The heart of this book lies in the important discovery that a pivotal Tudor argument in favor of the Royal Supremacy—the argument from Psalm 82 that earthly kings are ‘gods’ on this earth—is in fact Zwinglian in origin. This teaching from Psalm 82, which originated in Zurich in the mid-1520s, was soon used extensively in England to justify the Supremacy, and English evangelicals—from Tyndale to Cranmer—unanimously embraced this Protestant argument in their writings on political obedience. The discovery of this link shows conclusive, textual proof of the ‘Zurich Connection’ between Swiss political teachings and those popular under Tudor kings. This study argues, then, that evangelical attitudes towards royal authority were motivated by the assumption that Protestantism supported ‘godly kingship’ over against ‘papal tyranny’. As such, it is the first monograph to find a vital connection between early Swiss Protestant similar teachings on obedience and later teachings by evangelicals.

Were mid-Tudor evangelicals roaring lions or meek lambs? Did they struggle with a minority complex, or were they comfortable with their position of political ascendancy under Edward VI? How did their theological blueprint of the ‘True Church’ fit their temporal realities? By relocating the Book of Common Prayer at the centre of the English Reformation, Stephen Tong gives new significance to two underacknowledged drivers of reform: ecclesiology and liturgy. Edwardian reformers caused a sensation in England by engaging with these questions, which spilled over into Ireland, and continued to cast a shadow over subsequent generations of the English Protestants.

In Ordained Ministry in Free Church Perspective Jan Martijn Abrahamse offers a methodologically innovative way to understand ordained ministry in terms of covenantal theology by returning to the life and thought of the English Separatist Robert Browne (c. 1550-1633).

This study considers sixteenth century evangelicals' vision of a ›godly‹ commonwealth within the broader context of political, religious, social, and intellectual changes in Tudor England. Using the clergyman and bestselling author, Thomas Becon (1512–1567), as a case study, Brian L. Hanson argues that evangelical views of the commonwealth were situation-dependent rather than uniform, fluctuating from individual to individual. His study examines the ways commonwealth rhetoric was used by evangelicals and how that rhetoric developed and changed. While this study draws from English Reformation historiography by acknowledging the chronology of reform, it engages with interdisciplinary texts on poverty, gender, and the economy in order to demonstrate the intersection of commonwealth rhetoric with Renaissance humanism. Furthermore, the experience of exile and the languages of prophecy and companionship directly influenced commonwealth rhetoric and dictated the priorities, vocabulary, and political expression of the evangelicals. As sixteenth-century England vacillated in its religious direction and priorities, the evangelicals were faced with a political conundrum and the tension between obedience and ›lawful‹ disobedience. There was ultimately a fundamental disagreement on the nature and criteria of obedience. Hanson's study makes a further contribution to the emerging conversation about English commonwealth politics by examining the important issues of obedience and disobedience within the evangelical community. A correct assessment of the issues surrounding the relationship between evangelicals and the commonwealth government will lead to a rediscovery of both the complexities of evangelical commonwealth rhetoric and the tension between the biblical command to submit to civil authorities and the injunction to ›obey God rather than man‹.

The protestant reformation was critical to the efflorescence of printing in England between 1547 and 1553. Celyn David Richards explores English print culture during this turbulent period, in which an official programme of reform, new censorship dynamics and increasingly sophisticated commercial relationships contributed to the trade’s rapid expansion. Edward VI’s reign saw unprecedented levels of religious print production, London’s first publishing syndicate, and a climate of protestant ascendancy which helped English print culture to make up ground on its continental counterparts.

Print, in the early modern period, could make or break power. This volume addresses one of the most urgent and topical questions in early modern history: how did European authorities use a new medium with such tremendous potential? The eighteen contributors develop new perspectives on the relationship between the rise of print and the changing relationships between subjects and rulers by analysing print’s role in early modern bureaucracy, the techniques of printed propaganda, genres, and strategies of state communication. While print is often still thought of as an emancipating and disruptive force of change in early modern societies, the resulting picture shows how instrumental print was in strengthening existing power structures. Contributors: Renaud Adam, Martin Christ, Jamie Cumby, Arthur der Weduwen, Nora Epstein, Andreas Golob, Helmer Helmers, Jan Hillgärtner, Rindert Jagersma, Justyna Kiliańczyk-Zięba, Nina Lamal, Margaret Meserve, Rachel Midura, Gautier Mingous, Ernesto E. Oyarbide Magaña, Caren Reimann, Chelsea Reutchke, Celyn David Richards, Paolo Sachet, Forrest Strickland, and Ramon Voges.

Combining an expertise on the Tudor dynasty with an authoritative understanding of its religious and political make-up, A Short History of the Tudors provides a fresh and accessible perspective of one of the most formative periods of British history. Rex considers the ways in which the Tudors shaped the beginnings of modern England through the momentous break with Rome in a comprehensive yet balanced way. Close attention is also paid to the dismantling of the baronial system and centralisation of secular power, as well as an exploration of the break with Rome, the two pillars on which the author's argument will rest. The book is organised chronologically and divided up into time periods, making it the ultimate companion for anyone keen to delve into the history of Britain's most notorious dynasty. The famous and infamous key players in the Tudor age have long endured in text books and are, brought to life here by Rex. Lively portraits of John Fisher, Thomas Moore and Thomas Wolsey and Mary Queen of Scots are painted, as well as the lesser-known players like the flamboyant Robert Devereux. A leading authority on the Tudors and British religious history, Richard Rex brings to life a dynasty which continues to engages and fascinate readers.