This book provides a clear and concise way to increase your guitar chord vocabulary across the entire fretboard. the book outlines a movable chord system which allows you to both understand chord construction and provides the necessary tools to create chords on-the-fly in a playing situation.

With every chord a guitarist could ever need, you'll never have to buy another reference book again. This comprehensive collection of over 3,100 chords features crystal-clear photographs, chord frames, and standard music notation. Chord fingerings are shown along with note names, and chords are listed both alphabetically and chromatically for easy reference. Chord construction, intervals, inversions, altered chords, and music theory are explained in simple language to give you a complete understanding of what you are playing. This is the only chord encyclopedia you will ever need.

Johnny Rector has been recognized for years as one ofAmerica's top jazz guitar writers. Here, for the first time, he presents an analysis of modern chord progressions, extensions, alternations, substitutions and a hands-on series of exercises designed to utilize and apply theseimportant concepts to the guitar fingerboard. This book was written as a self-study guide to the intermediate, advanced and professional guitarist who has not had the opportunity to study material of this kind with a first-class competent teacher-artist, although such a teacher can be of greatassistance in learning to apply the material. It shows unusual chord forms and progressions beyond the basics.Written in standard notation

Over 500 illustrated chords are covered for Rock, Blues, Soul, Country, Jazz and Classical music. This compact dictionary is designed to fit in your bag and is completed with fingering diagrams for each chord and photographs showing how each one is played. Over 360,000 copies sold worldwide. This compact dictionary of over 500 popular chords in their most common voicings feature clare photographs and easy-to-follow diagrams and instructions. The spiral binding allows you to lay the book flat for easy reference while playing. Fingering diagrams for each chord are clearly indicated on a fretboard, and tips on technique are given together with relevant chord sequences. Whether your musical style favors rock, pop, blues, soul, jazz, funk, counry, or classical, this handy take-anywhere volume puts the techniques for making great guitar music at your fingertips, and sets you on the road to becoming a true chordmaster.

If you are only going to get one guitar chord book, make it this one! Thousands of chord forms are presented. Chords are presented in each key and numerous forms are shown for each type of chords. Chords are classified into melody forms, inside forms, rhythm forms and bottom four string forms. Each type of chord is shown in notation and it lists the name of each note and its function in the chord (root, third, seventh, etc.) Also, the name of each note is shown on every diagram and the bottom and top chordal tones are listed (5th, root, etc.). A great value for any guitarist.

The Deluxe Encyclopedia of Piano Chords is a thorough analysis of chords and how to use them as applied to the piano keyboard. Virtually every conceivable chord in all inversions is shown in bass and treble clef notation as well as in keyboard graphics. This study does not only list chord types; it also explains how each type of chord is constructed. In addition, the text provides information on usage, scales, and rhythm patterns. This valuable volume will enable the keyboardist to effectively use and apply the full diversity of chord possibilities in creating interesting, personal, and colorful musical styles.

This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique andthe exhaustive tables of melodic and rhythmic possibilities.It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation.Part 2 (rhythm) begins with a complete course in "Symmetrical Picking," a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing twosimultaneous tempos. The book concludes with a study of polyrhythm, playingone rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to beinclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): "Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player "could" do, rather than what the player "should" do. The principle is to develop your own learning process, rather than following someone else?s. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma,method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives.