An illustrated guide to the erotic images of Pompeii, as depicted in wall paintings, mosaics, ceramic decoration and relief sculpture. Individual chapters focus on the depiction of the phallus, irony and parody, eroticism at banquets, in the public, private and sacred spheres.

The book recreates the lost world of Pompeii and -- based on archaeological detective work -- discribes how Eros the steward might have lived and how he came to die in his master's house.

Take a journey to ancient Rome and learn about some of the most exciting figures in Roman mythology. Full-color illustrations bring each god or goddess to life while readers discover their characteristics, responsibilities, and tales of triumph and defeat. A detailed family tree at the back of the book helps young readers see the connections and relationships Roman gods and goddesses have with each other, while an introductory chart with phonetic spellings helps readers learn to pronounce the characters’ names. The Gods and Goddesses of Ancient Rome series is sure to inspire both an interest in mythology and a love of reading. Gods and Goddesses of Ancient Rome is a series of AV2 media enhanced books. Each title in the series features easy-to-read text, stunning visuals, and a challenging educational activity. A unique book code printed on page 2 unlocks multimedia content. These books come alive with video, audio, weblinks, slide shows, activities, hands-on experiments, and much more.

A vivid portrayal of life in Pompeii's sister city, this book includes a detailed description of the ancient Villa dei Papiri, on which the present Getty Museum in Malibu is modeled. This vivid re-creation of life in Pompeii's sister city includes a detailed description of the ancient Villa dei Papiri, on which the present Getty Museum in Malibu is modeled. Library Journal called the first edition "a fascinating book. The daily life of the Romans, rich and poor, has been wonderfully re-created." And the New York Times pronounced it "exciting reading . . . a spirited guide."

What did sex mean to the ancient Romans? In this lavishly illustrated study, John R. Clarke investigates a rich assortment of Roman erotic art to answer this question—and along the way, he reveals a society quite different from our own. Clarke reevaluates our understanding of Roman art and society in a study informed by recent gender and cultural studies, and focusing for the first time on attitudes toward the erotic among both the Roman non-elite and women. This splendid volume is the first study of erotic art and sexuality to set these works—many newly discovered and previously unpublished—in their ancient context and the first to define the differences between modern and ancient concepts of sexuality using clear visual evidence. Roman artists pictured a great range of human sexual activities—far beyond those mentioned in classical literature—including sex between men and women, men and men, women and women, men and boys, threesomes, foursomes, and more. Roman citizens paid artists to decorate expensive objects, such as silver and cameo glass, with scenes of lovemaking. Erotic works were created for and sold to a broad range of consumers, from the elite to the very poor, during a period spanning the first century B.C. through the mid-third century of our era. This erotic art was not hidden away, but was displayed proudly in homes as signs of wealth and luxury. In public spaces, artists often depicted outrageous sexual acrobatics to make people laugh. Looking at Lovemaking depicts a sophisticated, pre-Christian society that placed a high value on sexual pleasure and the art that represented it. Clarke shows how this culture evolved within religious, social, and legal frameworks that were vastly different from our own and contributes an original and controversial chapter to the history of human sexuality.