A guide to England’s rich history of magical lore and practice “for readers of works like Harry Potter who have grown up a bit into wanting to know more” (The Hermetic Library). Through experiments to try and places to visit, as well as a historical exploration of magic and interviews with leading magicians, The Book of English Magic will introduce you to the extraordinary world that lies beneath the surface. Magic runs through the veins of English history, part of daily life from the earliest Arthurian legends to Aleister Crowley to the novels of Tolkien and Philip Pullman, and from the Druids to Freemasonry and beyond. Richly illustrated and deeply knowledgeable, this book is an invaluable source for anyone curious about magic and wizardry, or for sophisticated practitioners seeking to expand their knowledge. “Playful and serious, respectful and amused . . . this will remain the standard work for years to come.” —The Sunday Telegraph “A magical mystery tour.” —The Times “Fabulous.” —Daily Express “Lucid and wonderfully easy to read . . . While it is indeed a perfect book for the ‘intelligent novice’ it’s far more than that—it’s a serious, in-depth survey of a massive topic.” —WitchVox “An accessible and immensely readable book . . . A fascinating insight into a hidden world.” —Booksquawk

English Magic moves through fields and parklands, estates and empty beaches. It lands at Heathrow Airport, takes a taxi to the suburbs, finds emptiness and oppression. It strikes out for the countryside on May Day, to where maypoles whirl and haybales blaze, and where blessings sound like threats. It's in a flat, drags itself out of half sleep... and there's something tapping behind the gas fire... In her debut collection of short stories, Uschi Gatward takes us on a tour of an England simultaneously domestic and wild, familiar and strange, real and imagined. Coupling the past and the present, merging the surreal and the mundane, English Magic is a collection full of humour and warmth, subversion and intoxication. It announces the arrival of a shining new talent.

This captivating new tarot deck draws us into the vibrant but often hidden world of English magic, evoking a golden age of mysticism when John Dee was Queen Elizabeth's Court Astrologer, antiquarian John Aubrey rediscovered ancient sacred sites, and the great physicist Isaac Newton studied alchemy. The English Magic Tarot places the cards in the colorful yet turbulent period of English history that stretches from the time of Henry VIII to the Restoration. During this time of upheaval archetypal forces were very much at play, making this a perfect setting for the cards. Brought to you by renowned artist Rex Van Ryn, colorist Steve Dooley, and writer Andy Letcher, this deck has a dynamic, graphic style. There are unique twists to some of the traditional images, with riddles, references, and lore buried within them that will draw users ever deeper into the mystery and meaning of the cards. The first deck of its kind to draw explicitly on the English magical tradition, The English Magic Tarot opens up a rich new pathway into the cards that will delight novice and experienced tarot users alike.

Cunning-folk were local practitioners of magic, providing small-scale but valued service to the community. They were far more representative of magical practice than the arcane delvings of astrologers and necromancers. Mostly unsensational in their approach, cunning-folk helped people with everyday problems: how to find lost objects; how to escape from bad luck or a suspected spell; and how to attract a lover or keep the love of a husband or wife. While cunning-folk sometimes fell foul of the authorities, both church and state often turned a blind eye to their existence and practices, distinguishing what they did from the rare and sensational cases of malvolent witchcraft. In a world of uncertainty, before insurance and modern science, cunning-folk played an important role that has previously been ignored.

This volume presents editions of two fascinating anonymous and untitled manuscripts of magic produced in Elizabethan England: the Antiphoner Notebook and the Boxgrove Manual. Frank Klaassen uses these texts, which he argues are representative of the overwhelming majority of magical practitioners, to explain how magic changed during this period and why these developments were crucial to the formation of modern magic. The Boxgrove Manual is a work of learned ritual magic that synthesizes material from Henry Cornelius Agrippa, the Fourth Book of Occult Philosophy, Heptameron, and various medieval conjuring works. The Antiphoner Notebook concerns the common magic of treasure hunting, healing, and protection, blending medieval conjuring and charm literature with materials drawn from Reginald Scot’s famous anti-magic work, Discoverie of Witchcraft. Klaassen painstakingly traces how the scribes who created these two manuscripts adapted and transformed their original sources. In so doing, he demonstrates the varied and subtle ways in which the Renaissance, the Reformation, new currents in science, the birth of printing, and vernacularization changed the practice of magic. Illuminating the processes by which two sixteenth-century English scribes went about making a book of magic, this volume provides insight into the wider intellectual culture surrounding the practice of magic in the early modern period.

Regency England was a pivotal time of political uncertainty, with a changing monarchy, the Napoleonic Wars, and a population explosion in London. In Susanna Clarke's fantasy novel Jonathan Strange and Mr. Norrell, the era is also witness to the unexpected return of magic. Locating the consequences of this eruption of magical unreason within the context of England's imperial history, this study examines Merlin and his legacy, the roles of magicians throughout history, the mythology of disenchantment, the racism at work in the character of Stephen Black, the meaning behind the fantasy of magic's return, and the Englishness of English magic itself. Looking at the larger historical context of magic and its links to colonialism, the book offers both a fuller understanding of the ethical visions underlying Clarke's groundbreaking novel of madness intertwined with magic, while challenging readers to rethink connections among national identity, rationality, and power.

A wizard's hat blows into town, changing people into different animals when it lands on their heads.