Anton (writing, DePaul U.) synthesizes the research he has done since the beginning on the still-unsolved May 1991 murder of Chicago Divinity School professor Ioan Culianu, a protege of pioneering mythologist Mircea Eliade. Culianu had been taunting the communist government of his native Romania, and Anton suggests the murder was political. Annotation copyrighted by Book News, Inc., Portland, OR

It is a widespread prejudice of modern, scientific society that "magic" is merely a ludicrous amalgam of recipes and methods derived from primitive and erroneous notions about nature. Eros and Magic in the Renaissance challenges this view, providing an in-depth scholarly explanation of the workings of magic and showing that magic continues to exist in an altered form even today. Renaissance magic, according to Ioan Couliano, was a scientifically plausible attempt to manipulate individuals and groups based on a knowledge of motivations, particularly erotic motivations. Its key principle was that everyone (and in a sense everything) could be influenced by appeal to sexual desire. In addition, the magician relied on a profound knowledge of the art of memory to manipulate the imaginations of his subjects. In these respects, Couliano suggests, magic is the precursor of the modern psychological and sociological sciences, and the magician is the distant ancestor of the psychoanalyst and the advertising and publicity agent. In the course of his study, Couliano examines in detail the ideas of such writers as Giordano Bruno, Marsilio Ficino, and Pico della Mirandola and illuminates many aspects of Renaissance culture, including heresy, medicine, astrology, alchemy, courtly love, the influence of classical mythology, and even the role of fashion in clothing. Just as science gives the present age its ruling myth, so magic gave a ruling myth to the Renaissance. Because magic relied upon the use of images, and images were repressed and banned in the Reformation and subsequent history, magic was replaced by exact science and modern technology and eventually forgotten. Couliano's remarkable scholarship helps us to recover much of its original significance and will interest a wide audience in the humanities and social sciences.

When a mysterious and charismatic woman insinuates herself into a fringe religious group, its dozen members wonder whether she is a lunatic, a con artist, or a messiah. Sophia quickly upends the routines and expectations of the group--the last Christians in the inhabited solar system--while Peter, their struggling leader, becomes increasingly obsessed with her. Before long, Peter finds himself following Sophia on a perilous interplanetary adventure which may cost both of them their lives.

Explore the Fascinating World of Southern Folk Magic Featuring an introductory look at Granny Magic, Hoodoo, Brujería, and Curanderismo in the American South, Crossroads of Conjure provides a fresh perspective on folk magic. This authentic and powerful book demonstrates how these systems are interconnected, celebrates their sustainability, and dispels the myths and misunderstandings about them. Learn about each path's beliefs, practitioners, history, and how its traditions are carried on in modern society. Discover the techniques practitioners use for healing, survival, protection, and more. This entertaining and informative exploration of folk magic also helps you determine which practice resonates with you the most.

A rare look into the history, theory, and craft of the black mages and sorcerers of Russia • Examines practical rituals and spells, the demonic pantheon, places of power, offerings and sacrifices, Hell Icons, and instructions for cemetery magic • Provides insight into the fundamental ideology of black magic practitioners, from the universal laws of magic to the principles of morality • Details how the Russian practice of black magic preserved ancient pagan traditions and evolved as the antithesis of Christianity Born in the Soviet Union and descended from a matrilineal line of witches, Natasha Helvin offers a rare look into the secret practices of Russian black magic, passed down from teacher to disciple for generations both orally and through their grimoires bound in black. Drawing from her own experience, Helvin provides insight into the fundamental ideology of black magic practitioners, from the universal laws of magic to the principles of morality. She explains a mage’s view on fate and predestination, how the world was created, and their relationship with the demons that grant them their power. She examines the demonic pantheon as well as how a black sorcerer is able to influence the forces in the universe and pass on his or her powers and knowledge to further generations. Exploring the history of occult practices in Russia, including how Christianity had a profound effect upon magic and witchcraft, Helvin shows how attempts to forcibly convert the Russian population to the Christian faith were widely resisted, and instead of these ancient pagan practices disappearing, they blended with Christian belief. Authorities repainted old pagan gods as demons in order to eradicate ancient traditions. Black magic became labelled as defiantly anti-Christian simply for preserving the old ways, and as a result, some branches of black magic evolved as a reaction against enforced Christianity and practitioners proudly accepted the label of “blasphemer” or “heretic.” Through this book, readers can explore the Left-Hand path of Russian magic and its spells and rituals. The author explains about cemetery magic, sacrifices, the creation of Hell Icons, and places of power, such as crossroads, swamps, and abandoned villages, as well as the best times to practice black magic, how to choose the best grave for your spell, and how to summon demons. Providing many concrete examples of spells, Helvin demonstrates the broad range of what can be accomplished by those who practice the black arts, if they commit themselves to the craft.

In The New Science Journalists, Editors Ted Anton and Rick McCourt have gathered the best of the new science writing into one illuminating volume. What is new about the work of these journalists lies in the scale, pace, and uses of their writing. These writers bridge the gap between members of the science community and a society hungry for news about their work, acting not only as reporters and commentators, but also as investigators, researchers, detectives, and storytellers. The editors have showcased three very different kinds of writers. The first group explores the complexities of our universe with childlike wonder, and includes Diane Ackerman, John Seabrook, and Elisabeth Rosenthal. The second group, relentless investigators who expose the inside stories of scientific research, includes Deborah Blum, Robert Capers, Eric Lipton, and John Crewdson. And the third group of writers, who dig through data uncovering trends that researchers themselves miss, features Timothy Ferris, E.O. Wilson, James Gleick, and many more. These writers are helping to broaden the very boundaries of science by making complex topics such as chemistry, physics, biotechnology, and ecology accessible and entertaining to readers of every kind. Combining superb prose and compelling subjects, The New Science Journalists examines some of the most fascinating issues of our times.

Lines from a Mined Mind brings together lyrics and musings from the twenty-five-year recording career of John Trudell, an internationally acclaimed poet, musician, and leader of the American Indian Movement. More than a simple anthology, this collection goes deeper, revealing the incendiary intersection of music and activism.