The first book in Moberg's classic Emigrant Novels series.

John Burroughs was one of the earliest and most articulate pioneers of the United States conservation movement, publishing twenty-eight books on the natural world during the height of the Industrial Revolution. As an author, teacher, and poet, he wrote with intimacy and feeling, illustrating verbal landscapes and providing philosophical insights about the environment. People by the hundreds of thousands relished his writings. His friends included Walt Whitman, Theodore Roosevelt, Thomas Edison, and John Muir. Burroughs was dedicated to studying the world and making nature come to life on the written page, in the last decades of the 19th century, his prolific nature essays helped spawn the Nature Study movement and made him an international celebrity. As early as 1871, when his first book of nature essays was published, Burroughs was acclaimed as an American Gilbert White, the pioneering British naturalist and author of The Natural History of Selborne. In 1875 Henry James praised his "real genius" for natural history and called him a "more humorous, more available, and more sociable Thoreau. Readers were charmed by Burroughs's enthusiastic accounts of ordinary walks made extraordinary by keen observation. By the late 1880s, when his first collection of nature essays for children was published, he was one of America's most popular interpreters of the natural world. He kept writing until 1921, when he died at the age of 84.

High school senior Rainbow is trapped with three other teens in a game-like world that may or may not be real, in this darkly comic novel about identity, giving up, and finding the way home.

“In this much-needed and courageous book, Anne Wagner lays down a gauntlet to all those interested in modern and contemporary art: to think anew about these works by canonic artists, and about the relationship of art to recent history and politics. Wagner presents an exhilarating and innovative set of closely worked historical arguments that are remarkably timely, and her lucid prose makes complex ideas and critical debates accessible to a broad audience.”—Briony Fer, Professor of History of Art, UCL “In A House Divided, Anne Wagner takes on the so-called post-war era in American art and asks searching questions about what that term might mean now, amid cultural division and perpetual war. Far more than a sum of its parts, this collection of essays is essential reading on American artists' ‘post-war’ responses to nationalism, state violence, and the 1960s.”—Mignon Nixon, author of Fantastic Reality: Louise Bourgeois and a Story of Modern Art