Some sculptures adorning the outer walls of the temples of medieval period of India, depict bold erotic themes of sexual act or union of male and females in unusual postures. This has evoked curiosity in many lovers of art and philosophy as to why erotic sculptures were part of temple architecture. This well illustrated research work explores the intentions of such sculptural representations and derives how the highly abstract, philosophical and universal topic of taming the mind through Raja yoga and forms of tantra yoga has been translated into the very attractive figurative form and presented in temples to give information about the esoteric knowledge.

Some sculptures adorning the outer walls of the temples of medieval period of India depict bold themes of love, and is presented along with figures of deities or puranic episodes. This set of love sculptures has evoked curiosity in many researchers of art and philosophy as to why pairing or Mithuna sculptures were part of temple architecture. This well illustrated research work explores the intentions of such sculptural representations and derives how the highly abstract, philosophical and universal topic of taming the mind through Raja yoga and forms of Tantra yoga has been translated into the very attractive figurative form and presented in temples to give information about the various forms of yogic principles that guide towards the attainment of bliss.

This book on Apsaras in Hoysala art with particular reference to the Belur Chennakesava temple is dealt in two parts, viewing apsara as a dancer and a philosopher. Part one is about the dance of apsara, while part two is about the psychological states of awareness levels that are depicted. It is like exploring the external and the internal world of apsaras. Part I deals with the apsara`s skills in dance and dramaturgy, precisely a study of the depiction of Rasas - the sentiments in sculptures, that are viewed through the medium of Natyasastra and Dasarupaka - a treatise on Indian dance, music and dramaturgy. Part I is a study of the superficial aspects like the theme, the posture, the accessories used, the actions of the attendants and so on. Apsaras are viewed as dancers, who deserve to be elevated to the status of permanent guides for the aspect of rasas.

- A privileged visual journey through one of the most famous Indian heritage sites Situated in the northern Indian state of Madhya Pradesh, Khajuraho is renowned as much for the elegance of its architecture as for the sensuality of its sculpture. Khajuraho has become one of the unmissable sights for any traveler to India, and owes its international reputation to the lavishness of its numerous Hindu shrines. Formerly an important political and religious center, it is thought to have contained up to ninety-five temples, as the many ruins concealed under otherwise-anonymous hillocks scattered throughout the valley attest. Only twenty-five survive. The earliest mention of Khajuraho dates from the seventh century. After the collapse of the Candella kingdom, the site experienced almost four centuries of oblivion, and the once proud city-state turned into a sleepy village nestling in what had become an arid basin for several months of the year. British hunters rediscovered it quite by chance at the beginning of the nineteenth century. Since then, the area has undergone several phases of restoration, as befits one of the leading sites of the world's cultural heritage. The highly unusual nature of its temple depictions has given this area a somewhat 'scandalous' reputation, unleashing, over the years, interpretations of all kinds.