"How to Read Erotic Art explores the history of erotic art and presents paintings, drawings, etchings, sculptures, and more by Titian, Picasso, and Andy Warhol, by Bernini, Rodin, and Bruce Nauman, and from ancient Greece and Rome, China, Japan, India, and the Middle East. Reproduced in lush color with close-up details, the art is accompanied by texts that offer insights into how to read the different works"--P. [4] of cover.

Dedicated to the topic of eroticism and sexuality in the visual production of the medieval and early modern Muslim world, this volume offers new insights and methodological models that extend our understanding of erotic and sexual subjects in the Islamic tradition. The essays shed light on the diverse socio-cultural milieus of erotic images, on the motivations underlying their production, and on the responses generated by their circulation.

Kitab al-izah fi'ilm al-nikah b-it-tamam w-al-kamal: literally translated from the Arabic, with translator's foreword, numerous important notes illustrating the text, and several interesting appendices / by an English bohemian. The writing of this treatise is credit to Jalal Addin Al-Siyuti and the book was translated from the Arabic at the beginning of the century by an English Bohemian. It was originally published in France as a limited edition of only 300 copies. An imaginative translation has been accomplished in a fascinating style, attempting to mimic Arabic rhythmic prose.

Part art book and part biography, Magnetic Woman examines the life and work of the artist Toyen (Marie Čermínová, 1902-80), a founding member of the Prague surrealist group, and focuses on her construction of gender and eroticism. Toyen's early life in Prague enabled her to become a force in three avant-garde groups--Devětsil, Prague surrealism, and Paris surrealism--yet, unusually for a female artist of her generation, Toyen presented both her gender and sexuality as ambiguous and often emphasized erotic themes in her work. Despite her importance and ground-breaking work, Toyen has been notoriously difficult to study. Using primary sources gathered from disparate disciplines and studies of the artist's own work, Magnetic Woman is organized both chronologically and thematically, moving through Toyen's career with attention to specific historical circumstances and intellectual developments approximately as they entered her life. Karla Huebner offers a re-evaluation of surrealism, the Central European contribution to modernism, and the role of female artists in the avant-garde, along with a complex and nuanced view of women's roles in and treatment by the surrealist movement.