Ethicist Marvin Ellison compellingly argues that current crises in family, personal life, and sexuality are related to our culture's prevailing attitudes about human sexuality. He proposes a liberating Christian ethic of erotic justice that goes beyond the prevailing patriarchal paradigm.

Chapter 1 Introduction -- chapter 2 New Cosmologies: Mapping the Postcolonial Feminist Legal Project -- chapter Liberal internationalism and the capabilities approach -- chapter 3 Erotic Disruptions: Legal Narratives of Culture, Sex and Nation in India -- chapter Narratives of culture, sex, nation -- chapter The Bandit Queen -- chapter Homosexuality -- chapter 4 The Tragedy of Victimisation Rhetoric: Resurrecting the 'Native' Subject in International/Postcolonial Feminist Legal Politics -- chapter Cultural essentialism -- chapter 'Death by culture' -- chapter 5 The Other Side of Universality: Cross-Border Movements and the Transnational Migrant Subject -- chapter Colonial subjects and the meaning of 'universality' -- chapter The Other in the contemporary moment -- chapter (b) Equating migration with trafficking.

The essays in Erotic Justice address the ways in which law has been implicated in contemporary debates dealing with sexuality, culture and `different' subjects - including women, sexual minorities, Muslims and the transnational migrant. Law is analyzed as a discursive terrain, where these different subjects are excluded or included in the postcolonial present on terms that are reminiscent of the colonial encounter and its treatment of difference. Bringing a postcolonial feminist legal analysis to her discussion, Kapur is relentless in her critiques on how colonial discourses, cultural essentialism, and victim rhetoric are reproduced in universal, liberal projects such as human rights and international law, as well as in the legal regulation of sexuality and culture in a postcolonial context. Drawing her examples from postcolonial India, Ratna Kapur demonstrates the theoretical and disruptive possibilities that the postcolonial subject brings to international law, human rights, and domestic law. In the process, challenges are offered to the political and theoretical constructions of the nation, sexuality, cultural authenticity, and women's subjectivity.

Nicole Daedone's Erotic Justice, is a revolutionary work that challenges the traditional paradigms of American society, leading to a higher purpose: personal and societal transformation. At the core of Erotic Justice is the thing that can right all wrongs: Love.Erotic Justice offers Love as the answer. Erotic Justice offers solutions, not complaints.Erotic Justice fuels needed change.Erotic Justice questions the logic we rely on. Erotic Justice is the antidote to victim culture.Erotic Justice sees possibilities beyond broken systems.Erotic Justice: We can change the culture if we can change ourselves.Erotic Justice is a call to action, a testament to the power of love, and a guide to achieving a unified vision of justice. It's about realizing the potential within each of us to create and contribute to a better world.

The first collection focused on the writing of provocative author and performance artist Sapphire, including her groundbreaking novel PUSH that has since become the Academy-award-winning film Precious.

Two-Spirit people, identified by many different tribally specific names and standings within their communities, have been living, loving, and creating art since time immemorial. It wasn’t until the 1970s, however, that contemporary queer Native literature gained any public notice. Even now, only a handful of books address it specifically, most notably the 1988 collection Living the Spirit: A Gay American Indian Anthology. Since that book’s publication twenty-three years ago, there has not been another collection published that focuses explicitly on the writing and art of Indigenous Two-Spirit and Queer people. This landmark collection strives to reflect the complexity of identities within Native Gay, Lesbian, Bisexual, Transgender, Queer, and Two-Spirit (GLBTQ2) communities. Gathering together the work of established writers and talented new voices, this anthology spans genres (fiction, nonfiction, poetry, and essay) and themes (memory, history, sexuality, indigeneity, friendship, family, love, and loss) and represents a watershed moment in Native American and Indigenous literatures, Queer studies, and the intersections between the two. Collaboratively, the pieces in Sovereign Erotics demonstrate not only the radical diversity among the voices of today’s Indigenous GLBTQ2 writers but also the beauty, strength, and resilience of Indigenous GLBTQ2 people in the twenty-first century. Contributors: Indira Allegra, Louise Esme Cruz, Paula Gunn Allen, Qwo-Li Driskill, Laura Furlan, Janice Gould, Carrie House, Daniel Heath Justice, Maurice Kenny, Michael Koby, M. Carmen Lane, Jaynie Lara, Chip Livingston, Luna Maia, Janet McAdams, Deborah Miranda, Daniel David Moses, D. M. O’Brien, Malea Powell, Cheryl Savageau, Kim Shuck, Sarah Tsigeyu Sharp, James Thomas Stevens, Dan Taulapapa McMullin, William Raymond Taylor, Joel Waters, and Craig Womack