The stories of these eight Russian women offer an extremely rare perspective into personal life in the Soviet era. Some were from the poor peasantry and working class, groups in whose name the revolution was carried out and who sometimes gained unprecedented opportunities after the revolution. Others, born to "misfortune" as the daughters of nobles

Ezra Pound’s definition of an epic as “a poem containing history” raises questions: how can a poem “contain” history? And if it can, does it help us to think about history in ways that conventional historiography cannot? Poems Containing History: Twentieth-Century American Poetry’s Engagement with the Past, by Gary Grieve-Carlson, argues that twentieth-century American poetry has “contained” and helped its readers to think about history in a variety of provocative and powerful ways. Tracing the discussion of the relationship between poetry and history from Aristotle’s Poetics to Norman Mailer’s The Armiesof the Night and Hayden White’s Metahistory, the book shows that even as history evolves into a professional, academic discipline in the late nineteenth century, and as its practitioners emphasize the scientific aspects of their work and minimize its literary aspects, twentieth-century American poets continue to take history as the subject of their major poems. Sometimes they endorse the views of mainstream historians, as Stephen Vincent Benét does in John Brown’s Body, but more often they challenge them, as do Robert Penn Warren in Brother to Dragons, Ezra Pound in TheCantos, or Charles Olson in TheMaximus Poems. In Conquistador, Archibald MacLeish illustrates Aristotle’s claim that poetry tells more philosophical truths about the past than history does, while in Paterson, William Carlos Williams develops a Nietzschean suspicion of history’s value. Three major American poets—T. S. Eliot in Four Quartets, Hart Crane in TheBridge, and Carolyn Forché in The Angel of History—present different challenges to professional historiography’s assumption that the past is best understood in strictly material terms. Poems Containing History devotes chapters to each of these poets and offers a clear sense of the seriousness with which American poetry has engaged the past, as well as the great variety of those engagements.

Winner of the Northern California Book Award for Nonfiction "Both a serious work of history…and a marvelously readable dramatic narrative." —San Francisco Chronicle On the first Sunday in December 1941, an armada of Japanese warplanes appeared suddenly over Pearl Harbor, Hawaii, and devastated the U.S. Pacific Fleet. Six months later, in a sea fight north of the tiny atoll of Midway, four Japanese aircraft carriers were sent into the abyss, a blow that destroyed the offensive power of their fleet. Pacific Crucible—through a dramatic narrative relying predominantly on primary sources and eyewitness accounts of heroism and sacrifice from both navies—tells the epic tale of these first searing months of the Pacific war, when the U.S. Navy shook off the worst defeat in American military history to seize the strategic initiative.

WINNER OF THE NATIONAL JEWISH BOOK AWARD FOR BEST HOLOCAUST MEMOIR For readers of The Tattooist of Auschwitz and The Watchmakers, a powerful, profoundly moving Holocaust memoir from a rarely told perspective—the story of a son’s quest to understand his father, a heroic, complicated Jewish survivor—and to uncover the hidden past and desperate choices he made when the Nazis recruited him to police his own people in their Polish ghetto. Growing up, Tony Bernard knew that his father, Henry, had been in Nazi concentration camps during World War II. He was familiar with the tattoo bearing his Auschwitz number—B1224—and the faint scar resulting from a suicide attempt while in a camp in Blizyn. As an Australian boy growing up on Sydney’s sunny Northern Beaches where Henry was a well-respected doctor, Tony simply accepted these facts. Only as a young man, on a trip to Poland with his father, did he begin to uncover the secrets that filled Henry with regret, anguish, and guilt. Henry’s experiences in the concentration camps were harrowing, and he survived through ingenuity, grit, and countless miracles of chance. Yet there was another, deeper story—of what happened before his deportation to the camps. In 1940, Henry was recruited into the Jewish Order Service in his Polish hometown—an organization set up by the Nazis to help maintain order among Jews. Like many other young recruits, Henry believed he would help protect his community. Instead, the ghetto police, as they became known, were forced to assist the Nazis in the subjugation and mistreatment of their own people. Faced daily with impossible choices, desperate to keep his loved ones alive, Henry was both victim and unwilling participant. The Ghost Tattoo is a haunting, emotionally resonant memoir of war and its aftermath. It is also a singular account of resistance, resilience, and hope. Henry was eventually called to Germany to testify in a trial against Nazi murderers, where his evidence proved pivotal. After decades of silence, he seized the chance to bear witness—for history, for his family, and for all those who did not survive.

Australia is the last continent to be settled by Europeans, but it also sustains a people and a culture tens of thousands years old. For much of the past 225 years the newcomers have sought to replace the old with the new. This book tells how they imposed themselves on the land and describes how they brought technology, institutions and ideas to make it their own. The fourth edition incorporates the far-reaching effects of an export and investment boom in the early years of the twenty-first century that lifted Australia to unprecedented prosperity. The sale of minerals and energy enabled the economy to withstand the global financial crisis of 2007–08 but there was no agreement on how the wealth was to be managed and its benefits distributed. The book describes a continuing search for solutions to climate change, the unauthorised arrival of refugees, Indigenous disadvantage and generational change.

A sweeping, lavishly illustrated one-volume history of the rise of American naval power during World War II "When he is at his best, as he often is in these pages, Kennedy can be dazzling."--Ian W. Toll, New York Times "The book makes for enjoyable reading, owing to the author's easygoing style. . . . Kennedy is an academic who does not write like one; he writes a story, not a treatise."--Robert D. Kaplan, Washington Post "Engrossing."--Brendan Simms, Wall Street Journal In this engaging narrative, brought to life by marine artist Ian Marshall's beautiful full-color paintings, historian Paul Kennedy grapples with the rise and fall of the Great Powers during World War II. Tracking the movements of the six major navies of the Second World War--the allied navies of Britain, France, and the United States and the Axis navies of Germany, Italy, and Japan--Kennedy tells a story of naval battles, maritime campaigns, convoys, amphibious landings, and strikes from the sea. From the elimination of the Italian, German, and Japanese fleets and almost all of the French fleet, to the end of the era of the big-gunned surface vessel, the advent of the atomic bomb, and the rise of an American economic and military power larger than anything the world had ever seen, Kennedy shows how the strategic landscape for naval affairs was completely altered between 1936 and 1946.

Frank Knox served as Secretary of the Navy during some of the most eventful years in U.S. naval history, his tenure coinciding with a number of dramas such as the innovative 1940 bases-for-destroyers initiative (which he conceptualized prior to entering the administration), the undeclared naval war in the Atlantic against Germany’s U-boats in 1941, the December 1941 attack on Pearl Harbor, the subsequent naval war in the Pacific, and naval landings in North Africa and Italy. Knox’s most important contribution to the war effort was his leadership in building a 1,000-ship fleet, without which the much-heralded landings and battles might never have been possible. In this comprehensive biography, Christopher D. O’Sullivan offers a portrait of the Roughrider in FDR’s cabinet.