General Sharaya touched Duchess’ dark brown hair as she lay weak and dying on the cold stone floor of their jail cell. The dark star Epsilon Eridani finally succeeded in taking her star stone. Duchess has yet to learn that General Sharaya is her cousin and that she herself is Faree. 18 year old Duchess is a simple village girl that has no idea that she is at the center of the most epic war of the ages that is soon to come. Duchess tries desperately to escape her village upbringing and dreams of becoming a dancer in the famous Royal Clown Ballet. Duchess has not been told the truth about her royal fairy lineage and falls victim to a universal plot; conjured by the dark star Epsilon Eridani. The clowns easily ensnare Duchess by seducing her with the life she’s always dreamed of. After Duchess escapes her kidnapper, she wakes up in the grandest room she has ever been in. When she gets up to look out of her window, she realizes that she is in the Grand Clown Plaza Hotel located in the center of Clown Town. King Clownington quickly learns of Duchess’ arrival to Clown Town and immediately plots with Epsilon on how to extract her star stone. Epsilon learned from killing many fairies that star stones must be freely given in order to retain their power and cannot be extracted under duress. King Clownington orders his son Jax to court Duchess and the entire clown family does all that they can to trick Duchess into sacrificing her stone. Duchess falls in love with the king’s son but starts to grow suspicious when she tries to leave Clown Town and is not able to. General Sharaya sends Duchess a seemingly cryptic message about the clowns that Duchess fails to understand, until it’s too late. With the universe on the brink of a war that has the power to penetrate space and time, will Duchess become trapped by her hatred of the clowns or freed by her new found destiny?

The Dead Lady of Clown Town' is a retelling of the story of Joan of Arc. Even though humanity achieved a utopian state, people still live sterile and shallow lives. The underpeople are modified animals who look human and have human intelligence but have no rights and are treated like animals, to be used and destroyed without a doubt. But there exists one hope for the underpeople that can bring them equality.

DigiCat Publishing presents to you this special edition of "The Dead Lady of Clown Town" by Paul Myron Anthony Linebarger. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Clown Town is true story/social Chicago history of a baby boomer's struggle with death phobia filtered through a child's perspective. The title refers to an imaginary world created by the young protagonist, Pudgie, to pacify his younger friend's curiosity about the real world of school. Pudgie's real world, however, is a horrific world of indignity, humiliation, anger, and fear. Clown Town is a utopian world of fantasy for young boys growing up in a Chicago suburb during the 1950s. The Prologue establishes the adult first-person narrator in the present tense. He is forced to reminisce about his youth when the eminent death of his mother rekindles old fears and personality quirks that had haunted his life. His journey backward leads the reader to the death of a neighborhood man, the death of Pudgie's grandfather, and the death of a schoolmate in a historic Chicago school fire of 1958. Pudgie also struggles with a volatile temper when teased about his crossed left eye. The temper threatens his existence in a "normal" school. Along the way, the narrative treats the reader to a nostalgic look at the 1950s (the music, the cars, the TV shows, the movies, the mores), a naive child's interpretation of sex, and an adult perspective of childhood adventures such as smoking, competing in sports, and participating in petty crime."

Read Christopher John Campion's posts on the Penguin Blog. Indie rock raconteur Chris Campion-one of the few patients ever to escape from Bellevue's locked ward-recalls his band's tumultuous ride, his plummet into addiction, and the strange road back to sobriety Chronicling more than twenty years in the life of a Long Island kid who became a hardcore fixture of Manhattan's indie rock scene, Escape from Bellevue is a coming-of-age tale like no other. As the lead singer of New York-based indie rock band Knockout Drops, Campion got a taste of fame (but, alas, no fortune) on a wild ride that lasted from the early 1980s through the 1990s. Escape from Bellevue puts the spotlight on the collective psychosis of twenty years spent in a rolling bacchanal. Just as the Knockout Drops reached the height of their success, Campion began his downward spiral. After finally coming to grips with his addictions, Campion molded his songs and stories into a sold-out off-Broadway musical. Now, presenting these tales in a memoir of madness and redemption, Campion once again proves to possess the creative genius of a die-hard front man.

On the face of it, Winston Churchill and Charlie Chaplin—two icons of the twentieth century—couldn’t be more different. One is the grand statesman whose resolve led a nation in the struggle against Nazi Germany, the other the world-famous actor and comedian behind The Great Dictator, whose owns roots were in poverty and hardship. But in this moving novel, they are bound by a dark secret: both suffer from depression. When a chance encounter reveals what they share, an unusual and unlikely friendship ensues. A series of therapeutic meetings across the world, in Germany, England, and America, sees each become the other’s confidant as they talk of their “black dog days.” With the eye of a masterfully subtle narrator, Michael Köhlmeier imagines a startling friendship of unique understanding between this extraordinary pair: a friendship of the twentieth century between art and politics, humor and seriousness, but which at heart remains an understanding between two men—the poor tramp and the grand statesman—who bring together the history of the century.