The Ebola virus continues to wreak havoc, three Airlines airliners fall, and oil prices suddenly collapse. The zombie crisis suddenly erupted after a series of strange changes. Not only did the protagonist and his companions have to avoid the direct threat from zombies, struggling to survive in the apocalypse of modern civilization, but they also had to constantly search for the origin of zombies. Was this the greatest conspiracy in the history of human society, or was this a disaster that Earth was destined to face?

The Holy Nephretian Empire rises. Armed with powerful new weapons from Ullrion and manipulated by the mysterious dagomir N'ark from Earth, the Nephretian empire now has the power to crush all who stand before them. In a desperate attempt to stave off Nephretian victory, Captain Taura and Silmion must make a dangerous trip behind enemy lines on the occupied planet of Ullrion to find a defense against one of the most deadly weapons ever created the deoir solest. Meanwhile on Earth, Marco, Victor, Kaeso and Ariadne must make a harrowing journey to the Ravager's Land to find a way to break N'ark's sway over the Nephretian Empire. In the Ravager's Shadow, second volume of the Triumvirate Trilogy, continues the tale of a richly imagined universe teetering on the edge of collapse.

Inlays of Subjectivity is an incisive exposition of the theme of subjectivity and selfhood in modern Indian literature. Scholarship in Indian literary studies tends to be divided along the lines of region, language, chronology, class, and caste. This book traverses and connects these contentious lines to examine some of the most influential literary texts to emerge from India in the last hundred years. It analyses literary expressions of intense emotionality—suffering, humiliation, creativity, and strife—while inhabiting the linkages between justice, speech, and affect. Nikhil Govind interprets a range of influential novelists such as Rabindranath Tagore and Saratchandra Chatterjee (Bengali), Agyeya (Hindi), Ismat Chughtai (Urdu), Krishna Sobti (Hindi), Urmila Pawar (Marathi), and K.R. Meera (Malayalam), to unearth narrative continuities of reflexive subject positions in relation to ongoing debates around free speech and egalitarianism.

What happened to Jim Morrison in Paris and who is really buried in Pere Lachaise cemetery?In the early hours of 3rd July 1971, Jim Morrison, the lead singer of The Doors, supposedly died of heart failure in a bath tub at 17 Rue Beautreillis, in the 4th Arrondissement, Paris. He was 27 years old. The novel examines the questions surrounding his supposed death. It examines what happened on that fateful night and in the weeks leading up to it. And more importantly, what happened afterwards.Crime novelist Ron Clooney, a Doors fan since his teenage years, does what others have not dared to do. Ron has opened the past as if it were a criminal investigation, only this time he attempts to explain how it was done. Suicide? Accident at the hands of his girlfriend’s heroin? Murder? Simple heart attack? Or a complete and utter hoax? Ron looks into the complex mind of Jim Morrison and explores the nature of his relationship with his partner, Pamela Courson, so he can answer one of pop’s greatest mysteries: What really happened to Mr Mojo Risin’?A novel mixed with fact, this will appeal to all Doors fans and lovers of conspiracy theories. Ron Clooney gives a credible explanation of what really happened to Mr Mojo Risin’....

Embark on an epic journey that defies genre, seamlessly blending elements of dystopian and historical fiction while traversing time, from Eden’s ancient gardens to the enduring enclaves of the USSR, and even further, to celestial chambers scattered among the stars. The Judas Kiss offers you a spellbinding odyssey that navigates through epochs and landscapes, unified by the presence of a mysterious child. Could he be an Armenian boy orphaned by the Spitak earthquake, a Yazidi warrior lost in a maze of time, or even an angel on a divine mission? Witness the biblical wanderings of Moses and the poignant tribulations of a Soviet émigré. Explore clandestine labs and remote Central Asian villages suspended in the mountains. Meet a cast of eccentric scientists and cryptic sorcerers, each wielding enigmatic powers. As the narrative unfolds, humanity faces existential threats: a virulent virus and cosmic rifts that could annihilate the world. Set against a backdrop that is both hauntingly recognizable and captivatingly otherworldly, The Judas Kiss invites you to confront the boundaries of loyalty and betrayal in a cosmos as awe-inspiring as it is perilous.

A junkie looking for one last fix in a town full of ghosts . This is a ghost story. A junkie has gone to El Zapotal to die – to rent a room in this crumbling backwater, melt into one last fix, and not come back. For someone so ready to no longer be alive, though, he can’t stop clinging to the past. His old dog, Kid, who he abandoned. His love, Valerie, who he introduced to drugs. There’s no such thing as a good memory. El Zapotal doesn’t want him either. The people aren’t welcoming, the streets are empty except for strays, and he’s having trouble pacing his supply. As the drugs run out, the line between what’s real and what’s not blurs to the point of illegibility, and we’re left wandering a tenderly described hinterland of despair, hunger, and regret. García Elizondo has given us an homage to Pedro Páramo , a descent for the ages, a long goodbye with no clear line between the living and dead.

Napoleon Bonaparte (1769-1821) is one of the most illustrated political and military figures of the last two millennia. He has remained in the memory of the world as a legend that the passage of the years has failed to blur. On the contrary, Napoleon Bonaparte widely continues to be considered the personification of human genius. Originally published in this English translation in 1942, leading Russian historian Evgeny Tarle details Napoleon’s military campaign to invade Russia in the early nineteenth century. “The campaign of 1812 was more frankly imperialistic than any other of Napoleon’s wars; it was more directly dictated by the interests of the French upper middle class. The war of 1796-7, the conquest of Egypt in 1798-9, the second Italian campaign, and the recent defeat of the Austrians could still be justified as necessary measures of defence against the interventionists. The Napoleonic press called the Austerlitz campaign ‘self-defence’ against Russia, Austria, and England. The average Frenchman considered even the subjugation of Prussia in 1806-7 no more than a just penalty inflicted on the Prussian court for the arrogant ultimatum sent by Frederick-William III to the ‘peace-loving’ Napoleon, constantly harried by troublesome neighbours. Napoleon never ceased to speak of the fourth conquest of Austria in 1809 as a ‘defensive’ war, provoked by Austrian threats. Only the invasion of Spain and Portugal was passed over in discreet silence. “The War of 1812 was a struggle for survival in the full sense of the word—a defensive struggle against the onslaughts of the imperialist vulture.”—E. V. Tarle