December 1825. The Decembrist writers and other romantics influenced by Freemasonry, including Kondraty Ryleyev, Alexander Bestuzhev-Marlinsky, and Alexander Pushkin, were adept in the application of thaumaturgical skills to literature.

For more than three hundred years the practice of Masonic rituals of initiation has been part of Western culture, spreading far beyond the boundaries of traditional Freemasonry. Henrik Bogdan explores the historical development of these rituals and their relationship with Western esotericism. Beginning with the Craft degrees of Freemasonry—the blueprints, as it were, of all later Masonic rituals of initiation—Bogdan examines the development of the Masonic High Degrees, the Hermetic Order of the Golden Dawn—the most influential of all nineteenth-century occultist initiatory societies—and Gerald Gardner's Witchcraft movement of the 1950s, one of the first large-scale Western esoteric New Religions Movements.

Reveals how the art of memory is the origin of the Masonic method • Explains the classical techniques of the art of memory, how they were reworked by hermetic thinkers during the Renaissance, and how they contributed to the transformation of operative Freemasonry into speculative Freemasonry • Traces the creation of speculative Freemasonry to 1637, one hundred years earlier than previously thought • Explores how the “memory palaces” created with the art of memory enabled access to universal knowledge as well as represented the Masonic temple in its imaginary state In Antiquity, the art of memory was a mnemonic device that allowed an orator, such as Cicero, to recall all the points he wished to make by associating each of them with an image or architectural element in the site he was speaking. When this art was rediscovered in the Renaissance, hermetic thinkers like Giordano Bruno reworked it into a method that allowed them to acquire knowledge with the creation of “memory palaces.” The elements of these memory palaces were not intended to trigger the memory but would actually transform into talismanic objects with knowledge entirely new to the seeker. In this book, Charles B. Jameux shows that this hermetic reworking of the classical art of memory was no mystery to operative Masons, who grafted it onto their own rituals, catalyzing the transformation of operative Masonry into speculative Masonry. He shows how the hieroglyphic writing used during the Renaissance in the art of memory provided the groundwork for one of the most esoteric elements of masonic practice: the grasp of the realm of image by the letter, where symbols were “buried” within words. Using archival evidence from 17th-century Scotland and earlier, combined with the research of modern scholars such as Frances Yates and David Stevenson, Jameux argues that the creation of speculative Freemasonry can be traced back 100 years earlier than conventional history records--to 1637, when the first recorded use of the Mason’s Word appeared and with it, the first known appearance of the symbolic Temple of Solomon. He follows Giordano Bruno’s visit to the British Isles in the late 16th century and the subsequent activities of the men he met there, showing that Masonic symbolism owes much of its current form to early memory palaces, which represented the Masonic lodge and temple in their fully imaginary states. Revealing the pivotal role of the memory palace and hermetic traditions in early Masonic symbolism, Jameux sheds new light on the Masonic questions asked of each initiate and the spiritual importance of the Temple of Jerusalem to Freemasonry.