Death and pleasure. Freud's Todestrieb, his statement that "libido has the task of making the destroying instinct innocuous, and it fulfills the task by diverting that instinct to a great extent outwards.... The instinct is then called the destructive instinct, the instinct for mastery, or the will to power." Few authors have spun stories of Thanatos and Eros as skillfully and powerfully as Livia Llewellyn. In his introduction to this volume, Laird Barron writes, "Scant difference exists between exquisite pleasure and pain." An orphan girl with a mind for anthracite falls into the hands of a cult worshipping an entombed god. In the Pacific Northwest, evergreens lull prepubescent girls into their trunks to serve as wombs. A suburban housewife troubled by her present encounters the sixteen-year-old girl she ached to touch in her dreams. These ten stories promise to indulge a reader's sensibilities, fears, and desires. A finalist for the Shirley Jackson Award in two categories: Best Novella and Best Collection!

Follows the Park family in three different areas of the nation after the Queen of the North agreed to a two-nation settlement in the Civil War, in this new alternate-history novel from the author of A Princess of Roumania.

Meet Marla Mason—smart, saucy, slightly wicked witch of the East Coast. . . . Sorcerer Marla Mason, small-time guardian of the city of Felport, has a big problem. A rival is preparing a powerful spell that could end Marla’s life—and, even worse, wreck her city. Marla’s only chance of survival is to boost her powers with the Cornerstone, a magical artifact hidden somewhere in San Francisco. But when she arrives there, Marla finds that the quest isn’t going to be quite as cut-and-dried as she expected . . . and that some of the people she needs to talk to are dead. It seems that San Francisco’s top sorcerers are having troubles of their own—a mysterious assailant has the city’s magical community in a panic, and the local talent is being (gruesomely) picked off one by one. With her partner-in-crime, Rondeau, Marla is soon racing against time through San Francisco’s alien streets, dodging poisonous frogs, murderous hummingbirds, cannibals, and a nasty vibe from the local witchery, who suspect that Marla herself may be behind the recent murders. And if Marla doesn’t figure out who is killing the city’s finest in time, she’ll be in danger of becoming a magical statistic herself. . . .

When the promise of a bright technological future is corrupted by conspiratorial authorities, a mad scientist-turned-cultural icon named Doktor Sleepless leads a guerilla revolution. Where is the future we were promised? Doktor Sleepless, a renegade mad scientist recently back from the supposed dead, will not rest until he tears the city of Heavenside apart in search of that answer. Aided by a sultry and murderous assistant known only as Nurse, he's outraged that the widescale application of his science has not advanced society, but been abused and twisted. From his tower above, he broadcasts intrigue and revolution to a populace of beautiful Shrieky Girls, angry Grinders, and the conspiratorial authorities. Only Sing Watson, his old flame, truly suspects how dangerous things are about to get! The good Doktor has just the prescription for all of society's ills... whether you want it or not! Warren Ellis presents DOKTOR SLEEPLESS, the thematic successor to his critically acclaimed TRANSMETROPOLITAN.

This study is an unusual contribution to the philosophy of mind in that it argues for the sometimes unfashionable view of dualism: that mind and matter are distinct and separate entities as Descartes believed. The author takes as his point of departure the imaginative hypothesis of disembodiment, which establishes the possibility of the mind's being a quite non-material thing. There are clear casual correlations between what is physical and what is mental, and the most serious issue confronting dualism since Descartes has been how such an interaction is possible. Dr Hart sets out to answer this question by showing that the issue is as much about the nature of causation as it is about the natures of mind and matter.

The Seerkind, a people who possess the power to make magic, have weaved themselves into a rug for safekeeping. Now, with the last human caretaker dead, a variety of humans vie for ownership of the rug.

Exploring forms of desire unaccounted for in previous histories of sexuality What can the Renaissance tell us at our present moment about who and what is “queer,” as well as the political consequences of asking? In posing this question, The Shapes of Fancy offers a powerful new method of accounting for ineffable and diffuse forms of desire, mining early modern drama and prose literature to describe new patterns of affective resonance. Starting with the question of how and why readers seek traces of desire in texts from bygone times and places, The Shapes of Fancy demonstrates a practice of critical attunement to the psychic and historical circulations of affect across time within texts, from texts to readers, and among readers. Closely reading for uncharted desires as they recur in early modern drama, witchcraft pamphlets, and early Atlantic voyage narratives and demonstrating how each is structured by qualities of secrecy, impossibility, and excess, Christine Varnado follows four “shapes of fancy”: the desire to be used to others’ ends; indiscriminate, bottomless appetite; paranoid self-fulfilling suspicion; and melancholic longings for impossible transformations and affinities. These affective dynamics go awry in atypical and perverse ways. In other words, argues Varnado, these modes of feeling are recognizable on the page or stage as “queer” because of how, and not by whom, they are expressed. This new theorization of desire expands the notion of queerness in literature, decoupling the literary trace of queerness from the binary logics of same-sex versus opposite-sex and normative versus deviant that have governed early modern sexuality studies. Providing a set of methods for analyzing affect and desire in texts from any period, The Shapes of Fancy stages an impassioned defense of the inherently desirous nature of reading, making a case for readerly investment and identification as vital engines of meaning making and political insight.