"Japanese Americans developed complex silences in response to social and religious marginalization. Utilizing case studies and histories of Japanese American arts--gardening, origami, jazz, and monuments. Enfolding Silence employs interdisciplinary analysis to uncover 'non-binary silences' that are mixtures of silences from religion, art, and oppression"--Provided by publisher.

This book demonstrates how Japanese Americans have developed traditions of complex silences to survive historic moments of racial and religious oppression and how they continue to adapt these traditions today. Brett Esaki offers four case studies of Japanese American art-gardening, origami, jazz, and monuments-and examines how each artistic practice has responded to a historic moment of oppression. He finds that these artistic silences incorporate and convey obfuscated and hybridized religious ideas from Buddhism, Christianity, Confucianism, Shinto, indigenous religions, and contemporary spirituality. While silence is often thought of as the binary opposite and absence of sound, Esaki offers a theory of non-binary silence that articulates how multidimensional silences are formed and how they function. He argues that non-binary silences have allowed Japanese Americans to disguise, adapt, and innovate religious resources in order to negotiate racism and oppressive ideologies from both the United States and Japan. Drawing from the fields of religious studies, ethnic studies, theology, anthropology, art, music, history, and psychoanalysis, this book highlights the ways in which silence has been used to communicate the complex emotions of historical survival, religious experience, and artistic inspiration.

Japanese Americans have developed complex silences in response to social and religious marginalization. Utilizing histories and ethnographies of Japanese American arts - gardening, origami, jazz, and monuments - 'Enfolding Silence' uncovers silences that are mixtures of silences from religion, art, and oppression.

Language "Appealing As Sunlight After a Storm." A sentence should read as if its author, had he held a plough instead of a pen, could have drawn a furrow deep and straight to the end. —Henry David Thoreau Prose consists of ... phrases tacked together like the sections of a prefabricated hen-house. —George Orwell Whether it invokes hard work or merely a hen-house, a good simile is like a good picture—it's worth a thousand words. Packed with more than 16,000 imaginative, colorful phrases—from “abandoned as a used Kleenex” to “quiet as an eel swimming in oil”—the Similes Dictionary will help any politician, writer, or lover of language find just the right saying, be it original or banal, verbose or succinct. Your thoughts will never be "as tedious as a twice-told tale" or "dry as the Congressional Record." Choose from elegant turns of phrases “as useful as a Swiss army knife” and “varied as expressions of the human face”. Citing more than 2,000 sources—from the Bible, Socrates, Shakespeare, Mark Twain, and H. L. Mencken to popular movies, music, and television shows—the Similes Dictionary covers hundreds of subjects broken into thematic categories that include topics such as virtue, anger, age, ambition, importance, and youth, helping you find the fitting phrase quickly and easily. Perfect for setting the atmosphere, making a point, or helping spin a tale with economy, intelligence, and ingenuity, the vivid comparisons found in this collection will inspire anyone. Love comforteth like sunshine after rain. —William Shakespeare A face like a bucket —Raymond Chandler A man with little learning is like the frog who thinks its puddle a great sea. —Burmese proverb Peace, like charity, begins at home —Franklin Delano Roosevelt You know a dream is like a river ever changing as it flows. —Garth Brooks Fit as a fiddle —John Ray’s Proverbs He's not to be allowed to fall into his grave like an old dog. —Arthur Miller Ring true, like good china. —Sylvia Plath Music yearning like a God in pain —John Keats Busy as a one-legged man in an ass-kicking contest. —Pat Conroy Enduring as mother love —Anonymous

This agenda-setting collection argues for the importance of fieldwork for philosophy and provides reflections on methods for such ‘field philosophy’ from the interdisciplinary vantage point of the environmental humanities. Field philosophy has emerged from multiple sources – including approaches focused on public and participatory research – and others focused on ethology, multispecies studies, and the environmental humanities more broadly. These approaches have yet to enter the mainstream of the discipline, however, and ‘field philosophy’ remains an open and uncharted terrain for philosophical pursuits. This book brings together leading and emerging philosophers who have engaged in critical and constructive forms of fieldwork, for some over decades, and who, through these articles, demonstrate new possibilities and new experiments for philosophical practices. This collection will be of interest to scholars working across the disciplines of continental philosophy, environmental humanities, science and technology studies, animal studies, cultural anthropology, art, and more. The chapters in this book were originally published as a special issue of Parallax.

Grounded in Christian love mysticism, Love’s Oneing gives voice to the luminous consciousness that awakens from within our oneness in God in contemplation. With great sensitivity, the book offers nuanced insight into the marriage of kenosis and desire in contemplation, through the rich tapestry of writings from nine mystics: Julian of Norwich, the Cloud of Unknowing author, Meister Eckhart, Mechthild of Magdeburg, Clare of Assisi, John of the Cross, Teilhard de Chardin, Beatrice Bruteau and Ilia Delio. With the delicate eye of a spiritual director immersed in mystical literature, Kerrie Hide situates these mystical teachings within contemplative prayer, whilst offering a scholarly exploration of contemplative practice to embody the insights. Deeply grounded in traditional and contemporary mystical classics, Hide celebrates how the Christian mystical tradition lays a foundation for the evolutionary growth of communion consciousness and the insights of quantum science, highlighting key moments in contemplation that when surrendered into, open into divine love. Born of intellectual reflection, lived experience and contemplative wisdom, Love’s Oneing makes a unique contribution to the existing literature on contemplation at a time when the recovery of the mystical dimension of life is crucial for the future of our planet in this climate crisis moment.

In this first-person account, a composer confronts cancer as well as an increasingly debilitating dementia that threatens to rob him of both his past and his present. In something of a last ditch effort he does his best to resurrect nearly forgotten loves as well as the music of the greats that once sustained him. In the process he finds the past no less difficult to deal with than his present and is forced to confront a most unflattering image of himself. The crisp yet lyrical writing is crisp yet lyrical and alternates between staccato and legato depending on the particular stages of the composer's illness. The Hamlet-like narrator is at once dangerously close and forbiddingly distant from the reader with a climax in death's full assault with hitherto hidden revelations.