From the author of Abolish the Family, a provocative compendium of the feminisms we love to dismiss and making the case for the bold, liberatory feminist politics we'll need to stand against fascism, nationalism, femmephobia, and cisness. In recent years, "white feminism" and girlboss feminism have taken a justified beating. We know that leaning in won't make our jobs any more tolerable and that white women have proven to be, at best, unreliable allies. But in a time of rising fascism, ceaseless attacks on reproductive justice, and violent transphobia, we need to reckon with what Western feminism has wrought if we have any hope of building the feminist world we need. Sophie Lewis offers an unflinching tour of enemy feminisms, from 19th century imperial feminists and police officers to 20th century KKK feminists and pornophobes to today's anti-abortion and TERF feminists. Enemy feminisms exist. Feminism is not an inherent political good. Only when we acknowledge that can we finally reckon with the ways these feminisms have pushed us toward counterproductive and even violent ends. And only then can we finally engage in feminist strategizing that is truly antifascist. At once a left transfeminist battlecry against cisness, a decolonial takedown of nationalist womanhoods, and a sex-radical retort to femmephobia in all its guises, Enemy Feminisms is above all a fierce, brilliant love letter to feminism.

First published in 1998, this book explores the links between theories of feminism and the practice of law, and does so through an examination of a number of contemporary themes in feminist legal studies. From an interdisciplinary perspective, this book examines, as one of its overarching themes, the existence of a distinctively female legal voice, or voices. In arguing for a recognition of the diversity of women’s experiences of the law and in the law, it is also maintained that the role of feminism as a political strategy must not be lost. Feminist legal studies is one of the most exciting and dynamic areas of contemporary legal studies and the ambition of this book is both to capture and channel this dynamic. In introducing themes from politics, philosophy, literature, sociology and cultural studies, this book will be of interest to a wide ranging audience.

A valuable, provoking, important addition to any theatre scholar or practitioner's library, especially since feminist theory is a relative newcomer to the world of theatre.

As one of the main players in the second wave of feminism, Sheila Tobias returns to Kate Millets central tenet, sexual politics, and argues that it can still unite progressive men and women around a common set of goals. Providing a map of a complex terrain, Tobias details generations of issues, each more radical and therefore harder to tackle than the ones before. She sets the story in two contexts: feminisms own evolving strategies and Americas political landscape. Even though her passion for feminism remains, she is not unwilling to critique the sisterhood and herself for failing to see, for example, that not every woman would be a feminist nor every man an enemy. In the heady first years, feminists forgot that deeper even than gender is the liberal/conservative divide in American politics. }As one of the main players in the second wave of feminism, Sheila Tobias returns to Kate Millets central tenet, sexual politics, and argues that it can still unite progressive men and women around a common set of goals. Providing a map of a complex terrain, Tobias details generations of issues, each more radical and therefore harder to tackle than the ones before. She sets the story in two contexts: feminisms own evolving strategies and Americas political landscape. Even though her passion for feminism remains, she is not unwilling to critique the sisterhood and herself for failing to see, for example, that not every woman would be a feminist nor every man an enemy. In the heady first years, feminists forgot that deeper even than gender is the liberal/conservative divide in American politics.From the origins of the movement through feminist theory and new scholarship on women, Tobias traces the political history of the second wave and its comeuppance at the hands of Phyllis Schaflys StopERAcoincidental with the nations careering toward the Right. Somehow, feminism survived the 1980s, but by having to fight brush fires throughout the Reagan-Bush presidencies, the movement lost some of its breadth and much of its taste for the mainstream. Because of her activism and her feeling for the period she chronicles, Tobias is at once inside and outside the issues of sexual preference, pornography, the draft, the Mommy Track, comparable worth, affirmative action, reproductive rights, and the challenges of equality versus difference. }

In intimate interviews with 80 women, "Los Angeles Times" Book Prize winner Levine grapples with the negative stereotypes of men that, in "naming the enemy"--Mama's Boy, Bumbler, Betrayer, Seducer, Brute, Prick, Killer, and others--both militate for change and self-protectively maintain the status quo.

This important and timely collection examines the troubling proliferation of anti-feminist language and concepts in contemporary media culture. Edited by Michele White and Diane Negra, these curated essays offer a critical means of considering how contemporary media, politics, and digital culture function, especially in relation to how they simultaneously construct and displace feminist politics, women’s bodies, and the rights of women and other disenfranchised subjects. The collection explores the simplification and disparagement of feminist histories and ongoing feminist engagements, the consolidation of all feminisms into a static and rigid structure, and tactics that are designed to disparage women and feminists as a means of further displacing disenfranchised people’s identities and rights. The book also highlights how it is becoming more imperative to consider how anti-feminisms, including hostilities towards feminist activism and theories, are amplified in times of political and social unrest and used to instigate violence against women, people of color, and LGBTQIA+ individuals. A must-read for students and scholars of media, culture and communication studies, gender studies, and critical race studies with an interest in feminist media studies.