When Enemy Combatant was first published in the United States in hardcover in 2006 it garnered sensational reviews, and its author was featured in the New York Times, the Los Angeles Times, on National Public Radio, and on ABC News. A second generation British Muslim, Begg had been held by the U.S. military for more than three years before being released without charge in January of 2005. His memoir is the first published account by a Guantánamo detainee of life inside the infamous prison. Writing in the Washington Post Book World, Jane Mayer described Enemy Combatant as “fascinating . . . Begg provides some ideological counterweight to the one-sided spin coming from the U.S. government. He writes passionately and personally, stripping readers of the comforting lie that somehow the detainees aren't really like us, with emotional attachments, intellectual interests and fully developed humanity.” Recommended by the Financial Times and Tikkun magazine and a ColorLines Editors' Pick of Post-9/11 Books, Enemy Combatant is “a forcefully told, up-to-the-minute political story . . . necessary reading for people on all sides of the issue” (Publishers Weekly, starred review).

The critically acclaimed debut from Alex Gilvarry, a darkly comic love letter to New York, told through the eyes of Boy Hernandez: Filipino immigrant, glamour junkie, Guantánamo detainee. Alex Gilvarry's widely acclaimed first novel is the story of designer Boy Hernandez: Filipino immigrant, New York glamour junkie, Guantánamo detainee. Locked away indefinitely and accused of being linked to a terrorist plot, Boy prepares for the tribunal of his life with this intimate confession, a dazzling swirl of soirees, runways, and hipster romance that charts one small man's undying love for New York City and his pursuit of the big American dream—even as the present nightmare of detainment chisels away at his vital wit and chutzpah. A New York Times Editor's Choice, From the Memoirs of a Non-Enemy Combatant unveils two of America's most illusory realms—high fashion and Homeland Security—in a funny, wise, and beguiling, and Kafkaesque tale for our strange times.

He might be the dead-end flâneur of non-places like highway rest stops, airport terminals, and shopping malls, or he might be a Gitmo-bound enemy of the state. He might be the son of American working-class parents, or he might be the cousin of a Middle Eastern revolutionary the US labels a terrorist. He might be in possession of a lost Beckett play, or he might just have to go to the bathroom a lot. "He" is the nameless hero of Human Wishes / Enemy Combatant, and he's probably no more than a pronoun. With a looping itinerary that takes us from St. Petersburg, Russie to Salem, Massachusetts, from the Palestinian Nakba to a plot to replace New Yorker critic James Wood with a shadowy look-alike, Human Wishes / Enemy Combatant might just be the novel that explodes mainstream, corporate "literary fiction" from the inside out. "These 'anti-stories about In Between places' bristle with vibrant, fact-filled paranoia and good, old-fashioned self-deprecation, making constant, unexpected turns at breakneck pace. From St. Petersburg to Palestine, from coffin-shaped Joseph Cornell boxes to Monty Python doing Beckett, from reflections on the onslaught of Taylorism to violent, youthful misreadings ofAnimal Farm, the pure writerly intensity of the material, and the audacious panache of each new sentence, never for a moment flag." -Jacob Wren, *Revenge Fantasies of the Politically Dispossessed* "Literary squatter . . . saboteur . . . an unreadable run-on paragraph . . . and unpublished, and, evidently, unpublishable novel." -Norah Piehl, Director of Communications, Boston Book Festival "Edmond Caldwell is right . . ." -James Wood

Examines the rise of an American-run global detention system, including Guantâanamo Bay, Bagram Air Base in Afghanistan, and secret CIA jails, and discusses efforts that are being made to challenge this new prison system through habeas corpus.

Despite the strong influence of just war theory in military law and practice, warfare is commonly considered devoid of morality. Yet even in the most horrific of human activities, there is frequent communication and cooperation between enemies. One remarkable example is the Christmas truce—unofficial ceasefires between German and English trenches in December 1914 in which soldiers even mingled in No Man’s Land. In Conspiring with the Enemy, Yvonne Chiu offers a new understanding of why and how enemies work together to constrain violence in warfare. Chiu argues that what she calls an ethic of cooperation is found in modern warfare to such an extent that it is often taken for granted. The importance of cooperation becomes especially clear when wartime ethics reach a gray area: To whom should the laws of war apply? Who qualifies as a combatant? Should guerrillas or terrorists receive protections? Fundamentally, Chiu shows, the norms of war rely on consensus on the existence and content of the laws of war. In a wide-ranging consideration of pivotal instances of cooperation, Chiu examines weapons bans, treatment of prisoners of war, and the Geneva Conventions, as well as the tensions between the ethic of cooperation and the pillars of just war theory. An original exploration of a crucial but overlooked phenomenon, Conspiring with the Enemy is a significant contribution to military ethics and political philosophy.

Today the United States is fighting a new type of non-nation state enemy, which does not behave according to historical doctrines or principles of war. Hardy examines the development of legal doctrine surrounding the management of the "new" enemy combatant, including the detention and prosecution of unlawful enemy combatants detained by the United States after September 11, 2001. She also reviews relevant case law addressing United States citizens detained as enemy combatants. This discussion additionally focuses on the rights and processes granted to those detained at Guantanamo Bay. Finally, she gives an historical overview of enemy combatants in previous United States wars and conflicts.