It is the contention of this dissertation that Joyce's Ulysses uses intertextuality with Virgil's Aeneid at politically charged moments in the novel in order to construct a hybridized and intercultural Irish identity. Ulysses is able to do this because the Aeneid constructs an ancient collective identity that prefigures certain features of modern nationalism. While nationalism is an invention of the modern world, the collective political identity of the Aeneid relies on cultural roots tied to a specifically bounded territory, namely the Italian peninsula. The Aeneid constructs a collective identity using strategies, including especially the "reassurance of fratricide," analogous to ideological mechanisms of modern nationalisms.

Illuminates how James Joyce's Ulysses was influenced not just by Homer's Odyssey but by Virgil's Aeneid, as both authors confronted issues of nationalism, colonialism, and political violence, whether in imperial Rome or revolutionary Ireland.

When it comes to James Joyce's landmark work, Ulysses , the influence of three literary giants, Homer, Shakespeare, and Dante, cannot be overlooked. Examining Joyce in terms of Homeric narrative, Dantesque structure, and Shakespearean plot, Weir rediscovers Joyce's novel through the lens of his renowned predecessors.

Aeneas flees the ashes of Troy to found the city of Rome and change forever the course of the Western world--as literature as well. Virgil's Aeneid is as eternal as Rome itself, a sweeping epic of arms and heroism--the searching portrait of a man caught between love and duty, human feeling and the force of fate--that has influenced writers for over 2,000 years. Filled with drama, passion, and the universal pathos that only a masterpiece can express. The Aeneid is a book for all the time and all people.

In the course of re-establishing the value and importance of Books VII-XII of Virgil's Aeneid, this study also explores in some detail his use of Homer's Iliad.

"Fitzgerald's [translation] is so decisively the best modern Aeneid that it is unthinkable that anyone will want to use any other version for a long time to come." —New York Review of Books Virgil's great epic transforms the Homeric tradition into a triumphal statement of the Roman civilizing mission—translated by Robert Fitzgerald.

As a poet and literary critic, Thomas MacGreevy is a central force in Irish modernism and a crucial facilitator in the lives of key modernist writers and artists. The extent of his legacy and contribution to modernism is revealed for the first time in The Life and Work of Thomas MacGreevy. Split into four sections, the volume explains how and where MacGreevy made his impact: in his poetry; his role as a literary and art critic; during his time in Dublin, London and Paris and through his relationships with James Joyce, Samuel Beckett, Wallace Stevens, Jack B Yeats and WB Yeats. With access to the Thomas MacGreevy Archive, contributors draw on letters, his early poetry, and contributions to art and literary journals, to better understand the first champion of Jack B. Yeats, and Beckett's chief correspondent and closest friend in the 1930s. This much-needed reappraisal of MacGreevy, the linchpin between the main modernist writers, fills missing gaps, not only in the story of Irish modernism, but in the wider history of the movement.