The authoritative source for information on the people, places, and events of the African Diaspora, spanning five continents and five centuries. The field of African Diaspora studies is rapidly growing. Until now there was no single, authoritative source for information on this broad, complex discipline. Drawing on the work of over 300 scholars, this encyclopedia fills that void. Now the researcher, from high school level up, can go to a single reference for information on the historical, political, economic, and cultural relations between people of African descent and the rest of the world community. Five hundred years of relocation and dislocation, of assimilation and separation have produced a rich tapestry of history and culture into which are woven people, places, and events. This authoritative, accessible work picks out the strands of the tapestry, telling the story of diverse peoples, separated by time and distance, but retaining a commonality of origin and experience. Organized in A–Z sections covering global topics, country of origin, and destination country, the work is designed for easy use by all.

The "Encyclopedia of the Ibeji" is a new book, with contents and photos completely different from the "Catalogue of the Ibeji", the other volumes by Fausto Polo on the Ibeji. The "Catalogue of the Ibeji" guided to the identification of the place of provenance of the Ibeji using the carving details of the statuette. The "Encyclopedia of the Ibeji" guides to the identification of the place of provenance finding a photo of a Ibeji similar to yours among over 500 photos included in the book.

EJIRE (MYTHICAL TWINS) is a monograph about the phenomenon of twins and their deification as cognized and practiced in Yoruba culture. The book in concise headings explore the spiritual, artistic and modernist aspects of the Ibeji tradition, highlighting its peculiarities and the special place twins occupy in the scheme of traditional society. Featured with illustration, the book is written by foremost Neo Negritudian, Wale Sasamura Owoeye.

This lavishly produced voulume is the first reference work to focus on the symbols, meaning, and significance of art in native, or indigenous, cultures.

From St. Augustine and early Ethiopian philosophers to the anti-colonialist movements of Pan-Africanism and Negritude, this encyclopedia offers a comprehensive view of African thought, covering the intellectual tradition both on the continent in its entirety and throughout the African Diaspora in the Americas and in Europe. The term "African thought" has been interpreted in the broadest sense to embrace all those forms of discourse - philosophy, political thought, religion, literature, important social movements - that contribute to the formulation of a distinctive vision of the world determined by or derived from the African experience. The Encyclopedia is a large-scale work of 350 entries covering major topics involved in the development of African Thought including historical figures and important social movements, producing a collection that is an essential resource for teaching, an invaluable companion to independent research, and a solid guide for further study.

The first publication on the Yorùbá master sculptor Moshood Olúṣọmọ Bámigbóyè Bámigbóyè: A Master Sculptor of the Yorùbá Tradition is the first monograph dedicated to the 50-year career of the Nigerian artist Moshood Olúṣọmọ Bámigbóyè (ca. 1885–1975). One of the most important Yorùbá sculptors of the twentieth century, Bámigbóyè is best known for the spectacular masks that he carved for religious festivals known locally as Ẹpa. Weighing up to 80 pounds and measuring over 4 feet tall, with intricate superstructures that could feature dozens of finely carved individual figures, these masks represent some of the most complex and elaborate works of Yorùbá art ever made. With 190 illustrations, this sumptuous volume presents masterpieces from Bámigbóyè’s workshop now housed in collections in America, Europe, and Nigeria. Essays situate Bámigbóyè’s work as part of Africa’s oldest and most dynamic art traditions and consider his sculpture in relation to contemporary Yorùbá art, culture, politics, and religion. With new and archival photographs and incorporating oral histories conducted with the artist’s family and community, this catalogue fills a critical void in African art-historical scholarship. Distributed for the Yale University Art Gallery Exhibition Schedule: Yale University Art Gallery (September 9, 2022–January 8, 2023)

The ibeji were produced for mourning parents; the range of expressions achieved by Yoruba carvers is extraordinary, as shown in this book.