Introduction -- Reconstructing sentimentalism -- Sentimentalism and the discourses of freedom : the aesthetic analogy from Hume to Arendt -- Judging Clarissa's heart -- A sentimental education : Rousseau to Godwin -- Judgment, propriety, and the critique of sensibility: the "sentimental" Jane Austen.

"Enlightened Sentiments reassesses the Enlightenment's liberal legacies by revisiting the wide-ranging development of eighteenth-century letters known as "sentimentalism." Nazar argues that the recent retrieval of sentimentalism as a predominantly affective culture of sensibility elides its critical motif of moral and aesthetic judgment, and underrates its contributions to the key Enlightenment norm of autonomy. Drawing upon novelists from Samuel Richardson to Jane Austen, and theorists of judgment from David Hume to Hannah Arendt, she contends that sentimental judgment complicates received understandings of liberal ethics as grounded in the opposition of reason and feeling, and autonomy and sociability, and as such, implies a powerful counter-challenge to postmodernist critiques of modernity as the harbinger principally of instrumentalist reason and disciplinary power."--Project Muse.

This volume concerns judges, judgment and judgmentalism. It studies the Victorians as judges across a range of important fields, including the legal and aesthetic spheres, and within literature. It examines how various specialist forms of judgment were conceived and operated, and how the propensity to be judgmental was viewed.

Exorbitant Enlightenment compels us to see eighteenth- and early nineteenth-century literature and culture in new ways. This book reveals a constellation of groundbreaking pre-1790s Anglo-German relations, many of which are so radical so exorbitant that they ask us to fundamentally rethink the ways we grasp literary and intellectual history, especially when it comes to Enlightenment and Romanticism. Regier presents two of the great, untold stories of the eighteenth century. The first story uncovers a forgotten Anglo-German network of thought and writing in Britain between 1700 and 1790. From this Anglo-German context emerges the second story: about a group of idiosyncratic figures and institutions, including the Moravians in 1750s London, Henry Fuseli, and Johann Caspar Lavater, as well as the two most exorbitant figures, William Blake and Johann Georg Hamann. The books eight chapters show how these authors and institutions shake up common understandings of British literary and European intellectual history and offer a very different, much more counter-intuitive view of the period. Through their distinctive conceptions of language, Blake and Hamann articulate in different yet deeply related ways a radical critique of instrumental thought and institutional religion. They also argue for the irreducible relation between language and the sexual body. In each case, they push against some of the most central cultural and philosophical assumptions, then and now. The book argues that, when taken seriously, these exorbitant figures allow us to uncover and revise some of our own critical orthodoxies.

Written by theologians, literary scholars, political theorists, classicists, and philosophers, the essays in Judgment and Action address the growing sense that certain key concepts in humanistic scholarship have become suspect, if not downright unintelligible, amid the current plethora of critical methods. These essays aim to reassert the normative force of judgment and action, two concepts at the very core of literary analysis, systematic theology, philosophy, ethics, aesthetics, and other disciplines. Interpretation is essential to every humanistic discipline, and every interpretation is an act of judgment. Yet the work of interpretation and judgment has been called into question by contemporary methods in the humanities, which incline either toward contextual determination of meaning or toward the suspension of judgment altogether. Action is closely related to judgment and interpretation and like them, it has been rendered questionable. An action is not simply the performance of a deed but requires the deed’s intelligibility, which can be secured only through interpretation and judgment. Organized into four broad themes—interiority/contemplation, ethics, politics/community, and aesthetics/image—the aim of this broad-ranging and insightful collection is to illuminate the histories of judgment and action, identify critical sites from which rethinking them may begin, clarify how they came to be challenged, and relocate them within a broader intellectual-historical trajectory that renders them intelligible.

Since the publication of his novel Pamela; or Virtue Rewarded in 1740, Samuel Richardson's place in the English literary tradition has been secured. But how can that place best be described? Over the three centuries since embarking on his printing career the 'divine' novelist has been variously understood as moral crusader, advocate for women, pioneer of the realist novel and print innovator. Situating Richardson's work within these social, intellectual and material contexts, this new volume of essays identifies his centrality to the emergence of the novel, the self-help book, and the idea of the professional author, as well as his influence on the development of the modern English language, the capitalist economy, and gendered, medicalized, urban, and national identities. This book enables a fuller understanding and appreciation of Richardson's life, work and legacy, and points the way for future studies of one of English literature's most celebrated novelists.