In Ephesian Miracle things begin on an ominous note. Two Christian priests are murdered in Istanbul shortly before Art and his fiancee Marissa are to be married in the Chora Church in that cosmopolitan city. On top of that, it appears the bones of Mary the mother of Jesus have been found in Ephesus! Art and Marissa's honeymoon plans go awry when suddenly Marissa is missing and a ransom note is found by Art under the door of his hotel room in Kushadasi. It will take a miracle, an Ephesian miracle, to save her life. Fascinating archaeological discoveries, a romantic mid-life wedding and honeymoon, kidnapping and the martyring of Christians dot the landscape of this sixth thriller in the Art West series.

Romances were among the most popular books in the sixteenth and seventeenth centuries among both Protestant and Catholic readers. Modeled after Catholic narratives, particularly the lives of saints, these works emphasized the supernatural and the marvelous, themes commonly associated with Catholicism. In this book, Tiffany Jo Werth investigates how post-Reformation English authors sought to discipline romance, appropriating its popularity while distilling its alleged Catholic taint. Charged with bewitching readers, especially women, into lust and heresy, romances sold briskly even as preachers and educators denounced them as papist. Protestant reformers, as part of their broader indictment of Catholicism, sought to redirect certain elements of the Christian tradition, including this notorious literary genre. Werth argues that through the writing and circulation of romances, Protestants repurposed their supernatural and otherworldly motifs in order to “fashion,” as Edmund Spenser wrote, godly "vertuous" readers. Through careful examinations of the period’s most renowned romances—Sir Philip Sidney’s The Countess of Pembrokes Arcadia, Spenser’s The Faerie Queen, William Shakespeare’s Pericles, and Lady Mary Wroth’s Urania—Werth illustrates how post-Reformation writers struggled to transform the literary genre. As a result, the romance, long regarded as an archetypal form closely allied with generalized Christian motifs, emerged as a central tenet of the religious controversies that divided Renaissance England.

After World War 2, there was a major revival movement where healing ministry played a huge part with renewed belief and emphasis in divine healing among many Christians. This book shows how the apostolic age has not ended and details the author's journey to the discovery that miracles are alive and well even today. After World War 2, there was a major revival movement where healing ministry played a huge part with renewed belief and emphasis in divine healing among many Christians. This book shows how the apostolic age has not ended and details the author's journey to the discovery that miracles are alive and well even today.