The semi-autobiographical, riotous account of stage-struck young David Kolowitz, originated on Broadway by Alan Arkin, working as a delivery boy in a sewing machine factory. Denying his parent's wishes for a druggist in the family, he leaves their dreams and his devoted girlfriend Wanda behind and is soon enlisted (and paying for) a slot as the "leading man" in a third-rate theatrical company while being vamped by the resident less-than leading lady, the daughter of the hammy "artistic director.

In his semi-autobiographical, laugh-out-loud novel, Carl Reiner details a young man's frustrations as he works as a machinist's helper and tries to break into show business. Along the bumpy path, the aspiring young actor tries to extricate himself from his overly protective parents--and his two girlfriends--and eventually lands an acting gig with a small theater troupe.

A tragicomic story of bad dates, bad news, bad performances, and one girl's determination to find the funny in high school from the author of Denton Little's Deathdate. Winnie Friedman has been waiting for the world to catch on to what she already knows: she's hilarious. It might be a long wait, though. After bombing a stand-up set at her own bat mitzvah, Winnie has kept her jokes to herself. Well, to herself and her dad, a former comedian and her inspiration. Then, on the second day of tenth grade, the funniest guy in school actually laughs at a comment she makes in the lunch line and asks her to join the improv troupe. Maybe he's even . . . flirting? Just when Winnie's ready to say yes to comedy again, her father reveals that he's been diagnosed with ALS. That is . . . not funny. Her dad's still making jokes, though, which feels like a good thing. And Winnie's prepared to be his straight man if that's what he wants. But is it what he needs? Caught up in a spiral of epically bad dates, bad news, and bad performances, Winnie's struggling to see the humor in it all. But finding a way to laugh is exactly what will see her through. **A Junior Library Guild Selection**

A comic novel on a sewing machine delivery boy who finally makes it as an actor. In a wise-cracking style, he describes the troupe's tour of the Deep South, his romance with a Southern belle and his tour of duty in World War II.

Known and loved by millions around the world as the star of the top-rated CBS TV series The Nanny, Fran Drescher tells her hilarious life story and offers a fresh, funny, and irreverent backstage look at Hollywood and its stars. "The unsinkable kid from Queens isn't a whiner, she's a winner." --People The #l New York Times bestseller. Fran Drescher's unique comic talent, trademark New York accent, and brash persona have made her the queen of prime time, and the only successor to TV's last great sitcom queen, Roseanne. For fans of bestsellers by such comedians as Jerry Seinfeld, Tim Allen, Paul Reiser, and Ellen DeGeneres. Illustrated with black and white photos throughout.

Francois Rabelais (1483?-1553) is a difficult and often misunderstood author, whose reputation for coarse "Rabelaisian" jesting and "Gargantuan" indulgence in food, drink, and sex is highly misleading. He was in fact a committed humanist who expressed strong views on religion, good government, education, and much more through the mock-heroic adventures of his giants. While most books about Rabelais have relatively little to say about his comedic genius, Enter Rabelais, Laughing analyses the many sides of Rabelais's humor, focusing on why his writing was so hilariously funny to sixteenth-century readers. The author begins by discussing how the Renaissance defined laughter and situates Rabelais in a long tradition of literary laughter. Subsequent chapters examine specific contexts relevant to Gargantua and Pantagruel, beginning with the comic aspects of epic, chronicle, mock-epic, and farce, and proceeding to Renaissance and Reformation humanist satire, rhetoric, medicine, and law. All of these chapters combine information, much of it new, on the humanist message Rabelais wanted to convey to his readers, with an analysis of how he used his wit to reinforce his message. Rarely is a writer's work treated in such illuminating detail. On a broad level, Enter Rabelais, Laughing serves as an excellent introduction to French Renaissance literature and exhibits a remarkably charming and lucid writing style, free of jargon. To Rabelais scholars in particular it offers a thorough and innovative analysis that corrects misconceptions and questions commonly held views.

Rebellious Laughter changes the way we think about the ordinary joke. Claiming that humor in America is a primary cultural weapon, Boskin surveys the multitude of joke cycles that have swept the country during the last fifty years. Dumb Blonde jokes. Elephant jokes. Jewish-American Princess jokes. Lightbulb jokes. Readers will enjoy humor from many diverse sources: whites, blacks, women, and Hispanics; conservatives and liberals; public workers and university students; the powerless and power brokers. Boskin argues that jokes provide a cultural barometer of concerns and anxieties, frequently appearing in our day-to-day language long before these issues become grist for stand-up comics.