We all have our "inner-child" within us. Madeline Elsworth is a fifty-eight year old social worker whose life and her familys lives are affected by her lost "inner-child", Maddie. The fourth, fifth, and sixth years of her childhood are missing. Until she locates Maddie and lives those three years with her, Madeline can It be a whole person. Madeline lives in California as the woman she thinks she should be--an educated stable wife of a surgeon and mother of two adult daughters. Shes an "actress" going through her "role of life". As she grows older, reality is becoming too frightening so shes withdrawing and becoming more dependent on her family instead of being a participating member. Madeline believes her mother passed away during her childhood. When she learns her mother has just recently died, she is forced to return alone to her childhood environment in Pennsylvania to find her lost childhood years. As Maddie begins to appear, Madeline chooses to be in denial and doesnt want to leave her "safe place" so she sees Maddie as a very happy child and her childhood as a happy one. As Maddie continues appear.inq to her, she starts seeing things she doesn It want to acknowledge. Madeline keeps running away to her migraine headaches and Codeine to lessen her discomfort. But Madeline begins to feel love for Maddie and wants to defend and protect her. With the help of her old friend and psychiatrist, Doctor Bob, she starts trusting Maddie and wants to know her better. As a result, Maddie developes a need for Madeline to help her and opens up to her. Maddie slowly reveals her fears and horror she had suffered during those lost three years. With the support of the caring new people Madeline meets in her old hometown and her growing concern for Maddie, she finds new strength to help her "inner-child". Theres the friendly mortician who had known Maddie; theres the Ott family who gives support; theres Uncle Arthur who shares Maddies mothers younger years with her maternal grandparents; theres the attorney who fills in the blanks in her memory of her father and paternal grandparents; and then there are the memories of a sweet, loving Down s Syndrome boy whose love and devotion had helped Maddie survive. Madeline lives through Maddie s fourth, fifth, and sixth years with her and helps her "inner-child" cope with each horrific episode she had encountered. As Madeline holds her hand and walks by her side through those years, Maddie developes the courage to take Madeline back to the terror-filled events of her childhood. Madeline sees the abuse by her Schizophrenic mother; the absence of her loving father; the taunting and bullying by a neighborhood boy; the feeling of loneliness; facing the deaths of loved ones; and finally, almost her own death. As Maddie conquers her fears, she no longer needs to hide within Madelines psyche. Madeline experiences a beautiful feeling of freedom--freedom from the fear of devastating emotional pain. She emerges as the confident, self-loving woman she wants to be. She can now love her family and others with the deep trusting love she could never allow. Shes become a "whole person".

Granny @ Work is an impassioned comment on aging, work, and technology in American culture. As Riggs challenges popular assumptions with surprising research-for example, people over the age of 60 spend more time on the Internet than people of any other age group-and trenchant cultural critique, she forces us to confront the deeply entrenched ageism in today's technology-driven workplace.

This is a classic collection of fun and entertaining games suitable for all ages, temperaments, and occasions. The book includes games for little kids, grown-ups, boys and girls, and special events. From classic games like Blind Man's Buff to unique games like Breakfast Table Decorations, this book offers a diverse range of indoor and outdoor games to keep everyone entertained. It also provides easy-to-follow instructions and illustrations.

A group of sophisticated essays on how we experience film with all fives senses--and our sense of history .

In World War II, the Allies employed unprecedented methods and practiced the most successful military deception ever seen, meticulously feeding misinformation to Axis intelligence to lead Axis commanders into erroneous action. Thaddeus Holt's elegantly written and comprehensive book is the first to tell the full story behind these operations. Exactly how the Allies engaged in strategic deception has remained secret for decades. Now, with the help of newly declassified material, Holt reveals this secret to the world in a riveting work of historical scholarship. Once the Americans joined the war in 1941, they had much to learn from their British counterparts, who had been honing their deception skills for years. As the war progressed, the British took charge of misinformation efforts in the European theater, while the Americans focused on the Pacific. The Deceivers takes readers from the early British achievements in the Middle East and Europe at the beginning of the war to the massive Allied success of D-Day, American victory in the Pacific theater, and the war's culmination on the brink of an invasion of Japan. Colonel John Bevan, who managed British deception operations from London, described the three essentials to strategic deception as good plans, double agents, and codebreaking, and The Deceivers covers each of these aspects in minute detail. Holt brings to life the little-known men, British and American, who ran Allied deception, such as Bevan, Dudley Clarke, Peter Fleming, Douglas Fairbanks, Jr., and Newman Smith. He tracks the development of deception techniques and tells the hitherto unknown story of double agent management and other deception through the American FBI and Joint Security Control. Full of fascinating sources and astounding revelations, The Deceivers is an indispensable volume and an unparalleled contribution to World War II literature.