Naval officer, family man, scholar, professional hit man.

I'm your protagonist-Reshma Kapoor-and if you have the free time to read this book, then you're probably nothing like me. Reshma is a college counselor's dream. She's the top-ranked senior at her ultra-competitive Silicon Valley high school, with a spotless academic record and a long roster of extracurriculars. But there are plenty of perfect students in the country, and if Reshma wants to get into Stanford, and into med school after that, she needs the hook to beat them all. What's a habitual over-achiever to do? Land herself a literary agent, of course. Which is exactly what Reshma does after agent Linda Montrose spots an article she wrote for Huffington Post. Linda wants to represent Reshma, and, with her new agent's help scoring a book deal, Reshma knows she'll finally have the key to Stanford. But she's convinced no one would want to read a novel about a study machine like her. To make herself a more relatable protagonist, she must start doing all the regular American girl stuff she normally ignores. For starters, she has to make a friend, then get a boyfriend. And she's already planned the perfect ending: after struggling for three hundred pages with her own perfectionism, Reshma will learn that meaningful relationships can be more important than success-a character arc librarians and critics alike will enjoy. Of course, even with a mastermind like Reshma in charge, things can't always go as planned. And when the valedictorian spot begins to slip from her grasp, she'll have to decide just how far she'll go for that satisfying ending. (Note: It's pretty far.) In this wholly unique, wickedly funny debut novel, Naomi Kanakia consciously uses the rules of storytelling-and then breaks them to pieces.

**THE INSTANT #1 NEW YORK TIMES BESTSELLER** "An unforgettable—and Hollywood-bound—new thriller... A mix of Hitchcockian suspense, Agatha Christie plotting, and Greek tragedy." —Entertainment Weekly The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive. Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word. Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London. Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....

On July 18, 1924, a mob in Tehran killed U.S. foreign service officer Robert Whitney Imbrie. His violent death, the first political murder in the history of the service, outraged the American people. Though Imbrie's loss briefly made him a cause célèbre, subsequent events quickly obscured his extraordinary life and career. Susan M. Stein tells the story of a figure steeped in adventure and history. Imbrie rejected a legal career to volunteer as an ambulance driver during World War I and joined the State Department when the United States entered the war. Assigned to Russia, he witnessed the October Revolution, fled ahead of a Bolshevik arrest order, and continued to track communist activity in Turkey even as the country's war of independence unfolded around him. His fateful assignment to Persia led to his death at age forty-one and set off political repercussions that cloud relations between the United States and Iran to this day. Drawing on a wealth of untapped materials, On Distant Service returns readers to an era when dash and diplomacy went hand-in-hand.

No Past Tense is the biography of Katarina (Kati) Kellner and William (Willi) Salcer, two Czech Jews who as teenagers were swept up by the Holocaust in Hungary and survived Auschwitz and Mauthausen, respectively. Covering their entire lives, weaving in first person 'real time' voices as if watching a documentary about themselves, the unique structure of No Past Tense provides a distinctive 'whole life' view of the Holocaust. The book begins with their childhoods, education in Budapest, and 16-year-old Kati meeting 19-year-old Willi in the Jewish ghetto in Plesivec, a Slovak village annexed by Hungary in 1938. After liberation from the camps they returned to discover most Jews were gone, and the villagers did not want them back. In defiance, Kati took up residence in a shed on her family's property, and in reclaiming what was hers, won Willi's heart. They lived as smugglers in post-war Europe until immigrating illegally to Palestine in 1946. Describing Palestine, they talk frankly about rarely addressed issues such as prejudice against 'newcomers' from other Jews. Willi built tanks for the Haganah, the underground Jewish army, and supported the War of Independence but refused to move into homes abandoned by Palestinian Arabs. After discharge from the Israeli Air Force, Willi founded the country's first rubber factory and headed the association of Israeli manufacturers at only 28. In 1958, saying he did not want the children to know war, Willi convinced Kati to move to America. He did not tell her that punitive tax fines, imposed when the government needed money due to the crisis in the Sinai, shook his faith in Israel. Once in America, after a few bad investments, Willi lost all their money and for the first time Kati suffered panic attacks. But Willi rebuilt his fortune, while Kati rediscovered her courage, and started living again.

Daugherty addresses the public perception of the CIA as a rogue agency that initiates unsanctioned, risky, covert action programs. The 17-year veteran operations officer with the CIA produces evidence to disprove this notion.

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