First published in 1945, this volume compares the theoretical panic and practical confusion of its present time to that of the eighteen-eighties and looks to it for direction and inspiration. Following the decade, the Reynolds’ Newspaper commented that "Eighteen seventy-nine is gone, and we all have reason to be thankful that it is now only a record". The decade faced challenges in agriculture, a bitter parliament, war on two continents, stagnant commerce and changing social norms. 1879 in particular was a year combining more circumstances of misfortune and depression than any within general experience at the time. Then, as in 1945, there was a new sense of being in the dark, surrounded by the unknown. H.M. Lynd hoped to gain some insight into possible directions of change from a study of this critical period.

In the second half of the nineteenth century and the first half of the twentieth century a variety of forces emerged which changed society in many profound and subtle ways. The Making of Modern English Society from 1850 uses the findings of recent historical and sociological research contemporary literature, and a wide range of historical sources to form a clear picture of the main patterns of the social changes which took place in this turbulent period. Jane Roebuck shows how in these hundred years the whole fabric of society altered more rapidly and radically than in ant preceding century. She gives and account of the dramatic change which occurred in all spheres of national liked. She demonstrates how the drift towards socialism, which began in the nineteenth century, gathered momentum in the twentieth and how massive social chance was on produce of the two world wars. In the field of economics, the author considers the development of the maturing but still primitive industrial economy of the mid-nineteenth century into a modern economy based on mass production and mass consumption. She also describes the change in emphasis from desire for world power to concern for domestic prosperity and welfare services.

In The Late Victorian Folksong Revival: The Persistence of English Melody, 1878-1903, E. David Gregory provides a reliable and comprehensive history of the birth and early development of the first English folksong revival. Continuing where Victorian Songhunters, his first book, left off, Gregory systematically explores what the Late Victorian folksong collectors discovered in the field and what they published for posterity, identifying differences between the songs noted from oral tradition and those published in print. In doing so, he determines the extent to which the collectors distorted what they found when publishing the results of their research in an era when some folksong texts were deemed unsuitable for "polite ears." The book provides a reliable overall survey of the birth of a movement, tracing the genesis and development of the first English folksong revival. It discusses the work of more than a dozen song-collectors, focusing in particular on three key figures: the pioneer folklorist in the English west country, Reverend Sabine Baring-Gould; Frank Kidson, who greatly increased the known corpus of Yorkshire song; and Lucy Broadwood, who collected mainly in the counties of Sussex and Surrey, and with Kidson and others, was instrumental in founding the Folk Song Society in the late 1890s. The book includes copious examples of the song tunes and texts collected, including transcriptions of nearly 300 traditional ballads, broadside ballads, folk lyrics, occupational songs, carols, shanties, and "national songs," demonstrating the abundance and high quality of the songs recovered by these early collectors.

This book contains 2,500 bibliographical entries covering most aspects of the history of Victorian England.

In 1889, Samuel Winkworth Silver’s rubber and electrical factory was the site of a massive worker revolt that upended the London industrial district which bore his name: Silvertown. Once referred to as the “Abyss” by Jack London, Silvertown was notorious for oppressive working conditions and the relentless grind of production suffered by its largely unorganized, unskilled workers. These workers, fed-up with their lot and long ignored by traditional craft unions, aligned themselves with the socialist-led “New Unionism” movement. Their ensuing strike paralyzed Silvertown for three months. The strike leaders— including Tom Mann, Ben Tillett, Eleanor Marx, and Will Thorne—and many workers viewed the trade union struggle as part of a bigger fight for a “co-operative commonwealth.” With this goal in mind, they shut down Silvertown and, in the process, helped to launch a more radical, modern labor movement. Historian and novelist John Tully, author of the monumental social history of the rubber industry The Devil’s Milk, tells the story of the Silvertown strike in vivid prose. He rescues the uprising— overshadowed by other strikes during this period—from relative obscurity and argues for its significance to both the labor and socialist movements. And, perhaps most importantly, Tully presents the Silvertown Strike as a source of inspiration for today’s workers, in London and around the world, who continue to struggle for better workplaces and the vision of a “co-operative commonwealth.”