A close examination of the rivalry between two printing presses at the time of the divorce crisis shows how the new learning could be employed to influence even the king himself.

This volume deals with political, military, social, architectural, and literary aspects of fifteenth-century England. The essays contained in the volume range across the century from some of the leading scholars currently working in the period.

The Cambridge Companion to Medieval Women's Writing seeks to recover the lives and particular experiences of medieval women by concentrating on various kinds of texts: the texts they wrote themselves as well as texts that attempted to shape, limit, or expand their lives. The first section investigates the roles traditionally assigned to medieval women (as virgins, widows, and wives); it also considers female childhood and relations between women. The second section explores social spaces, including textuality itself: for every surviving medieval manuscript bespeaks collaborative effort. It considers women as authors, as anchoresses 'dead to the world', and as preachers and teachers in the world staking claims to authority without entering a pulpit. The final section considers the lives and writings of remarkable women, including Marie de France, Heloise, Joan of Arc, Julian of Norwich, Margery Kempe, and female lyricists and romancers whose names are lost, but whose texts survive.

The early Christian and medieval practice of spiritual marriage, in which husband and wife mutually and voluntarily relinquish sexual activity for reasons of piety, plays an important role in the development of the institution of marriage and in the understanding of female religiosity. Drawing on hagiography, chronicles, theology, canon law, and pastoral sources, Dyan Elliott traces the history of spiritual marriage in the West from apostolic times to the beginning of the sixteenth century.