New Encyclopedia of Southern Culture: Volume 1: Religion

Editors Wilson (history, Mississippi) and Ferris (anthropology, Detroit and Bakersfield. Literate, scholarly and pithy entries accompanied by well chosen photographs artfully placed. Far too good a book to be printed on acidic paper; our test contradicts the statement on the verso of the title page. The price is $49.95 until January 1990. Mississippi) have devoted 10 years to the realization of a unique concept. Involving many scholars and writers in many fields, this book ranges from grand historical themes to the whimsical; from the arts and high culture to folk and popular culture, organized around 245 thematic sections such as, history, religion, language, art and architecture, etc. Focuses on the eleven states of the former confederacy, but also encompases southern outposts in midwestern and middle-Atlantic border states, even the southern pockets of Chicago, Annotation copyrighted by Book News, Inc., Portland, OR

This volume of The New Encyclopedia of Southern Culture addresses the cultural, social, and intellectual terrain of myth, manners, and historical memory in the American South. Evaluating how a distinct southern identity has been created, recreated, and performed through memories that blur the line between fact and fiction, this volume paints a broad, multihued picture of the region seen through the lenses of belief and cultural practice. The 95 entries here represent a substantial revision and expansion of the material on historical memory and manners in the original edition. They address such matters as myths and memories surrounding the Old South and the Civil War; stereotypes and traditions related to the body, sexuality, gender, and family (such as debutante balls and beauty pageants); institutions and places associated with historical memory (such as cemeteries, monuments, and museums); and specific subjects and objects of myths, including the Confederate flag and Graceland. Together, they offer a compelling portrait of the "southern way of life" as it has been imagined, lived, and contested.

Wilson appraises the influence of religion on various aspects of Southern culture.

There is no denying that race is a critical issue in understanding the South. However, this concluding volume of The New Encyclopedia of Southern Culture challenges previous understandings, revealing the region's rich, ever-expanding diversity and providing new explorations of race relations. In 36 thematic and 29 topical essays, contributors examine such subjects as the Tuskegee Syphilis Study, Japanese American incarceration in the South, relations between African Americans and Native Americans, Chinese men adopting Mexican identities, Latino religious practices, and Vietnamese life in the region. Together the essays paint a nuanced portrait of how concepts of race in the South have influenced its history, art, politics, and culture beyond the familiar binary of black and white.

Folk art is one of the American South's most significant areas of creative achievement, and this comprehensive yet accessible reference details that achievement from the sixteenth century through the present. This volume of The New Encyclopedia of Southern Culture explores the many forms of aesthetic expression that have characterized southern folk art, including the work of self-taught artists, as well as the South's complex relationship to national patterns of folk art collecting. Fifty-two thematic essays examine subjects ranging from colonial portraiture, Moravian material culture, and southern folk pottery to the South's rich quilt-making traditions, memory painting, and African American vernacular art, and 211 topical essays include profiles of major folk and self-taught artists in the region.