NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A deep and compassionate novel about a young man who returns to 1940s Cajun country to visit a Black youth on death row for a crime he didn't commit. Together they come to understand the heroism of resisting. "An instant classic." —Chicago Tribune A “majestic, moving novel...an instant classic, a book that will be read, discussed and taught beyond the rest of our lives" (Chicago Tribune), from the critically acclaimed author of A Gathering of Old Men and The Autobiography of Miss Jane Pittman. "A Lesson Before Dying reconfirms Ernest J. Gaines's position as an important American writer." —Boston Globe "Enormously moving.... Gaines unerringly evokes the place and time about which he writes." —Los Angeles Times “A quietly moving novel [that] takes us back to a place we've been before to impart a lesson for living.” —San Francisco Chronicle

A powerful depiction of racial tensions arising over the death of a Cajun farmer at the hands of a black man--set on a Louisiana sugarcane plantation in the 1970s. The Village Voice called A Gathering of Old Men “the best-written novel on Southern race relations in over a decade.”

“Grand, robust, a rich and big novel.”—Alice Walker, The New York Times Book Review “In [Jane Pittman], Ernest Gaines has created a legendary figure. . . . Gaines’s novel brings to mind other great works: The Odyssey, for the way his heroine’s travels manage to summarize the American history of her race, and Huckleberry Finn, for the clarity of [Pittman’s] voice, for her rare capacity to sort through the mess of years and things to find the one true story of it all.”—Newsweek Miss Jane Pittman. She is one of the most unforgettable heroines in American fiction, a woman whose life has come to symbolize the struggle for freedom, dignity, and justice. Ernest J. Gaines’s now-classic novel—written as an autobiography—spans one hundred years of Miss Jane’s remarkable life, from her childhood as a slave on a Louisiana plantation to the Civil Rights era of the 1960s. It is a story of courage and survival, history, bigotry, and hope—as seen through the eyes of a woman who lived through it all. A historical tour de force, a triumph of fiction, Miss Jane’s eloquent narrative brings to life an important story of race in America—and stands as a landmark work for our time.

A courthouse shooting leads a young reporter to uncover the long story of race and power in his small town and the relationship between the white sheriff and the black man who "whipped children" to keep order—in the final novella by the beloved Ernest J. Gaines. After Brady Sims pulls out a gun in a courtroom and shoots his own son, who has just been convicted of robbery and murder, he asks only to be allowed two hours before he'll give himself up to the sheriff. When the editor of the local newspaper asks his cub reporter to dig up a "human interest" story about Brady, he heads for the town's barbershop. It is the barbers and the regulars who hang out there who narrate with empathy, sadness, humor, and a profound understanding the life story of Brady Sims—an honorable, just, and unsparing man who with his tough love had been handed the task of keeping the black children of Bayonne, Louisiana in line to protect them from the unjust world in which they lived. And when his own son makes a fateful mistake, it is up to Brady to carry out the necessary reckoning. In the telling, we learn the story of a small southern town, divided by race, and the black community struggling to survive even as many of its inhabitants head off northwards during the Great Migration.

This is the story of Marcus: bonded out of jail where he has been awaiting trial for murder, he is sent to the Hebert plantation to work in the fields. There he encounters conflict with the overseer, Sidney Bonbon, and a tale of revenge, lust and power plays out between Marcus, Bonbon, BonBon's mistress Pauline, and BonBon's wife Louise.

One of the South’s most revered writers, Ernest J. Gaines attracts both popular and academic audiences. Gaines’s unique literary style, depiction of the African American experience, and celebration of the rural South’s oral tradition have brought him critical praise and numerous accolades, including a MacArthur Fellowship, a National Humanities Medal, and a National Book Critics Circle Award for his novel A Lesson before Dying. In this welcome guide to Gaines’s fiction, Keith Clark offers insightful analyses of his novels and short stories. Clark’s close readings elucidate Gaines’s more acclaimed works—including The Autobiography of Miss Jane Pittman and A Gathering of Old Men—while also introducing lesser-known but masterfully crafted pieces, such as the story “Three Men” and the civil rights novel In My Father’s House. Gaines’s most recent work, The Tragedy of Brady Sims, receives here one of its first critical examinations. Clark shows how the themes of Gaines’s literary oeuvre, produced over the past fifty years, dovetail with issues reverberating in twenty-first-century America: race and the criminal justice system; black masculinity; the environment; the enduring impact of slavery; black southern women’s voices; and blacks’ and whites’ interpretation of history. In addition to textual discussions, the book includes an interview Clark conducted with Gaines at the writer’s home in New Roads, Louisiana, in 2014, further illuminating the inner workings and personality of this eminent literary artist.

A compelling debut love story set in a deceptively bucolic Louisiana countryside, where blacks, Cajuns, and whites maintain an uneasy coexistence--by the award-winning author of A Lesson Before Dying and The Autobiography of Miss Jane Pittman. After living in San Francisco for ten years, Jackson returns home to his benefactor, Aunt Charlotte. Surrounded by family and old friends, he discovers that his bonds to them have been irreparably rent by his absence. In the midst of his alienation from those around him, he falls in love with Catherine Carmier, setting the stage for conflicts and confrontations which are complex, tortuous, and universal in their implications.