Enduring Art, Active Faith is a collection of short stories, essays, poetry, photographs, and depictions of artwork (prints, sculptures, and paintings) prepared by three generations of Robert Proudfoot’s family. A sense of reverence, celebration, and respect shines through Robert’s writing and that of the rest of his family. This book includes the work of several artistic but passionate individuals: Norma Proudfoot (mother), Alicia and Annora (daughters), and Valerie (wife) in collaboration with her friend, Donna Entz, a former West African missionary and celebrated Edmonton friendship bridge builder with Christians, Jews, and Muslims. Part I, African Safaris, highlights Robert and Valerie's poignant cross-cultural experiences while working for Mennonite Central Committee (MCC) as an agro-forester and a primary healthcare nurse, respectively, among Kanuri Africans in northeastern Nigeria from 1988 to 1991. The Guard short story harkens back to Lusaka, southern Africa during the early 1970s, when recently independent Zambia was coming of age as a vibrant, African-dominant society, while European colonialism and apartheid were fading from the scene. Part II, What If?, is a diverse collection of essays, short stories, and poetry that deal with serious, rather dark themes, including: sacrifices made by minorities to assimilate into mainstream Canadian culture; loss of family mixed farms; the need for Christians, Jews, and Muslims to collaborate; validity of war crimes; reconciliation between indigenous and settler Canadians; an awakening of a young husband to his wife's bipolar mental health; and a young woman's relations with boyfriends and God. Part III, On a Lighter Note, is a collection of prose and poetry about: humans encountering nature and the supernatural; young men learning to better relate with women and their elders; friendship built through a mutual interest in sports; musings about our relationship with God; and inter-generational fellowship. Part IV, Family Memories, reflects on Robert's extended family: Norma's ties to Prince Edward Island; the loss of Norma's brother Gordon in a northern Alberta plane crash; and Robert's bittersweet struggle with being a Mennonite pacifist despite his respect for his ancestors who were decorated war heroes in battles to protect Canada's sovereignty.

Enduring Art, Active Faith is a collection of short stories, essays, poetry, photographs, and depictions of artwork (prints, sculptures, and paintings) prepared by three generations of Robert Proudfoot’s family. A sense of reverence, celebration, and respect shines through Robert’s writing and that of the rest of his family. This book includes the work of several artistic but passionate individuals: Norma Proudfoot (mother), Alicia and Annora (daughters), and Valerie (wife) in collaboration with her friend, Donna Entz, a former West African missionary and celebrated Edmonton friendship bridge builder with Christians, Jews, and Muslims. Part I, African Safaris, highlights Robert and Valerie's poignant cross-cultural experiences while working for Mennonite Central Committee (MCC) as an agro-forester and a primary healthcare nurse, respectively, among Kanuri Africans in northeastern Nigeria from 1988 to 1991. The Guard short story harkens back to Lusaka, southern Africa during the early 1970s, when recently independent Zambia was coming of age as a vibrant, African-dominant society, while European colonialism and apartheid were fading from the scene. Part II, What If?, is a diverse collection of essays, short stories, and poetry that deal with serious, rather dark themes, including: sacrifices made by minorities to assimilate into mainstream Canadian culture; loss of family mixed farms; the need for Christians, Jews, and Muslims to collaborate; validity of war crimes; reconciliation between indigenous and settler Canadians; an awakening of a young husband to his wife's bipolar mental health; and a young woman's relations with boyfriends and God. Part III, On a Lighter Note, is a collection of prose and poetry about: humans encountering nature and the supernatural; young men learning to better relate with women and their elders; friendship built through a mutual interest in sports; musings about our relationship with God; and inter-generational fellowship. Part IV, Family Memories, reflects on Robert's extended family: Norma's ties to Prince Edward Island; the loss of Norma's brother Gordon in a northern Alberta plane crash; and Robert's bittersweet struggle with being a Mennonite pacifist despite his respect for his ancestors who were decorated war heroes in battles to protect Canada's sovereignty.

