From the legendary dance critic Deborah Jowitt, Errand into the Maze is the definitive biography of the visionary dancer and choreographer Martha Graham. “Deborah Jowitt chronicles a life passionately, artfully lived. An essential read about a true legend.” —Mikhail Baryshnikov In the pantheon of American modernists, few figures loom larger than Martha Graham. One of the greatest choreographers ever to live, Graham pioneered a revolutionary dance technique—primal, dynamic, and rooted in the emotional life of the body—that upended traditional vocabulary and shaped generations of dancers and choreographers across the globe. Over her sweeping career, she founded what is now the oldest dance company in the country and produced nearly two hundred ballets, many of them masterpieces. And along the way, she engaged with the major debates, events, and ideas of the twentieth century, creating works that cut to the core of the human experience. Time magazine’s “Dancer of the Century,” and the first dancer and choreographer to be awarded the Presidential Medal of Freedom, Graham was a visionary artistic force and an international cultural figure: hers was the iconic face of what came to be known as modern dance. From the renowned dance writer and former longtime critic for The Village Voice Deborah Jowitt, Errand into the Maze draws on more than a decade of firsthand research to deliver the definitive portrait of this titan. Beginning with Graham’s childhood in Allegheny, Pennsylvania, and her early studies at the Denishawn School; weaving in her offstage adventures, including her relationship with her dancer and muse Erick Hawkins; and chronicling her retirement from dancing at age seventy-five and her remarkably productive final years, this elegant, empathetic biography portrays the artist in all her passionate complexity. Most important, Jowitt places Graham’s creations at the heart of her story. Her works, brimming with raw intensity, are intimately linked with their creator, who played the heroine in almost all that she choreographed: Joan of Arc, Jocasta, Clytemnestra, and Judith, among others. In this volume, Graham is centerstage once more, and Jowitt casts a brilliant spotlight on her life and work.

When World War II was over, a young bomber pilot with an itch for movement and action hung up his cap and learned another way to fly. Onstage with Martha Graham is the story of Stuart Hodes, a versatile and influential dancer who got his start with Martha Graham, an icon of modern dance. His memoir is a rare firsthand view of the dance world in the 1940s and through the end of the twentieth century. One of the few male dancers in Graham’s company—and in the New York dance scene at the time—Hodes offers a unique perspective and a one-of-a-kind narrative. He describes how he fell into the art by chance, happening to walk into Graham’s studio one day. He was soon hooked. He documents his experiences, travels, passions, and loves while learning from and performing with Graham, during which time he saw most of the United States, much of Europe, and some of Asia. Advancing quickly, he eventually danced as Graham’s partner in Appalachian Spring, Deaths and Entrances, Every Soul Is a Circus, and Errand into the Maze. In his portrait of Martha Graham, who was the center of his dancing world, Hodes recounts conversations, revelations, bouts of temper and creativity, the daily ritual of deeply physical dancing, and the never-ending search for artistic validity. Direct, often humorous, and always authentic, Hodes shares his delight in dance as both hard work and a fantastic adventure.

The second volume of writings by Los Angeles artist Mike Kelley, focusing on his own work. What John C. Welchman calls the "blazing network of focused conflations" from which Mike Kelley's styles are generated is on display in all its diversity in this second volume of the artist's writings. The first volume, Foul Perfection, contained thematic essays and writings about other artists; this collection concentrates on Kelley's own work, ranging from texts in "voices" that grew out of scripts for performance pieces to expository critical and autobiographical writings.Minor Histories organizes Kelley's writings into five sections. "Statements" consists of twenty pieces produced between 1984 and 2002 (most of which were written to accompany exhibitions), including "Ajax," which draws on Homer, Colgate- Palmolive, and Longinus to present its eponymous hero; "Some Aesthetic High Points," an exercise in autobiography that counters the standard artist bio included in catalogs and press releases; and a sequence of "creative writings" that use mass cultural tropes in concert with high art mannerisms—approximating in prose the visual styles that characterize Kelley's artwork. "Video Statements and Proposals" are introductions to videos made by Kelley and other artists, including Paul McCarthy and Bob Flanagan and Sheree Rose. "Image-Texts" offers writings that accompany or are part of artworks and installations. This section includes "A Stopgap Measure," Kelley's zestful millennial essay in social satire, and "Meet John Doe," a collage of appropriated texts. "Architecture" features an discussion of Kelley's Educational Complex (1995) and an interview in which he reflects on the role of architecture in his work. Finally, "Ufology" considers the aesthetics and sexuality of space as manifested by UFO sightings and abduction scenarios.

Often called the Picasso, Stravinksy, or Frank Lloyd Wright of the dance world, Martha Graham revolutionized ballet stages across the globe. Here, Franko reframes Graham's most famous creations by showing how she wove together strands of love, passion, politics, and myth to create an American school of choreography and dance.

From the author of the New York Times bestselling Natchez Burning trilogy and the Penn Cage series, and hailed by Dan Brown (The Da Vinci Code) for his “utterly consuming” suspense fiction, Greg Iles melds forensic detail with penetrating insight in this novel that delves in the heart of a killer in a Mississippi town. Some memories live deep in the soul, indelible and dangerous, waiting to be resurrected… Forensic dentist “Cat” Ferry is suspended from an FBI task force when the world-class expert is inexplicably stricken with panic attacks and blackouts while investigating a chain of brutal murders. Returning to her Mississippi hometown, Cat finds herself battling with alcohol, plagued by nightmares, and entangled with a married detective. Then, in her childhood bedroom, some spilled chemicals reveal two bloody footprints…and the trauma of her father’s murder years earlier comes flooding back. Facing the secrets of her past, Cat races to connect them to a killer’s present-day violence. But what emerges is the frightening possibility that Cat herself might have blood on her hands… “As Southern Gothic as it gets” (Kirkus Reviews), Greg Iles’s Blood Memory “will have readers turning pages at a breakneck pace” (New Orleans Times-Picayune).