This is the first book dedicated to the four year collaboration between two major British artists, Eric Gill and David Jones, at Gill's artistic-religious community at Capel-y-Ffin, a remote disused monastery in the Black Mountains.

Richard King's account of the several years he spent working in a Bristol independent record shop in the early 90s is destined to become a classic of music writing. We live in an age when the most beautiful of recording formats, vinyl, is back in vogue and thriving. In the early 90s, with the march of the cd and record company disinterest oin the format, vinyl was looking like an anachronism. And with its demise came the gradual erosion of a once beautiful and unique landscape known as the independent record shop. Richard King, author of How Soon is Now, blends memoir and elegiac music writing on the likes of Captain Beefheart, CAN and Julian Cope, to create a book that recalls the debauched glory days of the independent record shop. Chaotic, amateurish and extravagantly dysfunctional, this is a book full of rare personalities and rum stories. It is a book about landscape, place and the personal; the first piece of writing to treat the environment of the record shop as a natural resource with its own peculiar rhythms and anecdotal histories.

This book offers a concise and highly readable account of the visual art of David Jones (1895-1974). It challenges the simplistic view of Jones as an outsider or an eccentric, exploring his work instead in relation to the wider cultural and intellectual climate of his times.

A gorgeous new edition of Fiona MacCarthy's ground-breaking biography of the artist- craftsman, typographer, and lettercutter, master wood-engraver, and sculptor: Eric Gill. 'Fascinating on the work and fair to the man; a brilliant biography.' Independent 'Scrupulous and sensitive . . . A wise and foolish English eccentric in full glory.' Observer 'Full of insight and interest . . . A considerable addition to modern biography.' Times Eric Gill was the greatest English artist-craftsman of the twentieth century: a typographer and lettercutter of genius and a master in the art of sculpture and wood-engraving. He was a devoted family man and key figure in three Catholic art and craft communities: yet he also believed in complete sexual freedom. In her controversial, landmark biography, originally published in 1989, celebrated biographer Fiona MacCarthy delves into the complex, dark, and contradictory sides of the man and the artist for the first time - and the result is his definitive portrait.