Rather than giving the student a list of facts to assimilate this book offers a selection of standard and non-standard pieces of spoken and written English that the reader uses to formulate opinions on structure and lexis for further self-study.

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Politics and the English Language, the second in the Orwell’s Essays series, Orwell takes aim at the language used in politics, which, he says, ‘is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind’. In an age where the language used in politics is constantly under the microscope, Orwell’s Politics and the English Language is just as relevant today, and gives the reader a vital understanding of the tactics at play. 'A writer who can – and must – be rediscovered with every age.' — Irish Times

This accessible satellite textbook in the Routledge Intertext series is unique in offering students hands-on practical experience of textual analysis focused on speech and writing. Written in a clear, user-friendly style, it combines practical activities with texts, accompanied by commentaries and suggestions for further study. It can be used individually or in conjunction with the series core textbook Working With Texts: A core introduction to language analysis. Aimed at A and AS Level and beginning undergraduate students, the Language of Speech and Writing: * Analyses the processes involved in writing and speaking * Highlights the differences between these two modes of communication * Explores written texts from recipes to legal language, spoken texts from telephone conversations to interviews and mixed-mode texts from email to adverts * Compares and contrasts spoken and written texts on the same theme

Similarities and differences between speech and writing have been the subject of innumerable studies, but until now there has been no attempt to provide a unified linguistic analysis of the whole range of spoken and written registers in English. In this widely acclaimed empirical study, Douglas Biber uses computational techniques to analyse the linguistic characteristics of twenty three spoken and written genres, enabling identification of the basic, underlying dimensions of variation in English. In Variation Across Speech and Writing, six dimensions of variation are identified through a factor analysis, on the basis of linguistic co-occurence patterns. The resulting model of variation provides for the description of the distinctive linguistic characteristics of any spoken or written text andd emonstrates the ways in which the polarization of speech and writing has been misleading, and thus enables reconciliation of the contradictory conclusions reached in previous research.

Grounded in linguistic research and argumentation, THE ENGLISH LANGUAGE: FROM SOUND TO SE01 General/tradeE offers readers who have little or no analytic understanding of English a thorough treatment of the various components of the language. Its goal is to help readers become independent language analysts capable of critically evaluating claims about the language and the people who use it.

In this activity-based text, Rebecca Hughes invites the reader to examine the differences between spoken and written English. Instead of presenting a bewildering array of 'facts' about variety in English, she encourages the reader to actively investigate the differences between these two modes of communication by comparing actual speech patterns with literary ones. This indispensable guide to the basic methods of analysis provides both an overview of the relationship between speech and writing and an introduction to a central theoretical issue in language studies. By the end of the book, readers will have had the opportunity to consider material from an extensive selection of spoken and written varieties - including boxing commentaries, detective novels and film scripts - while being encouraged to formulate their own opinions with regard to lexis and structure. In addition, the tasks that have been incorporated into the end of every chapter provide suggestions for further self-study and follow-up work.

"I couldn't stop reading until I finished it. This book should be widely read!" - JAMES LOVELOCK "I'm glad I read it. A literate and stylish writer." - RICHARD DAWKINS "I think you're right." - STEVEN PINKER What makes us human? Why are we the only animals who wear clothes, drive cars, trawl the internet, and fly helicopters on Mars? It's all because we've learnt to talk: yet remarkably, we still don't know how we did it. SPEECH! suggests an answer that's been hiding in plain sight - the simple yet radical shift that turned our analog grunts and shrieks into words. But its consequences are far from simple: being able to share ideas through language was an evolutionary tipping point - it allowed us to link up our minds. SPEECH! traces our roller-coaster ride with language from hunter-gatherer to urban hipster: the epic tale of the struggle for knowledge against the false gods of culture, religion and identity - as we teeter toward a destination we may still resist, but ultimately cannot escape. About the author: Simon Prentis has spent a lifetime working with other cultures and languages in over fifty countries. A veteran translator and interpreter of Japanese, his clients have ranged from academic and international institutions to cultural icons like Paul McCartney, Stanley Kubrick, Frank Zappa and Yoko Ono. A graduate of Oxford University, and a member of the Institute of Translation and Interpreting since 1990, he has worked extensively with the broadcast media, given expert testimony in high-profile intellectual property disputes, translated four books and reams of technical documents, and presented papers on translation and interpreting at international conferences. This is his first book. "Crisp and clear - I agree with your hypothesis." - DESMOND MORRIS "Bravo! A compelling read." - YOKO ONO "If you liked Sapiens, you're going to love this." - JEE MANDAYO