This compendium (4 vols.) studies the continuity, flexibility, and variation of structural elements in epic narratives. It provides an overview of the structural patterns of epic poetry by means of a standardized, stringent terminology. Both diachronic developments and changes within individual epics are scrutinized in order to provide a comprehensive structural approach and a key to intra- and intertextual characteristics of ancient epic poetry.

In his final book, the late Arthur Hatto analyses the Khanty epic tradition in Siberia on the basis of eighteen texts of Khanty oral heroic epic poems recorded and edited by a succession of Hungarian and Russian scholars in the nineteenth and twentieth centuries. The book examines the world view of an indigenous culture as reconstructed from its own words, demonstrates a flexible outline for organising an analytical dossier of the genre of oral heroic epic poetry in a specific culture, and presents an abundance of new information to compare with better-known heroic epics. Consisting of main sections on The Cosmos, Time, The Seasons, Geography, Spirits, Personae, Warfare, Armour and Weapons, and Men's Handiwork, the book also includes a section of background information on the Khanty people. Marianne Bakró-Nagy contributes specialist knowledge of the Khanty language to the linguistic interpretation of the texts, and there is an afterword by Daniel Prior.

With contributions from leading scholars, this is a uniquecross-cultural comparison of historical epics across a wide rangeof cultures and time periods, which presents crucial insights intohow history is treated in narrative poetry. The first book to gain new insights into the topic of‘epic and history’ through in-depth cross-culturalcomparisons Covers epic traditions across the globe and across a wide rangeof time periods Brings together leading specialists in the field, and is editedby two internationally regarded scholars An important reference for scholars and students interested inhistory and literature across a broad range of disciplines

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Originally published in 1992, Turkic Oral Poetry provides an expert introduction to the oral epic traditions of the Turkic peoples of central Asia. The book seeks to remedy the problem of non-specialists’ lack of access to information on the Turkic traditions, and in the process, it provides scholars in various disciplines with material for comparative investigation. The book focuses on "central traditions" of this region, specifically those of the Uzbeks, Kazakhs, Karakalpak’s, and Kirghiz and looks at the historical and linguistic background to a survey of the earliest documents, portraits of the singers and of performance considerations of genre, story-patterns, and formulaic diction, and discussions of "composition in performance", memory, rhetoric and diffusion.