Excerpt from English Caricature and Satire on Napoleon I, Vol. 1 of 2 The frontispiece is taken from a very rare print, and gives a novel View of Napoleon to us, who are always accustomed to see him represented in military uniform. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Excerpt from Napoleon in Caricature, Vol. 1 of 2: 1795-1821 In a former work the writer has bestowed special attention on those Napoleonic caricatures which directly relate to the threatened invasion of England (1796-1806) and the incidents of the Great Terror. It will be nu necessary to repeat what has already been said con cerning them, although they will all find a place in the general lists given as Appendices. An endeavour will be made in these pages to bring into strong relief those caricatures which are typical of the general scheme of this form of attack on Napoleon, or which throw new light either on his public 01 private life, or the state of public feeling concerning him. Prominence will be given to several prints, which, notwithstanding their obvious interest and importance, are either wholly or partially unknown. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Napoleon in Caricature, 1795-1821, Vol. 1 of 2 Napoleon, have been more or less adequately dealt with by 'five competent author's, l who, Without laying the emphasis one would have expected on this particular sphere of activity on the part of their heroes, have, in turn, given us some kind of a pen-picture of each plate acknowledged by or ascribed to the artists in question. It therefore becomes possible to indicate occasionally the whereabouts of information and descriptive matter which lack of space renders it impossible to insert in these volumes. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Curiously enough, it has never been practically settled whence the ancestors of Napoleon Bonaparte came. He, himself, cared little for the pride of birth, and when, during his Consulate, they manufactured for him a genealogy descending from a line of kings, he laughed at it, and said that his patent of nobility dated from the battle of Montenotte. But, still, one would think he ought to know, for family tradition is strong; and if it can be trusted, this is his own account. ‘One day Napoleon questioned Canova about Alfieri, and Canova found an opportunity to render an important service to Florence, c. “Sire,” said he, “authorise the President of the Academy of Florence to take care of the frescoes and pictures. I heartily wish it. That will reflect great honour on your Majesty, who, I am assured, is of a noble Florentine family.” At these words the Empress (Maria Louisa) turned towards her husband and said:—“What! are you not Corsican?” “Yes,” replied Napoleon, “but of Florentine origin.” Canova then said:—“The President of the Academy of Florence, the Senator Allessandria, is of one of the most illustrious houses in the country, which has had one of its ladies married to a Bonaparte, thus you are Italian, and we boast of it.” “I am, certainly,” added Napoleon.’ Prince Napoleon Louis Bonaparte (brother to the Emperor) published in 1830, at Florence, a French translation of an old book about the sack of Rome, 1527, which gives an account of the family of the writer. But Majorca also puts in a claim to the older Bonapartes; and in 1852, Don Antonio Furio, a learned man, Member of the Royal Academies of Belles Lettres of Barcelona and Majorca, &c., made a declaration as to ‘the rank, dignity, and extinction of the noble family of Bonapart in the island of Majorca;’ and quotes from a book kept in the archives of Palma, in which are preserved the armorial escutcheons of the noble families of the Island, the arms of Bonapart—which were Dexter, on a field Azure, six stars, Or, placed two by two, Sinister, on a field gules, a lion rampant, Or; and the Chief Or, bears a scared eagle, sable. He says the family came from Genoa to Majorca, in which island its members were considered noblemen, and they filled several distinguished offices. In a register of burials relating to knights and gentlemen, written in 1559, the antiquity and nobility of the Bonaparts are clearly authenticated; and it would seem from Don Furio’s account (for all of which he gives chapter and verse) that the learned jurisconsult Don Hugo Bonapart left Majorca and went to Corsica, where, in 1411, he was made Regent of the Chancery of that place; and, as he settled there, his name was inscribed in the Golden Book of France.