Set in 1930, a world-renowned Italian tenor arrives to perform Othello but is too indisposed to go on.

One hotel suite, four tenors, two wives, three girlfriends, and a soccer stadium filled with screaming fans. What could possibly go wrong? It's 1930s Paris and the stage is set for the concert of the century--as long as producer Henry Saunders can keep Italian superstar Tito Merelli and his hot-blooded wife Maira from causing runaway chaos. Prepare for an uproarious ride, full of mistaken identities, bedroom hijinks, and madcap delight. --

Murder takes center stage in the second Glee Club mystery from the New York Times bestselling author of the Testing trilogy. Singing in a production of the Messiah and rehearsing her show choir for a holiday concert may be more than Paige Marshall can Handel. Not only does she have to contend with the overblown ego of world-renowned tenor David Richard, she now has to quickly revamp the show choir’s number, since not one but two other high schools are performing the same song for the quickly approaching competition season. The tempestuous tenor may have a voice to die for, but when he drops dead during rehearsal after drinking poisoned water, Paige has to compose herself and once again solo as a sleuth to find a killer who’s no choirboy...

After John Coltrane, there was no more revered and profoundly influential saxophonist on the planet than Michael Brecker. For those coming of age in the 1970s, during that transitional decade when the boundaries between rock and jazz had begun to blur, Brecker stood as a transcendent figure. He was their Trane. Ode to a Tenor Titan follows Michael's story from growing up in Philadelphia, finding his tenor sax voice during his brief stint at Indiana University, making his move to New York City in 1969 and taking the Big Apple by storm through the sheer power of his monstrous chops on the instrument. A commanding voice in jazz for four decades, Brecker possessed peerless technique (a byproduct of his remarkable work ethic and relentless woodshedding) and an uncanny ability to fit into every musical situation he encountered, whether it was as a ubiquitous studio musician (more than nine hundred sessions) for such pop stars as Paul Simon, James Taylor, Bruce Springsteen, Todd Rundgren, Chaka Khan, and Steely Dan; playing with seminal fusion bands like Dreams, Billy Cobham, and the Brecker Brothers; or collaborating with the likes of Frank Zappa, Charles Mingus, Pat Metheny, and Herbie Hancock. But his biggest triumphs came as a bandleader during the last twenty years of his career, when he produced some of the most challenging, inspired, and visionary modern jazz recordings of his time. A preternaturally gifted player whose facility seemed almost superhuman, he was also modest to a fault and universally beloved by fellow musicians. After coming through a dark decade of heroin addiction, he turned his life around and became a beacon for countless others to lead clean and sober lives. At the peak of his powers, he was struck down by a rare preleukemic blood disease that sidelined him for two and a half years. He got off a sick bed to make a heroic comeback with his swan song, Pilgrimage, which Pat Metheny called "one of the great codas in modern music history" and which earned him a posthumous Grammy Award in 2007. Michael Brecker was a player of tremendous heart and conviction as well a person of rare humility and kindness, and his story is one for the ages.

The Tenor is a sweeping tale of historical fiction in the style of Ann Patchett's Bel Canto and De Burniere's Captain Corelli's Mandolin. It swiftly moves from Pino Vaggi's youth in pre-war Italy, to his coming of age as a soldier in war-torn Greece, before ending in a shattering surprise finale at Maria Callas' historic final performance ever on the stage of New York's Metropolitan Opera House in 1965. It is based loosely on the stories and anecdotes that the author learned from several of Maria Callas' personal friends and from nearly a dozen trips to Italy and Greece to research the subject.

From the New York Times bestselling author of the Testing trilogy comes the first novel in the pitch-perfect Glee Club mystery series. Even as a struggling opera singer, Paige Marshall has never seen anything like the cut throat competition of the Prospect Glen High School show choir. As their new coach, she’s getting an icy reception from championship-hungry students who doubt she can take them to a first-place trophy. Toughing this gig out may prove harder than scoring her big break... Especially now that her best young male singer is suspected of killing the arrogant coach of Prospect Glen’s fiercest rival choir. For Paige to clear his name, she’ll have to sort through a chorus of suspects—and go note-for-note with a killer who’ll do anything to knock her out of the spotlight for good.

(Amadeus). His exceptional good looks made him a matinee idol, and Franco Corelli the Prince of Tenors was dubbed "Mr. Soldout" for 20 consecutive years. In 1958, just seven years after beginning his career, he was already the highest-paid tenor in Italy. Following his Met debut in 1961, he was celebrated as the greatest tenor in the world, a position that he retained until his departure from the Met in 1975. His charismatic performances in such operas as La Vestale and Fedora (both in collaboration with Maria Callas), coupled with a formidable mystique, as well as a number of notorious and colorful incidents, including his real-life sword fight with Boris Christoff in Rome, the Callas walkout there, the beating up of a spectator in Naples, and the alleged biting of Birgit Nilsson on a Boston tour of Turandot , created a mania for Corelli. Nearly a decade in the making, this definitive biography is based on the author's extensive research of theater archives and interviews with the opera star's numerous friends, family members, colleagues (Nilsson, Pavarotti, and many others), as well as the management of some of the world's leading opera houses.