In 1754 New Hampshire, 12-year-old Rebecca Percy is worried about her parents, who have been captured by the Abenaki Indians, and about the mysterious boy raised by the Abenaki who has come to stay at the fort with her.

A novel of the Revolutionary War.

Three voices. Three acts of defiance. One mass injustice. The story of camp as you’ve never seen it before. Japanese Americans complied when evicted from their homes in World War II -- but many refused to submit to imprisonment in American concentration camps without a fight. In this groundbreaking graphic novel, meet JIM AKUTSU, the inspiration for John Okada’s No-No Boy, who refuses to be drafted from the camp at Minidoka when classified as a non-citizen, an enemy alien; HIROSHI KASHIWAGI, who resists government pressure to sign a loyalty oath at Tule Lake, but yields to family pressure to renounce his U.S. citizenship; and MITSUYE ENDO, a reluctant recruit to a lawsuit contesting her imprisonment, who refuses a chance to leave the camp at Topaz so that her case could reach the U.S. Supreme Court. Based upon painstaking research, We Hereby Refuse presents an original vision of America’s past with disturbing links to the American present.

The August 30, 1813, massacre at Fort Mims left hundreds dead and ultimately changed the course of American history. The Indian victory shocked and horrified a young America, ushering in a period of violence surrounded by racial and social confusion. Fort Mims became a rallying cry, calling Americans to fight their assailants and avenge the dead. In A Conquering Spirit, Waselkov thoroughly explicates the social climes surrounding this tumultuous moment in early American history with a comprehensive collection of illustrations, artifact photographs, and detailed accounts of every known participant in the attack on Fort Mims. These rich and extensive resources make A Conquering Spirit an invaluable collection for any reader interested in America's frontier era. * Winner of the Adult Nonfiction Book of the Year award by the Alabama Library Association* Winner of the Clinton Jackson Coley award from the Alabama Historical Association

THE #1 NEW YORK TIMES BESTSELLING JACK REACHER SERIES THAT INSPIRED TWO MAJOR MOTION PICTURES AND THE STREAMING SERIES REACHER “A thriller that gallops at a breakneck pace.”—Chicago Sun-Times Jack Reacher. Hero. Loner. Soldier. Soldier’s son. An elite military cop, he was one of the army’s brightest stars. But in every cop’s life there is one case that changes everything. For Jack Reacher, this is that case. New Year’s Day, 1990. In a North Carolina motel, a two-star general is found dead. His briefcase is missing. Nobody knows what was in it. Within minutes Reacher has his orders: Control the situation. Within hours the general’s wife is murdered. Then the dominoes really start to fall. Somewhere inside the vast worldwide fortress that is the U.S. Army, Reacher is being set up as a fall guy with the worst enemies a man can have. But Reacher won’t quit. He’s fighting a new kind of war—against an enemy he didn’t know he had. And against a conspiracy more chilling, ingenious, and treacherous than anyone could have guessed. The Enemy, like most of the books in the Jack Reacher series, can be read as a standalone thriller.

This engrossing anthology gathers together a remarkable collection of writings on the use of strategy in war. Gérard Chaliand has ranged over the whole of human history in assembling this collection—the result is an integration of the annals of military thought that provides a learned framework for understanding global political history. Included are writings from ancient and modern Europe, China, Byzantium, the Arab world, Persia, and the Ottoman Empire. Alongside well-known militarists such as Julius Caesar, Napoleon, Walter Raleigh, Rommel, and many others are "irregulars" such as Cortés, Lawrence of Arabia, and even Gandhi. Contrary to standard interpretations stressing competition between land and sea powers, or among rival Christian societies, Chaliand shows the great importance of the struggles between nomadic and sedentary peoples, and of the conflicts between Christianity and Islam. With the invention of firepower, a relatively recent occurrence in the history of warfare, modes of organization and strategic concepts—elements reflecting the nature of a society—have been key to how war is waged. Unparalleled in its breadth, this anthology will become the standard work for understanding a fundamental part of human history—the conduct of war. "This anthology is not only an unparalleled corpus of information and an aid to failing memory; it is also and above all a reliable and liberating guide for research. . . . Ranging "from the origins to the nuclear age," it compels us to widen our narrow perspectives on conflicts and strategic action and open ourselves up to the universal."—from the Foreword

The seminal biography of the twentieth century’s premier chronicler of the paranormal, Charles Fort—a man whose very name gave rise to an adjective, fortean, to describe the unexplained. By the early 1920s, Americans were discovering that the world was a strange place. Charles Fort could demonstrate that it was even stranger than anyone suspected. Frogs fell from the sky. Blood rained from the heavens. Mysterious airships visited the Earth. Dogs talked. People disappeared. Fort asked why, but, even more vexing, he also asked why we weren’t paying attention. Here is the first fully rendered literary biography of the man who, more than any other figure, would define our idea of the anomalous and paranormal. In Charles Fort: The Man Who Invented the Supernatural, the acclaimed historian of stage magic Jim Steinmeyer goes deeply into the life of Charles Fort as he saw himself: first and foremost, a writer. At the same time, Steinmeyer tells the story of an era in which the certainties of religion and science were being turned on their heads. And of how Fort—significantly—was the first man who challenged those orthodoxies not on the grounds of some counter-fundamentalism of his own but simply for the plainest of reasons: they didn’t work. In so doing, Fort gave voice to a generation of doubters who would neither accept the “straight story” of scholastic science nor credulously embrace fantastical visions. Instead, Charles Fort demanded of his readers and admirers the most radical of human acts: Thinking.