In 'Ephemera Critica; Or, Plain Truths About Current Literature' by John Churton Collins, the author delves into an analysis of contemporary literature, evaluating its strengths and weaknesses with keen insight. Collins' impeccable literary style and vast knowledge of the literary landscape allow him to provide a detailed examination of the trends and themes prevalent in the literature of his time. Through sharp criticism and thoughtful commentary, the book offers a comprehensive view of the current literary scene, making it a valuable resource for scholars and readers interested in understanding the prevailing literary currents of the era. Collins' astute observations and eloquent prose make this work a must-read for anyone seeking a deeper understanding of the literary landscape of the time. The author's background as a literary critic and scholar undoubtedly influenced his perspective and approach, lending credibility and depth to his analysis. 'Ephemera Critica' is a timeless exploration of literature that continues to resonate with readers today.

Reproduction of the original: Ephemera Critica by John Churton Collins

Presents a coherent and accessible historical account of the major phases of British and American Twentieth-century criticism, from 'decadent' aestheticism to feminist, decontsructonist and post-colonial theories. Special attention is given to new perspectives on Shakesperean criticism, theories of the novel and models of the literary canon. The book will help to define and account for the major developments in literary criticism during this century exploring the full diversity of critical work from major critics such as T S Eliot and F R Leavis to minor but fascinating figures and critical schools. Unlike most guides to modern literary theory, its focus is firmly on developments within the English speaking world.

Much has been written about the Victorian novel, and for good reason. The cultural power it exerted (and, to some extent, still exerts) is beyond question. The Oxford Handbook of the Victorian Novel contributes substantially to this thriving scholarly field by offering new approaches to familiar topics (the novel and science, the Victorian Bildungroman) as well as essays on topics often overlooked (the novel and classics, the novel and the OED, the novel, and allusion). Manifesting the increasing interdisciplinarity of Victorian studies, its essays situate the novel within a complex network of relations (among, for instance, readers, editors, reviewers, and the novelists themselves; or among different cultural pressures - the religious, the commercial, the legal). The handbook's essays also build on recent bibliographic work of remarkable scope and detail, responding to the growing attention to print culture. With a detailed introduction and 36 newly commissioned chapters by leading and emerging scholars — beginning with Peter Garside's examination of the early nineteenth-century novel and ending with two essays proposing the 'last Victorian novel' — the handbook attends to the major themes in Victorian scholarship while at the same time creating new possibilities for further research. Balancing breadth and depth, the clearly-written, nonjargon -laden essays provide readers with overviews as well as original scholarship, an approach which will serve advanced undergraduates, graduate students, and established scholars. As the Victorians get further away from us, our versions of their culture and its novel inevitably change; this Handbook offers fresh explorations of the novel that teach us about this genre, its culture, and, by extension, our own.