In this volume, thirty-seven first-rate evangelical scholars present a thorough study of biblical authority and a full range of issues connected to it. Recognizing that Scripture and its authority are now being both challenged and defended with renewed vigor, editor D.A. Carson assigned the topics that these select scholars address in the book. After an introduction by Carson to the many facets of the current discussion, the contributors present robust essays on relevant historical, biblical, theological, philosophical, epistemological, and comparative-religions topics. To conclude, Carson answers a number of frequently asked questions about the nature of Scripture, cross-referencing these FAQs to the preceding chapters. This comprehensive volume by a team of recognized experts will be the go-to reference on the nature and authority of the Bible for years to come. -- Amazon.

From a world-renowned painter, an exploration of creativity’s quintessential—and often overlooked—role in the spiritual life “Makoto Fujimura’s art and writings have been a true inspiration to me. In this luminous book, he addresses the question of art and faith and their reconciliation with a quiet and moving eloquence.”—Martin Scorsese “[An] elegant treatise . . . Fujimura’s sensitive, evocative theology will appeal to believers interested in the role religion can play in the creation of art.”—Publishers Weekly Conceived over thirty years of painting and creating in his studio, this book is Makoto Fujimura’s broad and deep exploration of creativity and the spiritual aspects of “making.” What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, and from Mark Rothko to Japanese Kintsugi technique, he shows how unless we are making something, we cannot know the depth of God’s being and God’s grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman’s words, “an accidental theologian,” one who comes to spiritual questions always through the prism of art.

In every age God raises up saints who best exemplify the virtues so needed in their day. Archbishop Fulton J. Sheen was one of the most loved and influential teachers in America in the twentieth century. With wisdom coupled with a wonderful sense of humor, Sheen was a master communicator who showed the way to be authentic, down-to-earth, and holy.

At a fascinating moment in French intellectual history, an interest in matters occult was not equivalent to a rejection of scientific thought; participants in séances and magic rituals were seekers after experimental data as well as spiritual truth. A young astronomy student wrote of his quest: "I am not in the presence or under the influence of any evil spirit: I study Spiritism as I study mathematics." He did not see himself as an ecstatic visionary but rather as a sober observer. For him, the darkened room of occult practice was as much laboratory as church. In an evocative history of alternative religious practices in France in the second half of the nineteenth and beginning of the twentieth centuries, John Warne Monroe tells the interconnected stories of three movements—Mesmerism, Spiritism, and Occultism. Adherents of these groups, Monroe reveals, attempted to "modernize" faith by providing empirical support for metaphysical concepts. Instead of trusting theological speculation about the nature of the soul, these believers attempted to gather tangible evidence through Mesmeric experiments, séances, and ceremonial magic. While few French people were active Mesmerists, Spiritists, or Occultists, large segments of the educated general public were familiar with these movements and often regarded them as fascinating expressions of the "modern condition," a notable contrast to the Catholicism and secular materialism that prevailed in their culture. Featuring eerie spirit photographs, amusing Daumier lithographs, and a posthumous autograph from Voltaire, as well as extensive documentary evidence, Laboratories of Faith gives readers a sense of what being in a séance or a secret-society ritual might actually have felt like and why these feelings attracted participants. While they never achieved the transformation of human consciousness for which they strove, these thinkers and believers nevertheless pioneered a way of "being religious" that has become an enduring part of the Western cultural vocabulary.

Soulful jazz singer Billie Holiday is remembered today for her unique sound, troubled personal history, and a catalogue that includes such resonant songs as “Strange Fruit” and “God Bless the Child.” Holiday and her music were also strongly shaped by religion, often in surprising ways. Religion Around Billie Holiday examines the spiritual and religious forces that left their mark on the performer during her short but influential life. Mixing elements of biography with the history of race and American music, Tracy Fessenden explores the multiple religious influences on Holiday’s life and sound, including her time spent as a child in a Baltimore convent, the echoes of black Southern churches in the blues she encountered in brothels, the secular riffs on ancestral faith in the poetry of the Harlem Renaissance, and the Jewish songwriting culture of Tin Pan Alley. Fessenden looks at the vernacular devotions scholars call lived religion—the Catholicism of the streets, the Jewishness of the stage, the Pentecostalism of the roadhouse or the concert arena—alongside more formal religious articulations in institutions, doctrine, and ritual performance. Insightful and compelling, Fessenden’s study brings unexpected materials and archival voices to bear on the shaping of Billie Holiday’s exquisite craft and indelible persona. Religion Around Billie Holiday illuminates the power and durability of religion in the making of an American musical icon.