Looks at scams, shams, and flim-flams that have been perpetrated in almost every field including art, business, entertainment, politics, and more.

Six hundred and sixty-six entries, along with hundreds of illustrations, on such topics as the Abominable Snowman, astrologer Jeane Dixon, and the monster of Loch Ness expose the cranks, charlatans, and myths of past and present.

Investigates six of history's biggest frauds, looking at how the hoaxes were carried out and what continued belief in them reveals about society's understanding of history.

An entertaining collection of the most audacious and underhanded deceptions in the history of mankind, from sacred relics to financial schemes to fake art, music, and identities. World history is littered with tall tales and those who have fallen for them. Ian Tattersall, a curator emeritus at the American Museum of Natural History, has teamed up with Peter Néaumont to tell this anti-history of the world, in which Michelangelo fakes a masterpiece; Arctic explorers seek an entrance into a hollow Earth; a Shakespeare tragedy is "rediscovered"; a financial scheme inspires Charles Ponzi; a spirit photographer snaps Abraham Lincoln's ghost; people can survive ingesting only air and sunshine; Edgar Allen Poe is the forefather of fake news; and the first human was not only British but played cricket. Told chronologically, HOAX begins with the first documented announcement of the end of the world in 2800 BC and winds its way through controversial tales such as the Loch Ness Monster and the Shroud of Turin, past proven fakes such as the Thomas Jefferson's ancient wine and the Davenport Tablets built by a lost race, and explores bald-faced lies in the worlds of art, science, literature, journalism, and finance.

“In an era of ‘alternative facts,’ Rex Sorgatz’s The Encyclopedia of Misinformation helps put things in perspective.” —Fast Company This compendium of misinformation, deception, and self-delusion throughout history examines fakery in the context of science and advertising, humor and law, sports and video games, and beyond. Entries span eclectic topics: Artificial Intelligence, Auto-Tune, Chilean Sea Bass, Clickbait, Cognitive Dissonance, Cryptids, False Flag Operations, Gaslighting, Gerrymandering, Kayfabe, Laugh Tracks, Milli Vanilli, P.T. Barnum, Photoshopping, Potemkin Villages, Ponzi Schemes, Rachel Dolezal, Strategery, Truthiness, and the Uncanny Valley. From A to Z, this is the definitive guide to how we are tricked, and how we trick ourselves. “Occasional salty language and pop-culture references make this compendium of 300 short entries a delightful mix of high- and lowbrow.” —Booklist

An illustrated survey of artist hoaxes, including impersonations, fabula, cryptoscience, and forgeries, researched and written by an expert "fictive-art" practitioner. The shift from the early information age to our 'infocalypse' era of rampant misinformation has given rise to an art form that probes this confusion, foregrounding wild creativity as a way to reframe assumptions about both fiction and art in contemporary culture. At its center, this "fictive art" (LaFarge's term) is secured as fact by employing the language and display methods of history and science. Using typically evidentiary objects such as documentary photographs and videos, presumptively historical artifacts and relics, didactics, lectures, events, and expert opinions in technical language, artists create a constellation of manufactured evidence attesting to the artwork's central narrative. This dissimulation is temporary, with a clear "tell" often surprisingly revealed in a self-outing moment. With all its attendant consequences of mistrust, outrage, and rejection, this genre of art with a sting in its tale is a radical form whose time has come.

In the more than 140 years since his death, Abraham Lincoln has become America's most revered president. The mythmaking about this self-made man began early, some of it starting during his campaign for the presidency in 1860. As an American icon, Lincoln has been the subject of speculation and inquiry as authors and researchers have examined every aspect—personal and professional—of the president's life. In Lincoln Legends, noted historian and Lincoln expert Edward Steers Jr. carefully scrutinizes some of the most notorious tall tales and distorted ideas about America's sixteenth president. These inaccuracies and speculations about Lincoln's personal and professional life abound. Did he write his greatest speech on the back of an envelope on the way to Gettysburg? Did Lincoln appear before a congressional committee to defend his wife against charges of treason? Was he an illegitimate child? Did Lincoln have romantic encounters with women other than his wife? Did he have love affairs with men? What really happened in the weeks leading up to April 14, 1865, and in the aftermath of Lincoln's tragic assassination? Lincoln Legends evaluates the evidence on all sides of the many heated debates about the Great Emancipator. Not only does Steers weigh the merits of all relevant arguments and interpretations, but he also traces the often fascinating evolution of flawed theories about Lincoln and uncovers the motivations of the individuals—occasionally sincere but more often cynical, self-serving, and nefarious—who are responsible for their dispersal. Based on extensive primary research, the conclusions in Lincoln Legends will settle many of the enduring questions and persistent myths about Lincoln's life once and for all. Steers leaves us with a clearer image of Abraham Lincoln as a man, as an exceptionally effective president, and as a deserving recipient of the nation's admiration.