The cataclysmic conclusion of the Clone Saga! Peter and Ben grow ever closer to unraveling the twisted conspiracy that has manipulated them both for years, but the identity of the shadowy madman pulling their strings will shock both Spider-Men to the core - and one will not survive! As Mary Jane goes into labor and a vengeful villain makes his return, lies are exposed, truths are revealed and heroes are sacrificed! Plus: Take a peek behind the curtain at what could have been as Marvel's staffers explore alternate endings to the Clone Saga! And whatever happened to Carrion? Collecting AMAZING SPIDER-MAN (1963) #417-418, SENSATIONAL SPIDER-MAN (1996) #11, SPECTACULAR SPIDER-MAN (1976) #240-241, SPIDER-MAN (1990) #73-75, SPIDER-MAN TEAM-UP #5, SPIDER-MAN UNLIMITED (1993) #14, SPIDER-MAN: REVELATIONS, SPIDER-MAN: THE OSBORN JOURNAL and SPIDER-MAN: 101 WAYS TO END THE CLONE SAGA.

Miguel de Cervantes conceived his final work, The Labours of Persiles and Sigismunda: A Northern Story (1617), as a great prose epic that would accomplish for its age what Homer and Virgil had done for theirs. And yet, by the eighteenth century Don Quixote had eclipsed Persiles in the favour of readers and writers alike and the later novel is now virtually forgotten except by specialists. This study sets out to help restore Persiles to pride of place within Cervantes's corpus by reading it as the author's summa, as a boldly new kind of prose epic that casts an original light on the major political, religious, social, and literary debates of its era. At the same time it seeks to illuminate how such a lofty and solemn ambition could coexist with Cervantes evident urge to delight. Grounded in the novel's multiple contexts - literature, history and politics, philosophy and theology - and in close reading of the text, Michael Armstrong-Roche aims to reshape our understanding of Persiles within the history of prose fiction and to take part in the ongoing conversation about the relationship between literary and non-literary cultural forms. Ultimately he reveals how Cervantes recast the prose epic, expanding it in new directions to accommodate the great epic themes - politics, love, and religion - to the most urgent concerns of his day.