** A FINANCIAL TIMES, NEW STATESMAN AND GUARDIAN BOOK OF THE YEAR ** 'A must read for anyone wanting to understand where the roots of our sense of a nation originated' - Janina Ramirez, bestselling author of Femina 'A sharp new history of longing for the good old days' - Financial Times 'Our national story is so much stranger than we think- this book brilliantly insists that we look at it afresh' - James Hawes, bestselling author of The Shortest History of England ____________________________________________________ How has nostalgia shaped Britain? Modern politicians implore us to draw on the 'Blitz Spirit' of wartime Britain, post-war Britons mourned the lost innocence of Edwardian life, anxious Edwardians longed to return to a golden era of Victorian optimism, while Victorian artists dreamt of retreating to a medieval, pre-industrial age. Longing to go back to the 'good old days' is nothing new, but it's also not what it used to be. Rule, Nostalgia is an eye-opening history of Britain's perennial fixation with its own past that explores why nostalgia has been such an enduring and seductive emotion across hundreds of years of change. Cultural historian Hannah Rose Woods paints a novel picture of Britain, both strange and familiar, separating the fact from the fantasy, debunking pervasive myths and illuminating the remarkable influence that nostalgia's perpetual backwards glance has had on our history, politics and society over the last five hundred years. This is a timely and enlightening interrogation of national character, emotion, identity and myth making that explores how this nostalgic isle's history was written, re-written and (rightly or wrongly) remembered.

Studying works by William Blake, Walter Scott, and Jane Austen, this volume examines the extent to which Romantic literary works can be said to prefigure the ways in which readers will engage with them after the time of their creation.

In Imagining Nature Kevin Hutchings combines insights garnered from literary history, poststructuralist theory, and the emerging field of ecological literary studies. He considers William Blake's illuminated poetry in the context of the eighteenth-century model of "nature's economy,' a conceptual paradigm that prefigured modern-day ecological insights, describing all earthly entities as integrated parts of a dynamic, interactive system. Hutchings details Blake's sympathy for – and important suspicions concerning – the burgeoning contemporary fascination with such things as environmental ethics, animal rights, and the various fields of scientific naturalism. By focusing on Blake's concern for the relationship between nature and ideology (including the politics of class, gender, and religion) Hutchings avoids the sentimentalism and misanthropic pitfalls all too often associated with environmental commentary. He articulates a distinctively Blakean perspective on current debates in literary theory and eco-criticism and argues that while Blake's peculiar humanism and profound emphasis upon spiritual concerns have led the majority of his readers to regard his work as patently anti-natural, such a view distorts the central political and aesthetic concerns of Blake's corpus. By showing that Blake's apparent hostility toward the natural world is actually a key aspect of his famous critique of institutionalized authority, Hutchings presents Blake's work as an example of "green Romanticism" in its most sophisticated and socially responsive form.

The Cartesian Split examines the phenomenon of Cartesian influence as a psychological complex in the Jungian tradition. It explores the full legacy of Cartesian rationality in its emphasis on abstract thinking and masculinisation of thought, often perceived in a negative light, despite the developments of modernity. The book argues that the Cartesian creation of the Modern Age, as accompanied by a radical dualism, is better understood as a myth while acknowledging the psychological reality of the myth. The Cartesian myth is a collective dream, and the urgency of its rhetoric suggests that an important message is being left unheeded. This message may lead us to answers in the most unexpected place of all. The book brings forth the Cartesian myth in a new context and shows it to have potential meaning for us today. The book will be of great interest for academics, researchers, and post-graduate students in the fields of analytical psychology, mental health, comparative mythology, and Jungian studies.

'Fascinating' The Times 'Blakeian in its singularity' New Statesman 'A wonderful adventure' Irish Times 'Rich, complex and original' Tom Holland 'A crisp, ambitious and thoroughly contemporary introduction' Times Literary Supplement Poet, artist, visionary and author of the unofficial English national anthem 'Jerusalem', William Blake is an archetypal misunderstood genius. In this radical new biography, we return to a world of riots, revolutions and radicals, discuss movements from the Levellers of the sixteenth century to the psychedelic counterculture of the 1960s, and explore the latest discoveries in neurobiology, quantum physics and comparative religion to look afresh at Blake's life and work - and, crucially, his mind. Taking the reader on wild detours into unfamiliar territory, John Higgs places the bewildering eccentricities of a most singular artist into context and shows us how Blake can help us better understand ourselves.

William Blake, poet and artist, is a figure often understood to have 'created his own system'. Combining close readings and detailed analysis of a range of Blake's work, from lyrical songs to later myth, from writing to visual art, this collection of thirty-eight lively and authoritative essays examines what Blake had in common with his contemporaries, the writers who influenced him, and those he influenced in turn. Chapters from an international team of leading scholars also attend to his wider contexts: material, formal, cultural, and historical, to enrich our understanding of, and engagement with, Blake's work. Accessibly written, incisive, and informed by original research, William Blake in Context enables readers to appreciate Blake anew, from both within and outside of his own idiom.