England/Scotland 1960 offers a visionary insight into the very heart of English and Scottish cultures. Reflecting a postwar era in which the revolutions of the 1960s had hardly yet filtered into the mainstream, Davidson's photographs reveal countries driven by difference--the extremes of city and country life, of the landed gentry and the common people--and lucidly portrays the mood of these times in personal and provocative imagery that is as fresh today as it was in that time.

Originally published in 1977. The Travellers, from those living in bow-tents and horse-drawn caravans to those dwelling in motor caravans and permanent homes, are an important source of traditional music. Their society means that songs that have died out in more settled communities are preserved among them. Ewan MacColl and Peggy Seeger, widely known as two of the founding singers of the British and American folk revivals, here display a vast fund of folklore scholarship around the songs of British travelling people. Resulting from extensive collecting in southern and southeastern England and central and northeastern Scotland in the 1960s and 70s, this book contains 130 songs with music and comprehensive notes relating them to folkloristic and historical points of interest. It includes traditional ballads and ballads of broadside origin, bawdy, tragic and humorous songs about love, work and death. Most are in English or in Scots dialect with four in Anglo-Romani.

Is the 'United' Kingdom really as united as its name suggests? For many people in the UK, increasing nationalism in Scotland has come as rather a shock, raising questions about what Britain is, and where its future lies. In "The Road to Independence? Scotland since the Sixties", Murray Pittock not only gives an account of modern Scottish nationalism, but also explains what Scotland's role in Britain has been historically, and why it has changed radically in the last fifty years where the debate about independence has come to the fore. The author relates the economic, social and cultural history of Scotland, the rise of modern Scottish nationalism and the reasons for it, the recent history and differing character of Scotland's cities and cultural industries, the impact of multiculturalism on Scottish as distinct from British society, and the changes wrought by devolution, including the reasons for the election of Scotland's first-ever nationalist government in 2007. "The Road to Independence?" is the only history of Scotland available with a truly contemporary focus. In dealing with everything from modern painting to political structures it is remarkably comprehensive; in explaining the rise of modern nationalism it is of great importance to policy-makers and the wider public. It will be of interest to students of politics, history, law and social science, and to all who want to understand the rapidly changing face of Britain

Using empirical research, this study provides a clear guide to the current state of the debate surrounding secularization in Britain during the long 1960s.

This book charts the course of Scottish Critical Theory since the 1960s. It provocatively argues that 'French' critical-theoretical ideas have developed in tandem with Scottish writing during this period. Its themes can be read as a breakdown in Scottish Enlightenment thinking after empire - precisely the process which permitted the rise of 'theory'.The book places within a wider theoretical context writers such as Muriel Spark, Edwin Morgan, Ian Hamilton Finlay, James Kelman, Alexander Trocchi, Janice Galloway, Alan Warner and Irvine Welsh, as well as more recent work by Alan Riach and Pat Kane, who can be seen to take the 'post-Enlightenment' narrative forward. In doing so, it draws on the work of the Scottish thinkers John Macmurray and R.D. Laing as well as the continental philosophers Gilles Deleuze and Paul Virilio.

This book considers the relationship between English and Scottish poets and the international concrete poetry movement of the 1950s-1970s,focusing on the work of Ian Hamilton Finlay, Edwin Morgan, Dom Sylvester Houédard and Bob Cobbing. It will be a vital resource for students andscholars of modernism, intermedia art and British literature.