Indulge in an exhilarating journey of passion and desire with our collection of 100 seductive romance stories for adults. Dive into a world where sizzling encounters, forbidden love, and untamed fantasies await at every turn. With each story carefully crafted to ignite your senses, you'll find yourself captivated by the raw emotion and intense intimacy that unfolds on every page. Immerse yourself in a whirlwind of steamy escapades as you explore the depths of human connection through these captivating tales. From sensual encounters that leave you breathless to heart-pounding moments of pure ecstasy, this collection promises to awaken your deepest desires and unleash your innermost passions. Whether you're seeking an escape from reality or simply craving a tantalizing read, these stories will envelop you in a realm where sultry romance knows no bounds. With 100 unique narratives waiting to be devoured, this collection offers endless hours of thrilling entertainment designed to transport you into worlds teeming with unbridled passion. Each story is meticulously tailored to enthrall readers with its seductive prose and magnetic characters, ensuring that every page leaves you yearning for more.

Stages of Reckoning is a crucial conversation about how racialized bodies and power intersect within actor training spaces. This book provokes embodied and intellectual discomfort for the reader to take risks with their ideologies, identities, and practices and to make new pedagogical choices for students with racialized identities. Centering the voices of actor trainers of color to acknowledge their personal experience and professional pedagogy as theory, this volume illuminates actionable ideas for text work, casting, voice, consent practices, and movement while offering decolonial approaches to current Eurocentric methods. These offerings invite the reader to create spaces where students can bring more of themselves, their communities, and their stories into their training and as fodder for performance making that will lead to a more just world. This book is for people in high/secondary schools, higher education, and private training studios who wish to teach and direct actors of color in ways that more fully honor their multiple identities.

This innovative collection challenges the traditional focus on solitary genius by examining the rich diversity of literary couplings and collaborations from the early modern to the postmodern period. Literary Couplings explores some of the best-known literary partnerships—from the Sidneys to Boswell and Johnson to Sylvia Plath and Ted Hughes—and also includes lesser-known collaborators such as Daphne Marlatt and Betsy Warland. The essays place famous authors such as Samuel Coleridge, Oscar Wilde, and William Butler Yeats in new contexts; reassess overlooked members of writing partnerships; and throw new light on texts that have been marginalized due to their collaborative nature. By integrating historical studies with authorship theory, Literary Couplings goes beyond static notions of the writing "couple" to explore literary couplings created by readers, critics, historians, and publishers as well as by writers themselves, thus expanding our understanding of authorship.

Tracing the solitude of the American self, the difference between idolatrous and companionate affection, and the dream of an "America of love," Selinger shows how such concerns can shape a poet's most intimate decisions about genre and form.

One Wolfe wife is forced into a marriage of convenience to the man she loves desperately Another is about to take the fall for a murder she didn’t commit. Time is running out for the Wolfes. Lacey is under arrest for the murder of patriarch Derek Wolfe, and the four Wolfe siblings—Rock, Roy, Reid, and Riley—are still considered suspects. Rock is determined to save his wife, even if it means committing murder himself, while Reid resolves to to discover the truth and avenge his love, Zee, for what she’s suffered at his father’s hand. A court order not to leave the state of New York doesn’t stop Rock and Reid. Using aliases, they venture out to find the key to this mystery once and for all. Several others are implicated, and an abduction, a death, and a long-lost relative complicate matters and bring new evidence to light. Rock and Reid will do anything to save the women they love—even if it means neither of them comes out alive.

Much current theorizing about literature involves efforts to renew our sense of aesthetic values in reading. Such is the case with new formalism as well as recent appeals to the notion of "surface reading." While sympathetic to these efforts, Charles Altieri believes they ultimately fall short because too often they fail to account for the values that engage literary texts in the social world. In Reckoning with the Imagination, Altieri argues for a reconsideration of the Kantian tradition of Idealist ethics, which he believes can restore much of the power of the arguments for the role of aesthetics in art. Altieri finds a perspective for that restoration in a reading of Wittgenstein’s later work that stresses Wittgenstein’s parallel criticisms of the spirit of empiricism. Altieri begins by offering a phenomenology of imagination, because we cannot fully honor art if we do not link it to a distinctive, socially productive force. That force emerges in two quite different but equally powerful realizations in his reading of John Ashbery’s "Instruction Manual," which explicitly establishes a model for a postromantic view of imagination, and William Butler Yeats’s "Leda and the Swan." He then turns to Wittgenstein with chapters on the role of display as critique of Enlightenment thinking, the honoring of qualities like sensitivity and the ability to attune to the actions of others, the role of expression in the building of models, and the contrast between ethical and confessional modes of judgment. Finally, Altieri produces his own model of aesthetic experience as participatory valuation and makes an extended argument for the social significance of appreciation as a way to escape the patterns of resentment fundamental to our current mode of politics. A masterful work by one of our foremost literary and philosophical theorists, Reckoning with the Imagination will breathe new life into ongoing debates over the value of aesthetic experience.

«In many ways», Robert J.C. Young writes, «colonization from the very first carried with it the seeds of its own destruction.» Imperial Affliction examines some ways in which Young's observation could be applied to problems of subjectivity and influence within the colonizing nations themselves, particularly eighteenth-century Britain. How might these «seeds of destruction» manifest themselves as problems of identity? How might the very selves with greatest access to self-affirmation - the idea of the empire, the idea of British citizenry, the idea of the British self - actually find themselves vulnerable, confused, or damaged? Using multiple forms of postcolonial critique, this book turns back to salient eighteenth-century British lives and work for a different kind of enlightenment. Among its central subjects are the elusive subjectivity of William Collins; the exilic religious experience of William Cowper and its multiple readings in the twentieth century by a self-fashioned exilic, Donald Davie; the «missed encounter» between Christopher Smart and Samuel Johnson, and the ways in which that problem was re-inscribed in the work of W. Jackson Bate and Lionel Trilling; the problem of imperial fixity in James Cook's journals with a view to Gray's «Elegy» and Goldsmith's «Deserted Village»; and the problem of purity as a paradoxically privileged and exilic force in the work of John Newton and Christopher Smart. In these explorations, this book illustrates both an expanded view of eighteenth-century colonial liabilities and a new emphasis on postcolonial critique as a means of exploring the fissures always present in imperial ambition.