Amadeo Bordiga was one of the greatest figures of the Third Communist International. The Science and Passion of Communism presents his Soviet and internationalist battles in the revolutionary post-WWI period until that against Stalinism, and those in the post-WWII period against the triumphant U.S. capitalism and for an original, updated re-presentation of Marxist critique of political economy.

This text is the written report of a meeting on the topic that took place on August 29-30, 1953, in Trieste, and which appeared in issues 16-20 of Il programma comunista ("the communist programme"). At that time the destiny of the "Free Territory" was still uncertain, one of the many political and economic monstrosities of the post-war "settlement" in Europe and the world. The Trieste drama was a small event in the world picture, but nevertheless enormous for those who had to endure it. During the war, Istrian Italians had suffered ethnic cleansing at the hands of Tito's partisans, but this was kept out of mainstream information channels by the Italian Stalinists, who did not want "communism" to be associated with the persecution of ethnic Italians. These sordid contemporary events gave the International Communist Party the opportunity to present fundamental and classical Marxist theses, in a trenchant way, directly antithetical to the deformation operated on them by opportunism; deformations coming either from the Stalinist counter-revolution or from false left groups; all of them unable to appreciate factors such as those of race and nation which, although not belonging to the totality of direct objectives of the communist revolution, are historically present on the path that dialectically leads to it. In this quality, such factors draw the revolution closer and at the same time compete against it in an interplay that Marxism has never ignored; in given times and in definite historical contexts they have their say within the framework of the proletarian strategy of double revolutions. This powerful party text is within the great Marxist tradition of "The Origin of the Family, Private Property and the State" and of "Anti-Dühring", and possesses the same dialectical vigour and sharp sarcasm.

If the Soviet Union did not have a socialist society, then how should its nature be understood? The present book presents the first comprehensive appraisal of the debates on this problem, which was so central to twentieth-century Marxism.

Twelve studies by eminent art historian James S. Ackerman. This collection contains studies written by art historian James Ackerman over the past decade. Whereas Ackerman's earlier work assumed a development of the arts as they responded to social, economic, political, and cultural change, his recent work reflects the poststructural critique of the presumption of progress that characterized Renaissance and modernist history and criticism. In this book he explores the tension between the authority of the past—which may act not only as a restraint but as a challenge and stimulus—and the potentially liberating gift of invention. He examines the ways in which artists and writers on art have related to ancestors and to established modes of representation, as well as to contemporary experiences. The "origins" studied here include the earliest art history and criticism; the beginnings of architectural drawing in the Middle Ages and Renaissance; Leonardo Da Vinci's sketches for churches, the first in the Renaissance to propose supporting domes on sculpted walls and piers; and the first architectural photographs. "Imitation" refers to artistic achievements that in part depended on the imitation of forms established in practices outside the fine arts, such as ancient Roman rhetoric and print media. "Conventions," like language, facilitate communication between the artist and viewer, but are both more universal (understood across cultures) and more fixed (resisting variation that might diminish their clarity). The three categories are closely linked throughout the book, as most acts of representation partake to some degree of all three.